Part of her lament was about the secrecy of the project: once National Geographic became involved, no one outside of the project would have any access to the codex or its text until its grand unveiling in April 2006.
It is understandable that DeConick was frustrated about this. It seems that National Geographic received the spotlight on this project. Other motives such as making a profit out of a good story, or keeping the interpretation of the manuscripts to themselves could cause problems, and could leave out other interpretations that could be useful to the study of this codex.