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- Feb 2017
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www.nytimes.com www.nytimes.com
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To engage with the lives of others, white audiences would have to encounter something far more frightening: their irrelevance. They would have to reckon with the fact that the work will not always speak to them, orient them, flatter them with tales of their munificence or infamy, or comfort them with stereotypes.
In order to stop the erasure of the other, white people would have to take themselves out of the spotlight and realize not everything is for them. they would also have to encounter black suffering or something similar amongst themselves.
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