A modern connection: This is Taylor Swift's song “Mad Woman”, which debuted as the twelfth track on her seventh studio album, Folklore, released on August 18, 2020. Written during the COVID-19 pandemic, the song addresses the criticism and societal backlash that women often face when expressing anger. I include this song as an annotation because it resonates strongly with Xantippe. Centuries of being villainized, described as “shrewd” or “crazy,” mirror the way society punished women for emotions that were deemed inappropriate. Swift’s lyrics capture this societal double standard: "And there's nothin' like a mad woman What a shame she went mad No one likes a mad woman You made her like that" These lines directly reflect the way Xantippe’s anger is treated, not as a natural or justified response, but as evidence of moral or personal failing. Swift continues: "And you'll poke that bear 'til her claws come out And you find something to wrap your noose around" This imagery parallels the way Xantippe is provoked and restricted by the expectations of her husband and society, until she finally lashes out, a physical and emotional release mirrored in Levy’s poem. Later lines, such as: "The master of spin has a couple of well-placed friends They'll tell you you're insane" highlight how women’s reputations and emotions are manipulated and controlled by societal judgment, reinforcing the same marginalization that Levy talks about. By including “Mad Woman”, we can see a direct line from Xantippe’s historical and literary treatment to modern discussions about women, anger, and the consequences of breaking imposed emotional boundaries.[]https://youtu.be/6DP4q_1EgQQ?si=e7ol3EKrAAWfHwSR