11 Matching Annotations
  1. Feb 2024
  2. Oct 2022
    1. Queer OS would take historical, sociocultural, conceptual phenomena that currently shape our realities in deep and profound ways, such as race, gender, class, citizenship, and ability (to name those among the most active in the United States today), to be mutually constitutive with sexuality and with media and information technologies, thereby making it impossible to think any of them in isolation. It understands queer as naming an orientation toward various and shifting aspects of existing reality and the social norms they govern, such that it makes available pressing questions about, eccentric and/or unexpected relationships in, and possibly alternatives to those social norms.

      “The Sankofa Principle: From the Drum to the DigitalLinks to an external site.,” Abdul Alkalimat“The Sankofa Principle: From the Drum to the DigitalLinks to an external site.,” Abdul Alkalimat“The Sankofa Principle: From the Drum to the DigitalLinks to an external site.,” Abdul Alkalimat

  3. Sep 2019
    1. l implicated in the harm caused by the U.S.’s widespread use of drones, and both drones’ opponents and proponents focus on value calculus of their usage. Nasser Hussain’s “Phenomenology of a Drone Stri

      y

    1. Oneareawheremedia-specificanalysiscanpayespeciallyrichdividendsisliteraryhypertext

      i am another example

    1. course influences how these texts are conceived and written, digitality also leaves its mark, notably in the increased visuality of such best-selling novels as Mark Danielewski’s brilliant hypertext novel House of Leaves, Jonathan Safra

      these are also words.

    1. What and how do I feel or want to feel? Subsumed in those questions is a recognition of self, as if to engage each of those questions is to first admit that there must be a 'me' there, something undeniable and complicated, something other than the world might know.

      fast

    1. broad conditions by which media and communication areand have been shaped.' Though presented chronologically in parts I and II, the historiesof recorded sound and digital networking rendered here are intended to speak to oneother. In particular, I mean to turn "The Case of Phonographs" against "The Question ofthe Web," and thereby challenge readers to imagine what a meaningful history of today'snew media might eventually look like as well as to think about how accounts of media ingeneral should be written.

      also words

    1. or those of us interested in the present state of literature and where it might be going, electronic literature raises complex, diverse, and compelling issues. In what senses is electronic literature in dynamic interplay with computational media, and what are the effects of these interplays?

      yes!