- Dec 2016
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designschool.canva.com designschool.canva.com
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Choosing two or more fonts to use together can be tricky. You want the fonts to complement each other, but not be too similar — different, but so wildly different that they clash. Avoiding these extremes of too little or too much contrast often ends up being a process of experimentation and trial-and-error — like Goldilocks testing out the three bears’ porridge and finding one too cold, one too hot, but one “just right.”
I learned about combining fonts in my Digital Writing and Publishing class this semester. It was my first intorduction into to typography and "font studies". When creating my OPP and the deliverables for my SLP, it was something I had to actively compare because I wanted everything to look cohesive. Your eye doesn't really pick up on appropriate combined fonts, but it DOES pick up on inappropriate combined fonts and it's jarring.
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Most design programs will allow you to adjust letter-spacing/tracking (spacing between whole groups of letters in lines or passages of text), kerning (spacing between pairs of letters), and leading (vertical space between lines).
I found this really helpful. On my resume, my name on the top of my resume is really spread out. While it is readable by any formal definition, it didn't fit the professionalism that a resume needs to have in order to be effective. I changed the spacing and now it looks very professional and easier to read.
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Every designer needs a few neutral fonts that adapt to their surroundings and can be a go-to choice when time is tight or nothing else seems to be working.
My 'go to' fonts are Arial, Georgia, Calibri, and TNR. I really definitely look into making sure they can be used in all occasions and expanding my list just in case.
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Your first concern in choosing a font for a project should be that it matches the message or purpose of your design.
This shows that rhetorcial analysis is not only used in rhetoric studies, but interdisciplinary. If you can state and argue your purpose and also keep it in mind throughout the creation and evolution of your text, effectiveness is easier to maintain.
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You wouldn’t wear a bathing suit to a job interview; then again, you wouldn’t want to wear a suit and tie during your vacation on the beach either. There’s an element of appropriateness to consider.Now, what your clothes do for you, font choices serve the same purpose in a design.
Wonderful way to understand why fonts are so important! Of course, no one would ever wear such inappropriate clothing to job interview, but it can also be correlated to fonts. If an document is official, academic, or professional in manner, you would want to you a font that is easy to read and professional and mature looking. There is a reason that government documents aren't in Comic Sans.
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The typeface is the design; the font is how that design is delivered. typeface + style + size = font A font is what you use; a typeface is what you see.
I never knew the words weren't interchangeable. This article is providing us with lots of great and useful information that is easy to digest.
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The "Font Categories" graphic is an essential reference guide to the four basic categories of fonts. I can definitely see myself using this in my career as a producer of text and content creator.
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Though this point is often debated, it’s commonly said that serifs make long passages (in print) easier to navigate visually, helping move your eyes along the lines of text. However, because serifs are usually small and thin, they often don’t display as well on pixel-based screens (looking distorted and “noisy” rather than clear and crisp), so many designers favor sans-serif fonts for web use, especially at small sizes.
This is great information to know. If a producer of text/content creator can make long paragraphs of text "easier to navigate" that is sure to come in handy. This is especially great to know from a technical writing viewpoint. Oftentimes, we are challenged to make a long text seem not as daunting without compromising any of the information. It's cool to know that the answer might be simply to change the font.
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four basic font categories
It's interesting to me how all the fonts in Microsoft Word can be sorted into, more or less, four basic categories.
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So if you’ve ever felt a little lost when it comes to fonts, then you’re in the right place.
I, for one, didn't even know about the effectiveness of typography and font styles until I started this semester. One would think that with so many font options that are readable and "nice" that it wouldn't matter. I'm excited to read about how to "use" fonts effectively. Isn't that what rhetoric is all about?
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