227 Matching Annotations
  1. Feb 2016
    1. Instead of media, there are simulations of media.

      The idea of simulation recalls the question of embodiment.

    2. allagmatic

      Allagmatic – The Greek word allagma can mean change or vicissitude, but it can also mean that which can be given or taken in exchange, which more genuinely captures the idea of energy exchange in Simondon’s usage.

      Simondon will also define the allagmatic as “the theory of operations” (IGB, 263), complementary to the theory of structures that the sciences elaborate. On the same page, Simondon will define an operation as “a conversion of a structure into another structure.”

      from fractalontology.wordpress.com

    3. a video and a stock market price, until that data is once again modulated into a display register

      How do we begin to write for this new audience?

    4. that will ‘make sense’ of the data in the context of a spreadsheet

      Is this protocol an audience?

    5. As stated above, the fact that there still seem to be media in the world, apparently differentiating themselves from each other, is entirely due to this protocol-driven modulation process to and from display states.

      How do we classify what sorts our data? Do they technically mediate information for an audience?

    6. Since the very concept of media by definition presumes that there are media, plural (for example, differentiated media), and since the digital converges all media into a single state (that is to say digital data), then by definition the concept of media simply disappears. In other words, data is the Great Leveler.

      I had never thought of this. What would Plato think of this? The digital allows us to record thoughts and words for a very large audience, but can our work adapt to future audiences?

    7. must first be digitised to data, then modulated between storage and display in an endless protocol-based negotiation that both severs any link to the data’s semantic source and creates an ever-growing excess of data weirdly related to, but ontologically distinct from, its originating data source.

      I'm having flashbacks to Hunter's article

    8. This ontology will be at once historicist, inhuman, and anti-descriptivist.

      I'm interested to see how they develop this. I'm having a hard time relating to technology in the way that the writers are.

    9. return to a full-blown metaphysics of ‘being,’ outside of any subjective or human ‘correlation.’

      Are machines "beings?"

    10. integrally mediated through the human

      Can we argue that machines are rhetors if they are created and mediated by humans?

    11. prescient

      having or showing knowledge of events before they take place.

    12. apotheosis

      the highest point in the development of something; culmination or climax

    13. whatever happens might also not have happened; yet what happens also happens as a result of human intentions and actions; finally

      Is this the "hyper real?" What happens in games and simulations isn't real, but what happened was caused by a human... Ahh, the confusion.

    14. The point, however, remains: we are not in a media situation, but in a simulated-media situation. It is not that contemporary media saturate us with simulations, but that these media are themselves simulations. This is the ‘event’ that needs to be thought through.

      The idea of ontology and simulation draw close a dichotomy of the "real" and the "simulation." This brings up interesting questions about the human experience of digital simulations and the "realness" of experience. How does this apply to embodiment or emergence?

    15. amamnesis: a recalling to mind

      hypomnesis: hypomnesia, hypomnesis, hypomnestic 1. A condition of having a weakened memory. 2. Abnormally poor memory of the past.

    16. probative value

      evidence which is sufficiently useful to prove something important in a trial

    17. What we propose in this paper, then, is to use elements from each of these tendencies in a way that none of them can do alone; in doing so, we will construct a specifically digital ontology which, while tied in an integral way to the new media of our times, also exceeds their current forms; this construction will enable us to show that the modalities of differentiation in new media do not only occur at the level of display, nor at the level of programming, but in a genuinely ontological way.

      This seems to be a thesis statement.

    18. vitiates

      corrupt or tear down

    19. he began to offer an extraordinary meta-theory that can itself be seen as a radical form of media theory, that is, by way of a return to language as the opening of any possible revelation (“language is the house of being”), and with poetry as its privileged witness in our destitute times, governed as they are by modern technology (Heidegger, 2000: 83). Despite their own difficulties with Heidegger, the speculative realists share his anti-descriptivist rage in their constructions of systems of real objects utterly indifferent to any human concerns. In doing so, however, they are also concerned to attend to the abstract problematics of transmission, that is, of ‘media’ in the most rigorous way.

      "Language is the house of being" also sort of recalls the idea of language as a spore or germ, in the sense that its presence is a necessary catalytic agent. Without language as a medium, the idea of transmission is halted.

    20. Ontology, when it enters at all, can only do so as an historically-circumscribed concern.

      Does or can any theory of being exist outside of its historical underpinnings?

    21. Despite their manifest, manifold differences, what unites such projects is their commitment to fundamentally naturalistic redescriptions of the complex interactions of trans-human agents.

      I am reminded of the fundamental ambivalence that Derrida argues in his consideration that the words have multiple meanings depending on the intention of the speaker/writer.

    22. change and transformation are not simply ‘characteristics of the medium’s current phase but more generally [are] one of television’s integral features’ (

      This is more along the lines of how I regard changes in television. They are innate features, rather than characteristics of a phase.

    23. 1950 and 1980

      30 years will most certainly be a blip as television evolves, so I do not think it is valid to say that this period of time illustrates tv as a stable medium.

    24. This new television landscape requires us to rethink how television functions socially and culturally.

      How have the standards for acceptable uses of television changed/evolved since we are now able to view things from essentially anywhere?

  2. Jan 2016
  3. Nov 2015
    1. G.Nelson

      In her article, “Government Budgets as the Hunger Games: The Brutal Competition for State and Local Government Resources Given Municipal Securities Debt, Pension and OBEP Obligations, and Taxpayer Needs,” Professor Christine Chung provides an eye opening and thorough analysis of Detroit’s economic woes. She summarizes the latest statistical findings, which illustrates the severe loss in residents, property blight, crime rates, the maximum statutory limit of taxation reached, citizen flight, and the loss of jobs. Moreover, she illustrates the budgetary debt constraints that have ballooned to more than $18 billion, which helped prompt Detroit to file for bankruptcy; the debt to revenue ratio will only increase over the next few years; bondholders are expected to lose a substantial amount of their investment from the bankruptcy. Chung illustrates that the City’s collapse preceded by an incremental decrease in jobs. From 1970 to 2012 the number of jobs declined from 735,104 to 346,545 (Chung 666).

      She illustrates that Detroit is not an exceptional case, but there are numerous municipalities that are struggling to pay debt and other obligations, e.g. pensions. Currently, out of the participating states and localities, only $2.35 trillion has been set aside to pay pensions, health care, and OPEB promised to public sector employees; however, the actual estimated cost is around $3.5 trillion: more than $1 trillion in unfunded obligations (Chung 669).

      Because of Detroit’s financial instruments used to manage their budgetary obligations, they took a high stake wager on interest rates, and when the rates declined, “Detroit lost catastrophically on the swaps bet” (Chung 670). Some municipalities have used derivatives to win, but others, e.g. Orange County, California and Jefferson County, Alabama, have lost or struggled with the financial instruments.

      Chung posits that the Dodd-Frank Wall Street Reform and Consumer Protection Act does not go far enough to protect stakeholders or prevent from imprudent financial-decisions-makers from erring in how they utilize risky financial instruments. She finalizes her article with the following regulatory recommendations, which should provide a clearer picture of a City’s budget, obligations and revenues: "(i) requiring compliance with uniform accounting standards, so that stakeholders can get a better sense of the state of state and local government budgets; (ii) creating a data collection resource and oversight body to help identify and manage risks associated with complex instruments, (iii) creating a data collection resources and oversight body to help identify and management risks associated with public employee compensation (particularly pensions and OPEB), and (iv) expanding the reach of the fiduciary standard to a broader range of stakeholders involved in local government financial decision-making, including public officials, underwriters, and derivatives counterparties.” (Chung 671)

      Honest politicians, clear and transparent accounting, and realistic demands on the City’s and State’s resources are needed, even at the cost of upsetting some constituents. A norm can be redeveloped that can help Cities create stability and longevity.

      G.Nelson

  4. Jul 2015