Schoolchildren are often given Samuel Taylor Coleridge’s phrase “suspension of disbelief” as a simple way to evaluate the success or failure of fantastic literature. Were you lulled into taking for granted the talking dragon and magical elves because of the otherwise “relatable” content? LeGuin should be thought of as doing something similar: effecting a communist suspension of disbelief, a suspension first and foremost of capitalist disbelief in the possibility of communism. To do this, she has to induce disbelief in the institutions of capitalism, to display them not as “how things are” but “how they’ve been made to be.”