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    1. Yet there it remained, a trace of the colonial relationship that was dramatized for Europeans at the Exposition.

      Before the next chapter begins, you might find it interesting to know that someone I just met was actually telling me about a Scouts camp she works at which is based on Native American tribal land (she brought this up before I ever mentioned anything about DEI here at Lebanon Valley College), and she said that they're trying to remove the Native American traditions from the Scouts because non-Native Americans are getting offended by those traditions, even though the Native Americans like them...turns out white people can actually appropriate (or perhaps "incorporate" would be a better word) Native American culture and have Native Americans like it, however, you would never know that from what they give you to read at this college...maybe white people should stop getting offended on behalf of other people so much.

    2. Our present-day world bears the scars of these relationships.

      Once again, I guess the white man just came and scarred groups of people and didn't help them at all...

    3. Giving that ancient impression is itself part of the tradition, as true of kecak in the 1930s as it is today.

      Wait a minute, part of the tradition is falsifying the tradition?...

    4. Saying that kecak is an invented tradition does not make it less valid or Page 40 →meaningful than any other tradition.

      Actually, the way you have presented it does make it less meaningful than other traditions.

    5. Playing to other people’s insulting stereotypes

      I do not find it necessarily insulting to call someone "primitive"...in fact, the more I read this book, the more I wish I was primitive enough to not know that this book exists. I like watching more primitive things and studying them, and I can still call them primitive without insulting them...

    6. That the chorus wears relatively little clothing and chants rapidly on a single syllable conforms very well to visitors’ own stereotypes of indigenous peoples.

      Oh, come on, you were actually giving an interesting story there, did you have to go back to this again? What does "indigenous peoples" even refer to here, exactly?

    7. The tourism industry has real power over the content of kecak: tourist agencies or guides can and do refuse to send tourists to performances that do not adapt.

      This sounds a lot like the music industry today, which is interesting -- but not overly surprising.

    8. From 1965 to 1967 the Indonesian Army and its vigilantes, supported by the US government, killed between a half million and one million people, many of them ethnic Chinese or actual and alleged members of the Communist Party.

      So, who is to blame for this?...I mean, it sounded like some people other than white people were going to get blamed for doing something bad, like Japan vaguely got blamed for before, but if this was supported by the US government, are we still blaming white people for this?

    9. To repair their reputation, in the 1920s the Dutch forbade modernization in Bali and encouraged the restoration of the arts as they had been practiced in the destroyed kingdoms.

      Well, at least we had a small and interesting break before we returned to how bad white people are...and of course, the only way white people can do anything good, such as restoring the arts, is if they are doing it for some ulterior motive...

    10. Like animals in a zoo

      Really feeling the "white people are evil" energy here...I hope the author is eventually going to mention the fact that slavery already existed way before white people enslaved these people, and, once we get to how the evil whites enslaved the poor Africans, I hope she'll point out the fact that many Africans were already enslaving other Africans before the white man ever got there and started the slave trade there...where black people traded/sold their slaves to white people...I'm sure she's going to bring all of that up in the context of how that affected music and culture...right? Or are we just going to keep pushing the idea that white people are horrible beings who just go and enslave other unfortunate and helpless communities and appropriate their cultures and pillage and plunder them all for the sake of their own greediness?

    11. The literary scholar Homi Bhabha, who has spent his career studying the phenomenon of colonialism, calls situations like this colonial mimicry. According to Bhabha the colonizer makes an imitation of the Other that reforms it but keeps it recognizable, creating “a difference that is almost the same, but not quite.”42 In this context appropriating the music of a people can be a way to show power over them. But to create an imitation, the colonizer must engage with the colonized people, studying their ways, and this engagement threatens the wholeness of the colonizer’s culture by introducing foreign elements into it.

      Why are my parents paying for me to go to a college to read this?...This is ridiculous...there is no such thing as a difference that is the same, so this "scholar" is simply saying that there's a slight difference here. And I suppose this could be a way to show power over somebody else, but where is your evidence that this is in fact what Debussy was doing?

      Feeling that white guilt yet? Don't worry, I'm sure there's much more to come that will really make that sink in for you...

    12. Indeed, even after Debussy stopped imitating gamelan music, some of its effects lingered in his music. Debussy had used six notes in the place of four to represent the quickest rhythmic level of the gamelan sound. He found that he liked that effect. He used it again in other pieces of music, and it was eventually absorbed into the French style of Debussy’s time.

      So you're saying that Debussy integrated something new into his culture and kept it there?...I thought white people didn't do that because they're so horrible and against diversity in their culture...huh, turns out they're not so bad after all...

    13. What are we to make of Debussy’s appropriation of the sound of gamelan music? It is not exactly theft, for the gamelan musicians lost neither the ability to play their music nor income as a result of Debussy’s composing “Pagodas.” Page 33 →From a musician’s perspective, the reuse is also not that unusual: musicians have a tendency to remember and imitate sounds they like, playing with them and incorporating them into their own music. Still, borrowing across colonial lines with an attitude of exoticism seems troubling, as it delineates a difference of power, with a wealthier and more powerful European person drawing on music made by less powerful people of color.

      "What are we to make of this? We can't say the guy stole anything...and we could simply call it a situation where a guy liked a style and tried to mimic it like people of all races often do...but then we wouldn't be able to use this to show how bad white people are! Therefore, we must conclude that this is a matter of the white man wanting to stomp on the poor "people of color" and show his power over them, although we don't have sufficient evidence to support this claim. Sound good? Great!"

    14. Debussy was motivated by attraction to the music but also by the exoticism (and the racism that often comes with the exoticism) that was characteristic of his time.

      Debussy was racist now...how so?...this is DEI at it's finest right here, shoved at me by the fine institution known as Lebanon Valley College...

    15. Here Debussy fell back on a particular idea of indigenous authenticity—the belief that the music had been played in a certain way since the dawn of time and should not be altered.

      No, based on that quote, he is not saying that at all...he's saying that the additions of "all those weighty counterpoints" separated the songs from their origins. That doesn't mean that they can't be altered at all...most cover songs are not "divorced" from the origins of the songs they're covering, and yet, they do alter them.

    16. One scholar, Julien Tiersot, met privately with the Javanese musicians to have them play the music again more slowly, so he could hear it better.

      This is actually quite interesting, I'm glad the author pointed this out.

    17. Indeed, the idea of anthropology—studying the customs of a group of people—stemmed from the need to regulate and control colonial populations.

      Yeah, because nobody ever studied the customs of a group of people before colonialism occurred...