49 Matching Annotations
  1. Aug 2019
  2. course-computational-literary-analysis-2019.netlify.com course-computational-literary-analysis-2019.netlify.com
    1. I dreamt that I dwelt in marble halls With vassals and serfs at my side, And of all who assembled within those walls That I was the hope and the pride. I had riches too great to count; could boast Of a high ancestral name, But I also dreamt, which pleased me most, That you loved me still the same.

      This is really HER song: She secretly wants to not be the "vassal" or "serf" herself but instead be the one in charge, be the hope and the pride, and she fears that if she is not the pleaser that she is today then people would not like her the same. Maybe the truth of the lyrics is the reason that the song affects Joe so much, or maybe not..?

    2. when she laughed her grey-green eyes sparkled with disappointed shyness and the tip of her nose nearly met the tip of her chin.

      WOW this is such a good sentence describing her life or maybe more accurately: lack of life!! Green as both a colour of vitality and of envy and then in combination with grey which is kind of a sad lifeless colour. Then there is the contrast of laugh/sparkle and disappointment. She is being shy in life and really holding back living her life so much that the sparkle in her eyes is the sparkle of "disappointed shyness"! Also the last part of the sentence about her nose and chin meeting when she smile as if her face sort of almost dissolve and she "loses face" or loses some of her identity in this pleasing smile. The picture also gives her face sort of a clay quality. Which is interesting in that a clay figure is formed and given life by SOMEONE ELSE...

    3. promising heat, but with a fresh breeze blowing

      Seems as if the fate of the romance is depicted in the weather; the heat being the affair and the breeze the intervention changing its character.

    4. great florid face

      Maybe far-fetched but florid has a double-meaning: It can refer to a red or flushed complexion as well as something (here the character and her motivations) being very complicated

    5. Mrs. Mooney, who was a shrewd judge, knew that the young men were only passing the time away: none of them meant business.

      Business being marriage? That certainly tells us something indirectly about Mrs. Mooney's view on marriage.

    6. I imagined that I bore my chalice safely through a throng of foes. Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand.

      I find it a bit surprising that carrying his aunts parcels through the city somehow sends his imagination in a religious line of thought.

    7. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces

      Seems the story is told from the perspective of the houses that are being personified.

    8. sitting up by himself in the dark in his confession-box, wide-awake and laughing-like softly to himself

      So he was mentally unstable. Wonder if that is why the uncle and father was concerned about the narrator spending time with him.

    9. I found it strange that neither I nor the day seemed in a mourning mood and I felt even annoyed at discovering in myself a sensation of freedom as if I had been freed from something by his death

      I wonder what he is freed from. Is it the expectations on him to become a priest, the bible studies or maybe the "friendship" if self..? I lean towards the last, there is something weird about the relationship, as hinted by the uncle in the beginning of the story.

  3. Jul 2019
    1. the sleeve of an unknown young man’s dress suit

      Even the bolster sends her mind wondering. And about the men she will meet at the ball. It is quite clear already what she is excited (and nervous?) about about the ball.

    2. Some one’s hand pressed her waist, and she floated away like a flower that is tossed into a pool.

      So the man is not really described, it is not important who he is, only his function as a male dancer at the ball "some one". The metaphor suggests kind of ambivalent feelings about the dance: She both feels like a flower which supposedly is a good thing, but a the same time the flower has been "tossed" into the pool, and it floats on suggesting a lack of control (which I guess can both be a fun and a scary feeling for her).

    3. She was at the station, standing just a little apart from everybody else; she was sitting in the open taxi outside; she was at the garden gate; walking across the parched grass; at the door, or just inside the hall.

      Interesting structure and use of ; He seems to be nervous about meeting his wife and for each of these imaginary meetings he thinks of the sentence is shortened as if just thinking about it takes up his energy.

    4. wearily on the back of a white wicker

      wearily, white, wicker. I noticed the use of alliterations a couple of places. That must be something we can look into by computational means...

    5. I like it. I love waiting! Really—really I do! I’m always waiting—in all kinds of places...

      Finally she is enthusiastic about something and strangely enough that thing is waiting. Wondering what exactly this waiting refers to, maybe this is signiling an ambivalence about growing up?

    6. Again the poor little puff was shaken; again there was that swift, deadly-secret glance between her and the mirror

      Wonder why the puff is poor and why the mirror glance is deadly-secret...

    7. A pause. Then Constantia said faintly, “I can’t say what I was going to say, Jug, because I’ve forgotten what it was... that I was going to say.” Josephine was silent for a moment. She stared at a big cloud where the sun had been. Then she replied shortly, “I’ve forgotten too.”

      Very similar to the ending in The Garden Party with one person not being able to express something and the other person understanding it.

    8. Silence

      Apropos the more fragmented style of writing that we talked about today in class. It works well as a literary device here with silence since it interrupts the reading.

    9. “O-oh, Sadie!” said Laura, and the sound was like a little moan. She crouched down as if to warm herself at that blaze of lilies; she felt they were in her fingers, on her lips, growing in her breast.

      Interesting choice of words... Warming oneself at the blaze of lilles, feeling them growing in her breast.

    10. old girl

      Already the motif of age is clearly present (the contrasting of boys and men and the role the main character wants to and is expected to take on in arranging the party)

  4. course-computational-literary-analysis-2019.netlify.com course-computational-literary-analysis-2019.netlify.com
    1. How it has found its way back to its wild native land–by what accident, or by what crime, the Indians regained possession of their sacred gem, may be in your knowledge, but is not in mine.

      His opinion on the "accident"/"crime" is clear. The diamand ends up where it was supposed to be...

    2. Sometimes, I think of giving up my practice, and going away, and trying what some of the foreign baths and waters will do for me

      Having inspired Mr. Candy to seek 'foreign waters' it seems Jennings will not be entirely forgotten as he predicted

    3. Only the protest of the world, Miss Verinder–on a very small scale–against anything that is new.

      Great respons. Gives the reader a good sense of Jenning's understanding of himself and opinion of the others and that which they represent

    4. female constitutions

      Jenning is a complex character: "Mixture of some foreign race", now also a mix of gender. Also the whole both white and black hair... (do we know his age?)

    5. smooth-tongued impostor–justifying the very worst that I had thought of him, and plainly revealing the mercenary object of the marriage, on his side! And what of that?–you may reply–the thing is done every day. Granted, my dear sir. But would you think of it quite as lightly as you do, if the thing was done (let us say) with your own sister?

      Like Betteredge he really likes Rachel and consider her as family.

    6. I happen to be one of the most un-English Englishmen living.

      The most un-English Englishmen living is maybe a stretch. Interesting description of one-self though.

    7. Let me only say, that I tried to close my eyes before it happened, and that I was just one moment too late.

      Funny how she disapproves but still cannot help looking at the kiss.

    8. unquestionable value as an instrument for the exhibition of Miss Clack’s character.

      So according to Franklin this narration tells us more about miss Clack's character than about the truth of events

    9. deeps

      Rereading this part after reading about Rosanna's suicide, it is an interesting comment on the class oppression since the love between Rosanna and Franklin is not possible due to class and this is assumed to be the reason for the suicide.

    10. cat

      This is a long and interesting description of her appearance. Other than the dark complexion mentioned in the annotation above, the yellow dress also adds to the impression of her being suspicious. Yellow is often noted as the colour of betrayal and jealousy. The gloves and the veil makes her seem as if she is hiding. The carriage is also mentioned as a hiding-place in the end of the paragraph.

      Also worth noticing is the sensuality of and degree of details in the description (eg. hair, second skin, yellow stuff that clipped her tight) . The mentioning of her waist and flower association is very interesting. According to a quick google search, the primrose symbolises: Youth/the inevitability to have a realistic image of the world when in love/fallacy about love and other people/female beauty/reproduction/superstition/new beginnings. All very relevant themes. This could both be about her developing into a woman (the theft is happening on her 18th birthday...) or/and about a betrayal by Franklin. Also: her movements are compared to a cat, which often is a symbol of independence.

    11. detective-fever

      This is the fourth fime the word appears. I find that this is such a good and descriptive word for a feeling. Also its clear pathological connotation is interesting in that Betteredge knows that it is maybe not that productive a feeling but like a fever you cannot help it, the drama is just human nature... I made a quick search and it appears 12 times in total. Wonder who else will get the fever.

    12. Nota bene

      Interesting that he uses these nota bene brackets. He has done it earlier and does it later as well. They are all notes on character or human nature. Betteredge seems to really identify himself as a connoisseur of the human heart and to like his role as narrator.

    13. I expressed my opinion upon this, that they were a set of murdering thieves. Mr. Murthwaite expressed HIS opinion that they were a wonderful people.

      Well "a murdering thief" is also a fitting description of John Herncastle... Murthwaite's defence of the Indian people and the general theme of morality throughout the novell could definitely be read as a query or a condemnation of the British treatment of occupied India.

    14. ROBINSON

      Betteredge's love for Robinson Crusoe is maybe also interesting in respect to his concern about rightful status and house procedures. Since Robinson Crusoe fled from his father because the father demanded that he ought to be satisfied with his societal status.

    15. “The stain is taken off,” she said. “But the place shows, Mr. Betteredge–the place shows!”

      You cannot escape your past and it seems Rosanna has scars that still hurts and always will. Betteredge does not seem to really grasp this (eventhough she explains it beautifully through this metaphor) and he has having a hard time dealing with the fact that he cannot do anything to change it. Seeing himself as a person with great insight to human nature it clearly frustrates him.