39 Matching Annotations
  1. Dec 2019
    1. The "third" world is not and cannot be represented in its own terms, for in "first" world imperializing knowledge there are no such things: its mode of representation is a "first" world product which reproduces the "first" world in all that it represents.

      This reminds me of how imperialism in the past was justified. If a country and their people were taken over, the justification was that they were "doing the right thing" or "helping them out". In reality, it was purely expansion of their own country and showing superiority to others.

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  2. Nov 2019
    1. Hidden-video programs (such as Totally Hidden Video), which enjoyed a minor resurgence in the early 1990s, rely on professional camera crews and actors maneuvering nonprofessional performers into embarrassing

      This reminds me of the show "What Would You Do?", where an actor (or actors) pretend to do something strange or egregious in order to see what surrounding people would do in response. I wouldn't be surprised if the people who respond to these actors are also actors or reenacting what they just did. The idea of these crews and actors maneuvering others into these kinds of situations definitely fits with this program.

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    1. any new opportunities for diversifying representation they provide are constrained by this commercially driven framework.

      Reading this makes me sad, as there are people that watch these kinds of shows that truly believe in what they are showing. These shows could have been the chance to show people a glimpse at accurate representations of people, breaking stereotypical and offensive misrepresentations. Unfortunately, this isn't the goal at all. Instead, it is untruthful and changes depending on what brings in the most entertainment and money, not caring about how offensive or fabricated their depictions are..

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    1. We lived in a country at peace for the first time in decades-or so it seemed. Who cared ahout far-off places with obscure problems?

      I feel like this is a similar theme that has carried on from the previous chapter. The idea of America caring more about their own country than the rest of the world is definitely still an issue.

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    1. In the 1980s, under intense lobbying by the networks, the Fed-eral Communications Commission, which is supposed to rep-resent the public's interest, began to deregulate broadcasting.

      This is an unfortunate part of our history that has repeated time and time again. In an earlier unit, we learned about how television itself was supposed to be to inform the public and connect to them easier. Shorty after, panic ensued because people wanted to find out how to make money off it. As we're reading now, the public's interest was traded in for money, just like many/most other parts of our lives.

    2. We arc today still a long way from the heyday of foreign news, even with the addition of the CNN, Fox News, and MSNBC 24-hour news channels

      This is definitely something I've noticed. Most of the news is about things that are happening within the U.S., with some news about other countries and events. However, they usually lack detail and are covering bigger events that have occurred. If there is significant coverage of another country, it usually involves or is closely tied to the U.S.

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    1. Ideology is a possible relation between an individual and its social ground; it "repre sents an imaginary relationship of in dividuals to their real conditions of exis tence"

      We've been talking about ideology a lot these past few weeks and it's nice to read this definition, as it is an good way of defining the term. Imaginary relationships that humans have formed in order to make sense of the real world around us.

    2. epresentations of the dominant hegemony may, and usually are, embedded in texts, but not all specta tors decode them in the same way

      I believe this means that these dominant hegemony are typically seen in texts but not all of those reading see it in the same light. I think this is very true, as some can read about the dominance of one group over the other to be normal and accepted or bad and in need of change.

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    1. I have fp)t however. that it was only iQjhe light of some conception of a dominant cultural logic or hegemonic norm that Pe;~;;-;nnerence could be measured and asse~d.

      While I don't agree that a dominant logic or norm is needed to see difference, I can definitely see where he is coming from. When we see something that is considered "normal" by most, that is when we can really tell when something isn't normal. If there isn't an idea of what is normal about something, we are less likely to see it as being weird or not normal.

    2. the underside of cultnre is blood, torture, death, and terror.

      I wonder why the author uses this kind of wording to describe culture. I understand that his stance on postmodernism isn't one that is positive, but it feels like he truly has a morbid view of the world because of what he thinks it's turning into. This may be the reason why he uses such terms but I'm not really sure.

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    1. the intercutting of these microsites enablesa rich thematic comparison of the two institutions: cops who mostly wantto bust heads and robbers who run a much tighter organization.

      It became really clear that this was the case as the first episode progressed. It seemed like the cops were so unorganized, reluctant and didn't take their jobs seriously. Meanwhile, the "robbers" were so much more careful and organized, even punishing their own because of the dangers his actions could have had on the group. It's common to see the robbers being portrayed in a negative light because of their actions but I was impressed with how they handled things.

    2. The twenty-something Simon hung out with selected shifts,drank with the detectives in many bars, followed the progression or im-passes of both heartbreaking and mundane cases

      I think that his experiences and gathering information, stories and insight is a major reason why he has made such great work. A lot of the time, the truth is hidden from the public. Simon spending time and effort to learn and experience these things is great journalism.

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    1. These comments suggest that the series does more than pleasantly wash over its viewers; it touches them, creating feelings of involvement and intimacy. This level of identification is important because it suggests that the series has a more profound influence than a show that is passively consumed and subsequently forgotten.

      I definitely find this passage interesting, as I can see where they are coming from. In the episode we watched, Cliff had a talk with Theo about how it's important for him to do well in school and take it seriously. This is a real issue that parents have and they could have really related to it. Being able to connect to the show and be influenced through these moments could have definitely helped lead to the large, consistent audience that this show had.

    2. Finally, the Huxtables appear to reflect a black culture that white audiences enjoy being exposed to (in many cases because of its familiarity rather than its difference).

      I think this is one of the main reasons that the show was so popular with white audiences. The Huxtables were a black family that acted like how white audiences would expect families to act and are comfortable with. If the Huxtables were more like the Jeffersons, I think there would have been a big change in how things would have turned out.

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    1. We may know, for example, that television exaggerates the scale of violent crime for dramatic purposes; nevertheless, studies show that the more television we watch, the more violent we assume the world to be.

      I think we covered this in a previous unit, but television is another world that creators have tried to make as close to the real world as possible. While the events that happen in them are fictional, they are (most of the time) realistic and relates to the viewer even more. With all the violence, crimes and dangers that these shows present, it isn't too surprising that even though we know these aren't part of our world, we feel like they easily can be, In this case, some viewers start to believe that this is true in our own world as well.

    2. This mode of thinking has been a prominent part of culture in the United States ever since the advertising industry discovered that appeals based upon association were much more effective than appeals based upon providing consumers with rational information about products.

      This is very apparent in the way advertisements are created today. Why would we, the consumers, care about the information of these products when we all know who these famous people are? For example, in the current State Farm commercials, instead of giving useful information about why we should use their insurance, they just show us Aaron Rodgers and Patrick Mahomes in a little skit. The use of star power or crazy, over-the-top advertisements have overtaken rapid-fire information as the favorite way to catch our attention.

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    1. Critics have begun to accuse the show of presenting a misleadingly cozy picture, a sugar candy world unfettered by racism, crime, and economic deprivation.

      I have to agree that this approach can lead to a misleading image of a cozy life and world without real issues that happen in our world. At the same time, I would think this is part of why the show did so well. The lack of racism, stereotypes and economic struggles help create this ideal image and unrealistic world that people, of any race, can escape to from their own troubled lives.

    2. What makes the show unusual is its popularity, its critical acclaim, and the fact that all its leading characters are black.

      I think this statement might not be surprising for us to read knowing what we know now, I think it's still important to think about. This show was so different compared to other shows on television at the time and didn't follow the usual criteria. Yet, it became so popular, successful and a big part of television history.

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  3. Oct 2019
    1. when men hear her voice, they hear, "Take out the garbage," and everyone knows what that means.

      While I know what this means, I grew up in a household that doesn't use this kind of language or statements. Is this a common saying that is used in households or is it dependent more on the individuals in the household? I couldn't imagine saying this or thinking about saying this in my household.

    2. We can believe that any woman can become a CEO (or president), that women have achieved economic, professional, and political parity with men,

      This is a statement that I believe is meant to be read as incorrect, as many of us know that this is not true. We still hear of women who make less money than men with the same occupation and women who aren't taken seriously compared to men in the workplace. However, through the things we have seen in the media, we are made to believe that these success stories are vast and apply to many women when they actually haven't.

    3. Why did the Ladies Professional Golf Association (of all groups!) in 2002 feel compelled to call in hairstylists and makeup artists to enhance the players' sex appeal?

      This is new information to me that I thought was interesting. Do they really expect golf players to attract more viewers with sex appeal? I understand that good looking people are an added bonus for viewership but this just seems odd to me, even if it makes sense.

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    1. Ranging from the networks' morning shows (NBC's Today, ABC's Good Morning America, CBS's This Morning) distributed nationally by the networks to the syndicated shows that plug the off-network holes in affiliates' schedules (such as Oprah Winfrey, Donahue, Geraldo, Ricki Lake, and Sally ]essy Ra-phael), the talk show remains a staple of women's television.

      I have noticed that a lot of talk shows are more geared towards women than men, as the ones I've seen have an all-female set of hosts, audience and topics. Things like sports shows are also guilty of this, as they are mainly former players (mostly men) who talk about the game and really focuses on their target audience than including other viewers.

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    1. A very great number them recognize, with aesthetic sensibility if not with theoretical conceptuality, just how rotten their product is and continue producing it

      I found this statement to be very interesting to explore. I think there are a lot of creators who know/think that what they have made is not high quality, "garbage" or not creative at all. However, they have to use it because it's what people like or what makes the most money. A lot of people wonder why hospital dramas and crime shows are commonly done or why shows don't experiment more with lesser-known topics or controversial ones. The same can be said about streamers playing the same game as everyone else or YouTubers making the same kind of video(s). All of it has to do with money and if it will be successful (aka results).

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    1. He doesn't even have to rouse himself to go to the cinema anymore, and in America whatever costs no money and requires no effort loses all the more value in his eyes.

      I feel like this statement is meant to say that when you have to do less and spend less, you tend to value them less. In this example, you used to have to go out to the movies and buy tickets to see films. However, by having the films be available on your TV without having to buy a ticket, you don't value the movie (or experience) as much. I think streaming has even furthered this, as you can access certain movies and series whenever you want and value it less as a result.

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    1. The idea that female spectators were also workers in the home was, by the postwar period, a truism for broadcasting and advertising executives.

      The way that broadcasting and advertising executives took advantage of this was both genius and a little bit sad for me to read. It is completely expected for them to cater their products and advertisements towards female home workers but at the same time it feels wrong.

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  4. Sep 2019
    1. "Disney always enjoyed showing people around his studio and explaining to them exactly how the exotic process of creating an animated film proceeded." In fact, Disney originally planned for the amusement park to be located at the studio, with demonstrations of the filmmaking process as one of its major attractions.

      It's interesting how Disney enjoyed showing people the secrets behind how his works were created, as I would think that it would ruin the "magic" that comes with them. However, I think he valued educating his audience about how these works came about, become closer to them and didn't want to hide these secrets from curious viewers.

    2. Although Walt Disney repeatedly assured the press that the Disneyland TV series would stand on its own terms as entertainment, the program served mainly to publicize Disney products.

      While it isn't too surprising, I thought it was a clever idea for Walt Disney to combine the TV series with the real amusement park. By selling the product (which is Disney brand as a whole) using television, it would influence viewers to get immersed in the world.

    3. To obtam the :(irst Disney TV series, a network would have to purchase the series and agree to invest at least $500,000 for a one-third share in the studio's most ambitious project, the Disneyland amusement park planned for construc-tion in suburban, Los Angeles. NBC and CBS balked at these terms,. but ABC, mired in third place, decided to accept. 3 In uniting the TV prqgram and the amusement park under a single name, Disney made.one of the most influential commercial decisions in post-war' American culture.

      When I read this, I was incredibly surprised and intrigued. Maybe it's because I lack a lot of information about Disney in general, but I didn't know that Disney tied this series with the famous amusement park that was being planned for construction at the time. To ask for $500,000 as well is such a risky and powerful move to make, which I think is amazing but also crazy.

    4. For Disney network tele~sion arrived as an invitation to reinvent the movie business, to explore honzons beyond the realm of filmmaking.

      I think that it's interesting to think about Disney's approach to television. While he was successful with his movies, he saw the potential of not only showing his product in theaters but directly into households with the television, further expanding his influence and reach.

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    1. With manufacturer's offering free software to any and all consumers, personal radios sold like hotcalces during the 1920s. The NAB estimates that 60,000 American households had radios in 1922; by 1929, the num-ber topped ten million.

      I always found the widespread selling of radios (and eventually television sets) very interesting. While the goal of putting a radio into most households across the country was a major success, it didn't lead to immediate profit. Of course, people would find ways to try and make even more money off of something so useful, which I found kind of sad but expected.

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    1. Nearly all television programming is now pre-recorded, hours, days or years before transmission takes place.

      I would like to add that it is not only televised programming that is like this. Videos that are posted online, like music videos, are filmed way before it actually releases. I've heard of videos being filmed 2-3 years before actually being released. At the same time, there are videos that are filmed only a few weeks (if even) before being released,

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    1. Broadcasters discovered the kinds of thing they could do or, as some of them would still normally say, transmit. The musical concert could be broadcast or for broadcasting. The public address -the lecture or the sermon, the speech at a meeting -could be broadcast as a talk. The sports match could be described and shown. The play could be performed, in this new theatre of the air. Then as the service extended, these items, still considered as discrete were assembled into programmes.

      This passage reminded me of how streaming services are becoming (or have become) the next big thing. Instead of waiting for certain times where your favorite programs would air, why not figure out a way to watch it at any time! Now, we have the ability to watch our favorite series on Netflix at any time (without interruptions!) or watch a live stream of concerts or sporting events. For example, you can now watch some MLB games on Youtube live! You can even watch people play video games with streaming now, which has grown a lot in the past decade. It is interesting how the idea of televising events has evolved and taken a step further into live streaming and seeing these things unfold in real time.

    2. The modem newspaper, from the eighteenth century but very much more markedly from the nineteenth century, became a not of news items that were often essentially unrelated, but of anecdotes, drawings, photographs and advertisements.

      I thought that this was another interesting and important thing to point out. While it isn't television, the newspaper was supposed to be for updating people on current events and happenings (shocking, I know). However, it eventually became what we see them as today, which is news mixed with advertisements for local businesses and job openings, products and a whole mess of unrelated articles that share the same space as one another. I think this is very similar to how television has developed over the years. It has become heavily commercial and lacks any flow and connection, whether it be constant commercials or advertisements that are irrelevant to each other, the program itself and the viewer's interests.

    3. It is then not surprising that so many of these opening moments are violent or bizarre: the interest aroused must be strong enough to initiate the expectation of (interrupted but sustainable) sequence.

      I knew this was a strategy beforehand but it's still interesting to read about it. In many different television series, they try to hook in viewers early with surprising events or sequences to keep them watching (even if there's commercials sprinkled in). After the episode ends, the viewers have probably committed and will return to watch the rest of the series, making this plan a big success.

    4. The American commercial channel (Channel 7) is a more complete representation of the predominantly commercial distribution than its British counterpart (Anglia)

      This is something that i found interesting but also not so surprising. I feel like American television is heavily commercial and even more now than ever before. I haven't really seen British television to know what it's like, but I wouldn't be surprised if it is Type A heavy but mixed with Type B.

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    1. For English speakers, a rooster goes "cock-a-doodle-doo?' For Ger-: mans he goes "Kikeriki?'

      This is someone that I already knew from experiencing different cultures and languages but I still find it incredibly interesting. In English, the sound we think of for barking is entirely different from Japanese (wan wan), Korean (meong meong) and more! Even though we all might hear the same thing, we have found different ways of describing them in our own languages.

    2. Learning a second language is difficult because each language consists of a set of signs whose meanings derive from differences to which we might not be sensitive-phonetic distinctions we can't "hear,"

      I have definitely experienced this as someone who uses a second language at home with my family. While I was growing up, I would learn words that sound almost the exact same as each other but they have very different meanings. For example, the words for salt, mosquito and ten are very similar in Vietnamese, but can be distinguished by how you say it!

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    1. Yet we sense that someone, or some agency, is presenting these images in just this way-someone/something has chosen just these camera setups and arranged them in just this fashion with just this lighting, these sound effects, and this musical score.

      This is a very interesting statement to me because of the horror genre I've experienced in the past. In films, television series, books or video games, it can be very interesting to think about who is telling the story and why are the viewers able to see or learn about certain experiences throughout the story. However, many disregard it and continue forward without any questioning at all.

    2. Each given storyline may be formulaic, but the ways m which 1t combmes with, parallels, contrasts, or comments upon another storyline may add interest and complexity.

      I've seen dramas where this kind of connection between story lines take place but have never really thought of it as a way to make up for lacking suspense. For example, some dramas I've seen have love triangles which create complex issues between the characters involved and suspense for the viewers.

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