A colonial mansion
I picture a large white colonial mansion surrounded by greenery.
A colonial mansion
I picture a large white colonial mansion surrounded by greenery.
I wonder if they all come out of thatwall-p3.per as I did?But I am securely fastened now by mywell-hidden rope - you don't get me outin the road there !I suppose I shall have to get back behind the pattern when it comes night,and that is hard!It is so pleasant to be out in this greatroom and creep around as I please!I don't want to go outside.
She has become consumed by her condition. She no longer wishes to go outside, although she used to.
I've got a rope up here that even J ennie did not find. If that woman doesget out, and tries to get away, I can tieher!But I forgot I could not reach far without anything to stand on !This bed will not move!I tried to lift and push it until I waslame, and then I got so angry I bit off alittle piece at one corner - but it hurtmy teeth.Then I peeled off all the paper I couldreach standing on the floor. It stickshorribly and the pattern just enjoys it !All those strangled heads and bulbouseyes and waddling fungus growths justshriek with derision iI am getting angry enough to do something desperate.
It is the final day before they catch the boat. The author wants to surprise her husband by catching the woman in the wall, containing her. One can assume, from this statement she aims to contain her condition for her husband to impress him. She becomes desperate, willing to do anything to prove the woman in the wall (her condition) exists while attempting to rid herself of these thoughts. Perhaps hoping the proof will allow her to move on or receive help for the woman (herself/her condition ).
But there is something else about thatpaper - the smell! I noticed it the moment we came into the room, but with somuch air and sun it was not bad. Nowwe have had a week of fog and rain, andwhether the windows are open or not, the:sme ll is here.It creeps all over the house.
When reading this statement, I immediately think that the wallpaper (or her condition) is beginning to completely overwhelm her. As her condition is progressing the sunlight is fading and the rain/fog worsen her condition. The wallpaper is now following her throughout the house, becoming overwhelming in every room.
He laug hed a little the other day, andsaid I seemed to be flourishing in spiteof my wall-paper
The author dislikes the wallpaper but calls it her own. She mentions flourishing despite the wallpaper, rather than bringing up her condition. This information further establishes her feelings and descriptions of the wallpaper align with her condition. It seems as if she is replacing her condition with the wallpaper and using the terms interchangeably.
There are things in that paper thatnobody knows but me, or ever will.Behind that outside pattern the dimshapes get clearer every day.It is a lw ays the same shape, only verynum::!rous.And it is like a woman stooping down.and creeping about behind th at pattern.I don't like it a bit. I wonder - I be-gin to think - I wish John would take,me away from here!
I wonder if the wallpaper is the author's way of expressing her condition. She states there are things nobody knows but her within the wallpaper, just as there are with her thoughts. She views a woman trapped and creeping about similar to how she feels in the house and how she has to keep her writing hidden from others. She wishes her husband would take her away from the wallpaper, just as she wishes he could heal her condition.
But, on the otherhand, they connectdiagonally, and thesprawling outlinesrun off in greatslanting waves ofoptic horror, like alot of wallowing sea-weeds in full chase.The whole thinggoes horizontally,too, at least it seemsso
She is a perfect and enthusiastic housekeeper, and hopes for no better profession.
John's sister seeks nothing more than sticking with the gender roles of the time period, based on this statement by the author. Reading this statement after gaining more information about the author's condition, one can assume the author looks to John's sister as a role model for the time. The author believes John's sister is comfortable with where she is.
I never saw so much expression in aninanimate thing before, and we all knowhow much expression they have! Iused to lie awake as a child and get moreentertainment and terror out of blankwalls and plain furniture than most children could find in a toy-store.I remember what a kindly wink theknobs of our big, old bureau
The author discusses her history of finding expressions in objects. She goes on to personify objects throughout an old room of hers. This line establishes her history of over analyzing and personifying objects in her presence. Her attention to detail and perceived expressions of objects carries over from her childhood to their rental.
I am glad my case is not serious!
From this statement one wonders if she is being sarcastic, as she is able to write when he is not around. Another viewpoint is that she resents her husbands mindset about her condition. She seeks answers for the way she is feeling, but has no one that will offer advice nor recognize even the slightest possibility she has a condition.