- Oct 2018
-
editions.lib.umn.edu editions.lib.umn.edu
-
Margaretta M. Lovell, Jay D. McEvoy, Jr., Professor of American Art, University of California, Berkeley
Delete the author's name and affiliation from the excerpt.
-
Sarah J. Moore, Professor of Art History, School of Art, University of Arizona
Delete the author's name and affiliation from the excerpt.
-
Heather Hole, Simmons College
Delete the author's name and affiliation from the excerpt.
-
Margaretta M. Lovell #pt-cv-view-29709a7js0.pt-cv-post-border { margin: 0; border-top-width: 1px; border-left-width: 1px } #pt-cv-view-29709a7js0.pt-cv-post-border { margin: 0; border-top-style: solid; border-left-style: solid } #pt-cv-view-29709a7js0.pt-cv-post-border .pt-cv-content-item { border-right-width: 1px; border-bottom-width: 1px; border-right-style: solid; border-bottom-style: solid; } #pt-cv-view-29709a7js0 .pt-cv-title a, #pt-cv-view-29709a7js0 .panel-title { font-weight: 600 !important; } #pt-cv-view-29709a7js0 .pt-cv-hover-wrapper::before { background-color: rgba(0,0,0,.3) !important; } #pt-cv-view-29709a7js0 .pt-cv-content-item:hover .pt-cv-hover-wrapper::before { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-29709a7js0:not(.pt-cv-nohover) .pt-cv-mask * { color: #fff; } #pt-cv-view-29709a7js0 .pt-cv-carousel-caption { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-29709a7js0 .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; } #pt-cv-view-29709a7js0 .pt-cv-pficon { color: #bbb !important; } #pt-cv-view-29709a7js0 .add_to_cart_button, #pt-cv-view-29709a7js0 .add_to_cart_button * { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-29709a7js0 .woocommerce-onsale { color: #ffffff !important; background-color: #ff5a5f !important; } #pt-cv-view-29709a7js0 .pt-cv-readmore { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-29709a7js0 .pt-cv-readmore:hover { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-29709a7js0 + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-29709a7js0 + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-29709a7js0'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-29709a7js0'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-29709a7js0'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-29709a7js0'] .dropdown-toggle { color: #fff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-29709a7js0'] .pt-cv-filter-title { color: #fff !important; background-color: #00aeef !important; } #pt-cv-gls-29709a7js0 li a.pt-active { color: #fff !important; background-color: #ff5a5f !important; } #pt-cv-view-29709a7js0 .pt-cv-gls-header { color: #fff !important; background-color: #00aeef !important; } #pt-cv-view-29709a7js0 .cvp-responsive-image[style*="background-image"] { width: 200px; height: 200px; } #pt-cv-view-29709a7js0 .pt-cv-ocol:nth-child(2n+2) .cvp-responsive-image[style*="background-image"] { width: 150px; height: 150px; } Bully PulpitWhat Is the Role of Patriotism in the Study of American Art?M. Elizabeth Boone, Lauren LessingM. Elizabeth (Betsy) Boone and Lauren Lessing, Executive Editors Do we have a responsibility to the nation in our teaching and writing on American art? How would this responsibility be enacted and can it be done without seeming to be jingoistic? Does a new understanding of our nation impact our teaching and study of American art? How do you feel about the idea of a national narrative? Have you been challenged to rethink the relationship between American art, the nation, and its citizenry at any time in the last year?ResponsesDavid M. Lubin, Charlotte C. Weber Professor of Art, Wake Forest UniversityAngela Miller, Professor, Department of Art History and Archaeology, Washington University, Saint LouisPatricia Junker, Ann M. Barwick Curator of American Art, Seattle Art MuseumLauren Lessing, Mirken Director of Academic and Public ProgramsAlan Wallach, Professor Emeritus, Department of Art and Art History, The College of William and MarySally Webster, Professor Emerita, City University of New YorkResearch Notes “Kicked About”: Native Culture at Thomas Jefferson’s MonticelloKristine K. RonanKristine K. Ronan, Independent Scholar Two of the most prominent Native-made objects in Jefferson’s original hall were a pair of male and female figures that Jefferson had received several years prior to Lewis and Clark’s shipments. Curiously, the figures had disappeared from the historical record with Jefferson’s death in 1826. It came as quite a surprise, then, that during my #pt-cv-view-6f0799d3kr.pt-cv-post-border { margin: 0; border-top-width: 1px; border-left-width: 1px } #pt-cv-view-6f0799d3kr.pt-cv-post-border { margin: 0; border-top-style: solid; border-left-style: solid } #pt-cv-view-6f0799d3kr.pt-cv-post-border { margin: 0; border-top-color: #343434; border-left-color: #343434 } #pt-cv-view-6f0799d3kr.pt-cv-post-border .pt-cv-content-item { border-right-width: 1px; border-bottom-width: 1px; border-right-style: solid; border-bottom-style: solid; border-right-color: #343434; border-bottom-color: #343434; } #pt-cv-view-6f0799d3kr .pt-cv-title a, #pt-cv-view-6f0799d3kr .panel-title { font-weight: 600 !important; } #pt-cv-view-6f0799d3kr .pt-cv-title a:hover, #pt-cv-view-6f0799d3kr .panel-title:hover { color: #b53328 !important; } #pt-cv-view-6f0799d3kr .pt-cv-hover-wrapper::before { background-color: rgba(0,0,0,.3) !important; } #pt-cv-view-6f0799d3kr .pt-cv-content-item:hover .pt-cv-hover-wrapper::before { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-6f0799d3kr:not(.pt-cv-nohover) .pt-cv-mask * { color: #fff; } #pt-cv-view-6f0799d3kr .pt-cv-carousel-caption { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-6f0799d3kr .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; } #pt-cv-view-6f0799d3kr .pt-cv-pficon { color: #bbb !important; } #pt-cv-view-6f0799d3kr .add_to_cart_button, #pt-cv-view-6f0799d3kr .add_to_cart_button * { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-6f0799d3kr .woocommerce-onsale { color: #ffffff !important; background-color: #ff5a5f !important; } #pt-cv-view-6f0799d3kr .pt-cv-readmore { color: #ffffff !important; background-color: #2a6ca0 !important; } #pt-cv-view-6f0799d3kr .pt-cv-readmore:hover { color: #ffffff !important; background-color: #000000 !important; } #pt-cv-view-6f0799d3kr + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-6f0799d3kr + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-6f0799d3kr'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-6f0799d3kr'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-6f0799d3kr'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-6f0799d3kr'] .dropdown-toggle { color: #fff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-6f0799d3kr'] .pt-cv-filter-title { color: #fff !important; background-color: #00aeef !important; } #pt-cv-gls-6f0799d3kr li a.pt-active { color: #fff !important; background-color: #ff5a5f !important; } #pt-cv-view-6f0799d3kr .pt-cv-gls-header { color: #fff !important; background-color: #00aeef !important; } #pt-cv-view-6f0799d3kr .cvp-responsive-image[style*="background-image"] { width: 150px; height: 150px; } Book ReviewsConsuming Stories: Kara Walker and the Imagining of American Race Enduring Truths: Sojourner’s Shadows and Substance The American School: Artists and Status in the Late Colonial and Early National Era Building the British Atlantic World: Spaces, Places, and Material Culture, 1600–1850 The Early American Daguerreotype: Cross-Currents in Art and Technology #pt-cv-view-4b4916esnz.pt-cv-post-border { margin: 0; border-top-width: 1px; border-left-width: 1px } #pt-cv-view-4b4916esnz.pt-cv-post-border { margin: 0; border-top-style: solid; border-left-style: solid } #pt-cv-view-4b4916esnz.pt-cv-post-border { margin: 0; border-top-color: #343434; border-left-color: #343434 } #pt-cv-view-4b4916esnz.pt-cv-post-border .pt-cv-content-item { border-right-width: 1px; border-bottom-width: 1px; border-right-style: solid; border-bottom-style: solid; border-right-color: #343434; border-bottom-color: #343434; } #pt-cv-view-4b4916esnz .pt-cv-title a, #pt-cv-view-4b4916esnz .panel-title { font-weight: 600 !important; } #pt-cv-view-4b4916esnz .pt-cv-title a:hover, #pt-cv-view-4b4916esnz .panel-title:hover { color: #b53328 !important; } #pt-cv-view-4b4916esnz .pt-cv-hover-wrapper::before { background-color: rgba(0,0,0,.3) !important; } #pt-cv-view-4b4916esnz .pt-cv-content-item:hover .pt-cv-hover-wrapper::before { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-4b4916esnz:not(.pt-cv-nohover) .pt-cv-mask * { color: #fff; } #pt-cv-view-4b4916esnz .pt-cv-carousel-caption { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-4b4916esnz .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; } #pt-cv-view-4b4916esnz .pt-cv-pficon { color: #bbb !important; } #pt-cv-view-4b4916esnz .add_to_cart_button, #pt-cv-view-4b4916esnz .add_to_cart_button * { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-4b4916esnz .woocommerce-onsale { color: #ffffff !important; background-color: #ff5a5f !important; } #pt-cv-view-4b4916esnz .pt-cv-readmore { color: #ffffff !important; background-color: #2a6ca0 !important; } #pt-cv-view-4b4916esnz .pt-cv-readmore:hover { color: #ffffff !important; background-color: #000000 !important; } #pt-cv-view-4b4916esnz + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-4b4916esnz + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-4b4916esnz'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-4b4916esnz'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-4b4916esnz'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-4b4916esnz'] .dropdown-toggle { color: #fff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-4b4916esnz'] .pt-cv-filter-title { color: #fff !important; background-color: #00aeef !important; } #pt-cv-gls-4b4916esnz li a.pt-active { color: #fff !important; background-color: #ff5a5f !important; } #pt-cv-view-4b4916esnz .pt-cv-gls-header { color: #fff !important; background-color: #00aeef !important; } #pt-cv-view-4b4916esnz .cvp-responsive-image[style*="background-image"] { width: 150px; height: 150px; } Exhibition ReviewsSoul of a Nation: Art in the Age of Black Power The Wall of Respect: Vestiges, Shards and the Legacy of Black Power / Eugene Eda’s Doors for Malcolm X College We Wanted a Revolution: Black Radical Women, 1965–85 Marsden Hartley’s Maine #pt-cv-view-66aa710wr8.pt-cv-post-border { margin: 0; border-top-width: 1px; border-left-width: 1px } #pt-cv-view-66aa710wr8.pt-cv-post-border { margin: 0; border-top-style: solid; border-left-style: solid } #pt-cv-view-66aa710wr8.pt-cv-post-border { margin: 0; border-top-color: #343434; border-left-color: #343434 } #pt-cv-view-66aa710wr8.pt-cv-post-border .pt-cv-content-item { border-right-width: 1px; border-bottom-width: 1px; border-right-style: solid; border-bottom-style: solid; border-right-color: #343434; border-bottom-color: #343434; } #pt-cv-view-66aa710wr8 .pt-cv-title a, #pt-cv-view-66aa710wr8 .panel-title { font-weight: 600 !important; } #pt-cv-view-66aa710wr8 .pt-cv-hover-wrapper::before { background-color: rgba(0,0,0,.3) !important; } #pt-cv-view-66aa710wr8 .pt-cv-content-item:hover .pt-cv-hover-wrapper::before { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-66aa710wr8:not(.pt-cv-nohover) .pt-cv-mask * { color: #fff; } #pt-cv-view-66aa710wr8 .pt-cv-carousel-caption { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-66aa710wr8 .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; } #pt-cv-view-66aa710wr8 .pt-cv-pficon { color: #bbb !important; } #pt-cv-view-66aa710wr8 .add_to_cart_button, #pt-cv-view-66aa710wr8 .add_to_cart_button * { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-66aa710wr8 .woocommerce-onsale { color: #ffffff !important; background-color: #ff5a5f !important; } #pt-cv-view-66aa710wr8 .pt-cv-readmore { color: #ffffff !important; background-color: #2a6ca0 !important; } #pt-cv-view-66aa710wr8 .pt-cv-readmore:hover { color: #ffffff !important; background-color: #000000 !important; } #pt-cv-view-66aa710wr8 + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-66aa710wr8 + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-66aa710wr8'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-66aa710wr8'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-66aa710wr8'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-66aa710wr8'] .dropdown-toggle { color: #fff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-66aa710wr8'] .pt-cv-filter-title { color: #fff !important; background-color: #00aeef !important; } #pt-cv-gls-66aa710wr8 li a.pt-active { color: #fff !important; background-color: #ff5a5f !important; } #pt-cv-view-66aa710wr8 .pt-cv-gls-header { color: #fff !important; background-color: #00aeef !important; } #pt-cv-view-66aa710wr8 .cvp-responsive-image[style*="background-image"] { width: 150px; height: 150px; } Home | Contact Publishing Services | My Account Privacy | Acceptable Use of IT Resources The copyright of these individual works published by the University of Minnesota Libraries Publishing remains with the original creator or editorial team. For uses beyond those covered by law or the Creative Commons license, permission to reuse should be sought directly from the copyright owner listed in the About pages.
This tag should take the reader to The Gustatory Turn as well as the two essays that are being referenced.
-
Shana Klein, Postdoctoral Fellow in Global and Trans-Regional History, German Historical Institute and Georgetown University Guy Jordan, Associate Professor of Art History, Department of Art, Western Kentucky University
Delete the author's names and affiliation from the excerpt.
-
Delete the name of the author and the affiliations from the excerpt of each of the feature articles.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
forces.
This essay needs a space placed between each paragraph.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
without scrutinizing the social contracts shaped and sustained by them.23
This is the end of the paragraph. Add a space.
-
Electronic Café sought to upend existing social orders rather than reinforce (or “renovate”) them.
After this paragraph too.
-
everyday expressions and desires.
Add a space after this.
-
conducted thereon. It presented an opportunity to produce additional associations and relations.
This is the end of the paragraph. Add a space.
-
more precisely, situated between the manifestly local and the placeless, the real and the virtual.
And after this paragraph.
-
the world and others, and are in turn formed by them.
And after this paragraph
-
equipment imaginable.”3
Add a paragraph break after this paragraph.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
operated in Philadelphia, using different systems and supplying different currents.33
And here.
-
permitting “Jove to write his own autograph.”32
And after this one.
-
Pennsylvania.
And after this one.
-
“direct from nature,” as the more accurate record.
And after this one.
-
clouds” with “evidence of great internal strife.”18
And one after this paragraph.
-
nineteenth century.
And after this one.
-
reception of lightning photography and electric lights in the late nineteenth century.
And one at the end of this one.
-
regarding technology and the limits of human perception and objectivity in art.
I realize now that some spaces have been added, but some are still missing. We need one at the end of this paragraph.
-
Muybridge (1830-1904), who labored at his motion studies project in the city at the same time.
We need a space at the end of each paragraph in this article.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
the field.
Also place a break here, at the end of the article and before the banner image credit.
-
visual spectacles, environments, and experiences.
We need a space / break after this paragraph and all the other paragraphs in this essay.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Notes section. It also places new emphasis on commentary and conversation.
Please insert a space between each paragraph in the Editors' Welcome.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
safeguarding this material heritage. Shall we become unwitting iconoclasts?
We seem to have lost the paragraph breaks in this response. Can they be reinserted at the end of each paragraph?
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
California Mexicana, Myth and Mirage, and Found in Translation
The italics is backwards. The titles should be in plain text and only the word "and" should be italicized.
-
The Power of Objects in Eighteenth-Century British America
I think it might be worth reframing the crop a bit so that the full tile is visible. The image at the bottom can be cropped more.
-
In the lower left corner, just below his signature and the painting’s date, Homer wrote in light-colored script, as if it were flotsam from a wreck: “At 12 feet from
This excerpt cuts off in a really weird way. Perhaps we can cut it after the first sentence (...he gave a clear message.)
-
Julie L. McGee
Most of the author tags for Riff don't work. The only ones that seem correct are Adrienne Childs and Jacqueline Francis.
-
Southern Accent: Seeking the American South in Contemporary Art
Can the thumbnail for Southern Accents be reframed to show the microphone in the bottom center of the book? I think that will make sense than using a piece of text.
-
Marc Simpson, Independent Scholar
Remove the name and affiliation from the excerpts for the three Research Notes essays.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Searching for Mary Schäffer: Women Wilderness Photography
A high quality jpg to use for the banner is available here: http://www.uap.ualberta.ca/book-images/9781772122985.jpg
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World
Maybe recrop the . banner so that he eyes are visible? I'm not sure we should prevent her from looking back at us!
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Notes
Can we close up the space after Notes some?
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Renée Ater
The tags for the three Bully Pulpit respondents don't work.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
#pt-cv-view-c737e1bgf3.pt-cv-post-border { margin: 0; border-top-style: solid; border-left-style: solid } #pt-cv-view-c737e1bgf3.pt-cv-post-border .pt-cv-content-item { border-right-style: solid; border-bottom-style: solid; } #pt-cv-view-c737e1bgf3 .pt-cv-title a, #pt-cv-view-c737e1bgf3 .panel-title { font-weight: 600 !important; } #pt-cv-view-c737e1bgf3 .pt-cv-hover-wrapper::before { background-color: rgba(0,0,0,.3) !important; } #pt-cv-view-c737e1bgf3 .pt-cv-content-item:hover .pt-cv-hover-wrapper::before { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-c737e1bgf3:not(.pt-cv-nohover) .pt-cv-mask * { color: #fff; } #pt-cv-view-c737e1bgf3 .pt-cv-carousel-caption { background-color: rgba(51,51,51,.6) !important; } #pt-cv-view-c737e1bgf3 .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; } #pt-cv-view-c737e1bgf3 .pt-cv-pficon { color: #bbb !important; } #pt-cv-view-c737e1bgf3 .add_to_cart_button, #pt-cv-view-c737e1bgf3 .add_to_cart_button * { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-c737e1bgf3 .woocommerce-onsale { color: #ffffff !important; background-color: #ff5a5f !important; } #pt-cv-view-c737e1bgf3 .pt-cv-readmore { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-c737e1bgf3 .pt-cv-readmore:hover { color: #ffffff !important; background-color: #00aeef !important; } #pt-cv-view-c737e1bgf3 + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-c737e1bgf3 + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-c737e1bgf3'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-c737e1bgf3'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-c737e1bgf3'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-c737e1bgf3'] .dropdown-toggle { color: #fff !important; background-color: #00aeef !important; } [id^='pt-cv-filter-bar-c737e1bgf3'] .pt-cv-filter-title { color: #fff !important; background-color: #00aeef !important; } #pt-cv-gls-c737e1bgf3 li a.pt-active { color: #fff !important; background-color: #ff5a5f !important; } #pt-cv-view-c737e1bgf3 .pt-cv-gls-header { color: #fff !important; background-color: #00aeef !important; } Articles
This issue doesn't actually have any articles. The AHAA Recap should be placed just below the Editors' Welcome.
-
Book Reviews
We need to make a global decision about the excerpts for both the Book and Exhibition Reviews. After I went through and made suggestions regarding the excerpts in this issue, I moved onto my next issue and realized that in this issue the excerpts consist of text from the review itself, in the next issue it contains bibliographic information. We should be consistent across issues.
-
In a collection of essays on Civil War visual and material culture, Kirk Savage wastes no time focusing the reader on the present, as he writes in the first line of his introduction: “Large parts of the world are beset by Civil War, or have been in recent years. They do not have the luxury of contemplating war’s horrors from a distance.” ...
I think this excerpt could be shortened. It can end with "wastes no time focusing the reader on the present ...
-
This essay focuses attention on the little-known third edition from 1948 of Helen Gardner's art history survey text, Art Through ...
This excerpt will be fine if we just add the full title of Gardner's text, like this: Art Through the Ages...
-
Editors’ Welcome
I remember that the Editors' Welcome was supposed to turn red when you hover over it (like it does when you hover over AHAA Recap and any other article). This needs to be fixed across the back file as a whole.
-
Sarah Beetham
Are these tags working correctly? Whereas the tags for the authors above (Michaela Haffner and Robert Cozzolino) take us to their articles, these tags for the Bully Pulpit authors taken them to either other articles the author has written for the journal or to nothing. Beetham, for example, goes to a book review. Marten goes to nothing.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Roberta K. Tarbell
The tags for Tarbell and for Ciregna are blank. The tag for Wingate takes us to her essay on Sculpture and Lived Space.
-
Megan Holloway Fort, Independent Art Historian
Please remove the author's bio from the excerpt. The excerpt should read: "Through extensive primary source research, I was able to uncover evidence that strongly supports the attribution of a portrait of the eighteenth-century religious leader the Reverend Samuel Finley to John Hesselius ..."
-
James Glisson, The Huntington Library, Art Collections, and Botanical Garden
Please remove the author's bio from the excerpt. The excerpt should read: "Trying to square oddball works against thoroughly convincing interpretations of the rest of the oeuvre can be a fruitless exercise ..."
-
Steven Lubar, Department of American Studies, Brown University
Please remove the author's bio from the excerpt. Also, can we use this for the excerpt? "Benjamin Ives Gilman invented the skiascope to ensure that museum visitors saw art as he thought best—without distraction. As far as I was able to determine, no skiascope survives. And so I built one …"
-
...
Please remove the ellipses at the end of this excerpt. The ellipses at the end of the Stott and Kaplan essays can be removed as well.
-
Paul H. D. Kaplan, Professor of Art History, State University of New York, Purch
Please remove the author's bio from the excerpt.
-
Annette Stott, Professor, School of Art and Art History, University of Denver
Please remove the author's bio from the excerpt. It should start with this: For over one hundred years...
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Sarah Beetham “Activism in the Classroom: Wikipedia and American Art” Susan Greenberg Fisher “Notes from New York: Names, Networks and Connectors in Art History” Jessica Marten “At the Margins: The Art of Josephine Tota” M. Melissa Wolfe “Integrating Disruption: Acquiring the Philip J. and Suzanne Schiller Collection of American Social Commentary Art 1930-1970”
These four links are going to the old journal pages rather than the new ones.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Roberta K. Tarbell, “Fifty Years of the History of American Sculpture” Elise Madeleine Ciregna, “Cemeteries and Ideal Sculpture” Jennifer Wingate, “Sculpture and Lived Space”
The links for these three articles are going to the old website instead of the new one. The links on the landing page are correct.
-
Image: S.J. Addis, Carving Gouge, n.d. (nineteenth century), steel and oak, Yale University Art Gallery, Gift of Mr. and Mrs. Joseph A. Link
We should include the entire image here, with the caption below it. On the landing page, the image is cropped to fit into a square and in the banner above, it is cropped into a panorama format. We need to see the image as a whole, with no cropping.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in Florence
Can you re-crop the header to show the ball players' heads rather than their bum and crotch?
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
A Portrait of Samuel Finley Attributed to John HesseliusLooking through the Skiascope: Benjamin Gilman and the Invention of the Modern Museum Gallery“It’s in My Mind”: William Merritt Chase and the Imagination
The Research Notes are also listed in the TOC in the wrong order. The correct listing is Skiascope, Chase, and Hesselius
-
Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in FlorenceThe Thiele Family Monument: Vision of a Heavenly Future
The TOC is listing the Baseball essay before the Thiele Family essay. They should be reversed so that they appear in the same order as they do on the landing page.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Noelle Belanger is at the University of Illinois at Urbana-Champaign
This should say: Noelle Belanger is a PhD candidate at the University of Illinois ...
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Open Plan: The Whitney Museum’s Arts of Time and Space
The title of the exhibition doesn't need to be repeated again. When it is removed, the text can also be moved up so that there is not a big empty space between the exhibition schedule and the beginning of the review.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture, Vol. 1, 1940-1953
The banner image for this book review is pretty badly pixelated. I think you might get something slightly better if you crop the bottom of the first book cover illustrated: Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture... This is also the primary book under review.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Art History’s Other Global Moment: Chicago, 1948
The banner above this article could be improved by moving the cropping up just a bit so that the caption is included but not the text below. This will also allow the reader to see more of the diagram. If it's easy, the image could also be rotated counter clockwise a couple of degrees so that it is not tilted (yes, my compulsive need for order is kicking in.)
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
David S. Shields, “Carnal Glory? Nudity and the Fine and Performing Arts, 1890-1917” (Website Broadway Photographs) http://broadway.cas.sc.edu/content/carnal-glory-nudity-and-fine-and-performing-arts-1890-1917 ↵
Can the beginning of this note be moved up one line so that it is next to its note number (14)? Also, the correct link is here: https://broadway.cas.sc.edu/content/carnal-glory-nudity-and-fine-and-performing-arts-1890-1917
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Dianne Harris
I may not be understanding how tags work, but here again, when I click on Dianne Harris's name, it takes me to a blank tag.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Dream Projects – introduction
John asked us about how the listing of the Bully Pulpit's children was to work during our October 16 meeting, and I'm not sure that we really got to where we want on this. I like very much how In the Round in working, but I'm not sure that having all the responses on a single page is really the way we want to go. Once you get to an author's response, you can choose to click and read it on its own page, and I'm wondering if this is actually how we want this to work.... I think this needs more discussion.
-
Dianne Harris Leo G. Mazow Shawn Michelle Smith Kenneth Haltman
When I click on the individual names here, I am taken to the article by each person. But the top of the article is cut off. Is this working correctly?
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
Untitled (Life Story
This is not a big deal, but all the titles in the painting captions for this essay should be italicized. They are incorrect on our old site too. This pertains to fig. 1, 2, 4, and 5.
-
-
editions.lib.umn.edu editions.lib.umn.edu
-
AHAA Recap: A Wild Ride with AHAA
This comment refers to the banner image above, which is a detail of the last image in this essay. It is really poor quality (super pixelated), and I think the first image in the article, which is higher resolution, would work better. It would crop into a panoramic format nicely too.
-
Kenneth Haltman, Professor, School of Visual Arts University of Oklahoma →
Throughout the new site, can these links at the bottom of each page be eliminates (in this case Ken Haltman on the left side and Editors' Welcome)? The problem with them is that they don't actually go to the next "page" of the journal. Because we now have the lovely TOC on the right, we don't need them.
-