27 Matching Annotations
  1. Jul 2026
    1. Successful Secretary Presented by Royal Office Typewriters. A Thomas Craven Film Corporation Production, 1966. https://www.youtube.com/watch?v=If5b2FiDaLk.

      Script: Lee Thuna<br /> Educational Consultant: Catharine Stevens<br /> Assistant Director: Willis F. Briley<br /> Design: Francisco Reynders<br /> Director & Producer: Carl A. Carbone<br /> A Thomas Craven Film Corporation Production

      "Mother the mail"

      gendered subservience

      "coding boobytraps"


      "I think you'll like the half sheet better. It is faster." —Mr. Typewriter, timestamp

      A little bit of the tone of "HAL" from 2001: A Space Odyssey (1968). This is particularly suggestive as H.A.L. was a one letter increment from I.B.M. and the 1966 Royal 660 was designed to compete with IBM's Selectric

      This calm voice makes suggestions to a secretary while H.A.L. does it for a male astronaut (a heroic figure of the time period). Suddenly the populace feels the computer might be a bad actor.

      "We're living in an electric world, more speed and less effort."—Mr. Typewriter<br /> (techno-utopianism)

  2. Jun 2026
    1. Chuck Goldstein, was a members of The Modernaires singing group from the early/mid 30's until 1942. In 1940, they began singing with Glenn Miller and his orchestra. The day after Glenn disbanded the orchestra in 1942 (so he could join the Army), Chuck had left The Modernaires to pursue his own career. I believe around 1945 he formed a new singing group... That being Four Chicks and Chuck! They sung a few commercials, but they also did other songs. They sung with Kate Smith a decent amount. They weren't a long lasting group though, only going until around 1953. After that, Chuck formed Chuck Goldstein Productions, which focused on commercial jingles.

      See also: Olympia Typewriter Song

  3. May 2026
    1. reply to https://www.facebook.com/groups/TypewriterCollectors/posts/10161712887224678/

      to Steve Clancy Zach Hubbird Jean Brunet

      I'm curious what the sourcing is on your differentiation of the two models? Are there manuals, advertising, or other details to back up the differences? From what I can see, the phrase "Rhythm Touch" seems to have been an advertising tag for the Underwood SS which started a few months after production of the SS began and there wasn't any difference in them other than the advertising tag.

      Robert Messenger has some scant history on the machine and the differences, primarily due to a redesign at the time, at https://oztypewriter.blogspot.com/2012/11/on-this-day-in-typewriter-history_25.html. The primary change from the S to the SS seems to have been a move from a carriage shift to a basket shift and so it seems somewhat fitting that Underwood uses the phrase "Rhythm Touch" as an advertising gimmick much like Smith-Corona were doing with their "Floating Shift" marketing.

      Generally standards at the time were not differentiated by different trim lines as standards had all the bells and whistles for office use (potentially aside from custom use cases like decimal tabulators or extra wide carriage). Meanwhile all the trim variations were generally seen in the portable market geared toward home use rather than office. This would seem to support the idea that there's only the SS and "Rhythm Touch" is only an advertising tag line as the SS was newly introduced in January of '46 and "Rhythm Touch" appears around July '46.

      There's also some discussion on the TWdB in the commentary at https://typewriterdatabase.com/1950-underwood-ss.23202.typewriter which may add to the question.

      I'm curious to hear everyone's thoughts on the idea/thesis that the only model is the Underwood SS which is being marketed as the "Rhythm Touch" or evidence to the contrary to refute the claim.

  4. Apr 2026
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