Deleuze draws a different conclusion: judging images according to the degree to which they conform to the idea, imposes the constraints of Platonic representation on the simulacrum; ordering it according to the requirements of similarity and imitation, and thus obstructing its demonic “power of the false.” This is why Plato splits the domain of images in two, making that part which conforms to the original, the copy, placid in its conformity, while locking up that part which remains rebellious, the simulacrum, “in a cavern at the bottom of the Ocean.” This, Deleuze claims, is Plato’s motivation in setting up the domain of representation, overseen by the theory of ideas, which “philosophy will later recognise as its own” and which Nietzsche calls on those in the future to overthrow; by allowing the simulacrum to rise to the surface, in order to affirm its “phantasmatic power,” its power to deceive.