When describing her husband, Anna thinks, “He’s not a man, not a human being, he’s a puppet. Nobody else knows it, but I do...He’s not a man, he’s an administrative machine” (360). In the process of trying to justify her crime, Anna dehumanizes her husband, making him into a mere puppet that can be hurt without fear. For if her crime only affects one without a heart, can it be considered a crime at all? The student that Raskolnikov overhears uses a similar logical technique when he says, “And what does the life of this stupid, consumptive, and wicked old crone mean in the general balance? No more than the life of a louse, a cockroach, and not even that much, because the old crone is harmful”
Both Anna and Raskolnikov justify their crimes by making the person they are transgressing against seem to be not human at all. Of course, crimes can only be committed on humans.