- Nov 2022
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annotatingdracula.commons.gc.cuny.edu annotatingdracula.commons.gc.cuny.edu
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God’s
Using the similar function from NLTK, "god" in Dracula is similar to the following words:
you, the, it, me, her, he, him, his, us, my, this, them, all, and, she, hand, lucy, i, london, bed
See About the Project page for more info.
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throat
Using the similar function from NLTK, "throat" in Dracula is similar to the following words:
eyes, face, heart, room, hand, place, head, neck, lips, life, forehead, soul, and, time, sleep, door, diary, husband, work, love
See About the Project page for more info.
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lips
Using the similar function from NLTK, "lips" in Dracula is similar to the following words:
eyes, face, horses, hand, head, arms, cheeks, heart, throat, others, room, house, blood, feet, ship, left, way, work, count, bed
See About the Project page for more info.
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garlic
Using the similar function from NLTK, "garlic" in Dracula is similar to the following words:
time, head, hand, place, way, door, room, eyes, fear, heart, tomb, anxiety, morning, east, books, light, work, castle, south, world
See About the Project page for more info.
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blood
Using the similar function from NLTK, "blood" in Dracula is similar to the following words:
it, him, me, them, her, and, us, all, which, you, eyes, life, heart, dust, place, time, work, others, hand, wolves
See About the Project page for more info.
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mist
Using the similar function from NLTK, "mist" in Dracula is similar to the following words:
night, room, window, wolves, professor, door, day, others, rest, air, house, time, castle, count, other, fire, road, lock, morning, river
See About the Project page for more info.
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red
Using the similar function from NLTK, "red" in Dracula is similar to the following words:
morning, time, the, my, light, day, long, full, coming, white, rest, best, eyes, dead, pain, left, next, hour, late, place
See About the Project page for more info.
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voluptuous
Using the similar function from NLTK, "voluptuous" in Dracula is similar to the following words:
danube, red, full, river, vampire, bright, dead, gleaming, narrow, open, charming, lovely, gloating, scarlet, mocking, harbour, wanton, positive, parched
See About the Project page for more info.
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vampire
Using the similar function from NLTK, "vampire" in Dracula is similar to the following words:
morning, time, night, thing, house, count, door, room, table, sofa, tomb, belief, professor, and, way, library, window, water, more, long
See About the Project page for more info.
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evil
Using the similar function from NLTK, "evil" in Dracula is similar to the following words:
the, all, these, strange, men, jonathan, but, late, it, little, good, way, red, me, light, work, by, them, you, old
See About the Project page for more info.
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arouse
Using the similar function from NLTK, "arouse" in Dracula is similar to the following words:
be, do, you, make, take, give, harker, left, have, get, find, light, ask, move, see, pass, him, tell, effect, feel
See About the Project page for more info.
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beauty
Using the similar function from NLTK, "beauty" in Dracula is similar to the following words:
and, time, work, world, window, door, day, things, face, part, sight, knowledge, blood, trouble, facts, transfusion, pillar, next, morning, hour
See About the Project page for more info.
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butcher work
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I am a prisoner!
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THE END
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In his speaking of things and people, and especially of battles, he spoke as if he had been present at them all.
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his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat
Vincent Price explains to Kermit how to turn into a vampire: https://youtu.be/BmV-EissSM0
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It was like a miracle; but before our very eyes, and almost in the drawing of a breath, the whole body crumbled into dust and passed from our sight.
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She was leaping for them, when Van Helsing sprang forward and held between them his little golden crucifix. She recoiled from it, and, with a suddenly distorted face, full of rage, dashed past him as if to enter the tomb.
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and the white sharp teeth, behind the full lips of the blood-dripping mouth, champed together like those of a wild beast
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The castle stood as before, reared high above a waste of desolation.
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“Listen to them—the children of the night. What music they make!”
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Then seizing the shaving glass, he went on: “And this is the wretched thing that has done the mischief. It is a foul bauble of man’s vanity. Away with it!” and opening the heavy window with one wrench of his terrible hand, he flung out the glass, which was shattered into a thousand pieces on the stones of the courtyard far below
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Yes, certainly
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When I had done, I looked for a bell, so that I might let the servants know I had finished; but I could not find one. There are certainly odd deficiencies in the house, considering the extraordinary evidences of wealth which are round me.
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I am Dracula
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Left
I used Voyant Tools to create a word cloud showing the 75 most used words in the text of Dracula, excluding stop words.
Out of 9,085 unique non-stop words, the top 5 most used words are "said" (used 570 times), "shall" (used 427 times), "know" (used 396 times), "time" (used 390 times), and "come" (used 339 times).
See About the Project page for enlarged image.
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vampire
This is the first instance (out of 32) of "vampire" in Dracula. I was curious to visualize the usage of vampire around the time of Dracula's publication, so I input "vampire" in Google's Ngram Viewer to see its usage between 1887 and 1907 (10 years before and after its publication in 1897).
The incidence rate in the Google Book corpus in 1897 is 0.0000226396%, which is slightly less than in 1887 (0.0000234080%). The peak during this time occurs during 1899 at 0.0000252876%, but the increased usage is not sustained over this time period.
See About the Project page for enlarged image.
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Annotation Never Dies
"Love Never Dies" is what the Dracula pinball table says when you get a ball save. The table is tied to the 1992 film, Bram Stoker's Dracula, directed by Francis Ford Coppola.
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even then he can only summon fog and storm and snow and his wolves
only
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And, too, it made me think of the wonderful power of money! What can it not do when it is properly applied; and what might it do when basely used. I felt so thankful that Lord Godalming is rich, and that both he and Mr. Morris, who also has plenty of money, are willing to spend it so freely.
Only way to stop bad guys with money is to get good guys with money???
It's amazing to me all the stuff Arthur gets away with by being a lord. 🤢
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Whilst they are resting, I shall go over all carefully, and perhaps I may arrive at some conclusion
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“That other of his race who, in a later age, again and again, brought his forces over The Great River into Turkey Land; who, when he was beaten back, came again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph.”
Original is in the 4th paragraph of post No. 7.
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“I understand that the Count comes from a wolf country, and it may be that he shall get there before us. I propose that we add Winchesters to our armament. I have a kind of belief in a Winchester when there is any trouble of that sort around. Do you remember, Art, when we had the pack after us at Tobolsk? What wouldn’t we have given then for a repeater apiece!”
When you play the Dracula pinball table, the video mode has you shooting wolves. Very fun!
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octroi officers
Tax officers.
From Wikipedia: "Octroi (French pronunciation: [ɔktʁwa]; Old French: octroyer, to grant, authorize; Lat. auctor) is a local tax collected on various articles brought into a district for consumption."
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whilst I should enter everything up to the moment. I feel so grateful to the man who invented the “Traveller’s” typewriter, and to Mr. Morris for getting this one for me. I should have felt quite astray doing the work if I had to write with a pen…. It is all done
Again, Mina = author of Dracula. But how are they OK with this? I thought they were keeping a lot of information away from her given her mental connection to Dracula. Seriously, can none of them type??
(see also this comment)
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“Welcome to my house. Come freely. Go safely; and leave something of the happiness you bring!”
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R. M. Renfield, ætat 59
How does Renfield first meet Dracula? Is he already a patient in the asylum? Or is it Dracula's mind control that drove Renfield mad? I had assumed the latter, but I think that is from movie characterizations rather than from the novel.
His role in the novel has influenced psychology such that he has a syndrome named after him for people who exhibit the traits/symptoms from the novel.
In the Buffy the Vampire Slayer episode about Dracula (Season 5, Episode 1), Xander plays the role of Dracula's familiar/Renfield: https://www.youtube.com/watch?v=JTmvM79U9sE
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bat
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nosferatu
From Wikipedia: "The name "Nosferatu" has been presented as an archaic Romanian word,[1] synonymous with "vampire". However, it was largely popularized in the late 19th and early 20th centuries by Western fiction such as Dracula (1897), and the film Nosferatu (1922). One of the suggested etymologies of the term is that it is derived from the Romanian Nesuferit ("offensive" or "troublesome")."
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After lunch Harker and his wife went back to their own room, and as I passed a while ago I heard the click of the typewriter. They are hard at it. Mrs. Harker says that they are knitting together in chronological order every scrap of evidence they have. Harker has got the letters between the consignee of the boxes at Whitby and the carriers in London who took charge of them. He is now reading his wife’s typescript of my diar
Mina as the story's author, and Jonathan as editor?
(see also this comment)
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Before I left him I remembered what Jonathan put in his diary of the Professor’s perturbation at reading something in an evening paper at the station at Exeter; so, seeing that Dr. Seward keeps his newspapers, I borrowed the files of “The Westminster Gazette” and “The Pall Mall Gazette,” and took them to my room. I remember how much “The Dailygraph” and “The Whitby Gazette,” of which I had made cuttings, helped us to understand the terrible events at Whitby when Count Dracula landed, so I shall look through the evening papers since then, and perhaps I shall get some new light. I am not sleepy, and the work will help to keep me quiet.
More evidence of Mina as the implied author of Dracula.
(see also this comment)
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I have copied out the words on my typewriter, and none other need now hear your heart beat, as I did.
So now Mina has typed up the three main journals/diaries (at least up until this point). Is Mina the author?
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am so glad I have type-written out my own journal, so that, in case he asks about Lucy, I can hand it to him; it will save much questioning
So Mina has now typed up both her and Jonathan's journals for the other characters (and us).
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I shall get my typewriter this very hour and begin transcribing. Then we shall be ready for other eyes if required
Other eyes including us? It's Mina who has made Jonathan's journal readable to us.
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Kept in shorthand.
Both Jonathan and Mina keep their journals in shorthand, and yet what we read here is in complete sentences. And Dr. Seward's Diary is spoken into a phonograph. We are experiencing this text very differently from how it is created. We combined with the several posts that contain correspondence that was never opened by or delivered to the intended experience (see Unopened or Undelivered tag), there is much of this story that we experience differently from the characters within it.
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Lucy Westenra’s Diary
In the opening of Seth Lerer’s “Devotion and Defacement: Reading Children’s Marginalia,” they provide examples of children’s note taking in the margins of books and discuss the frequently negative reception adults give those. “How the adult reads the child is thus the centerpiece of my analysis, and I am interested in those marginalia that provoke scholarly inquiry into an understanding of the annotator as an imaginative subject” (page 128). This got me wondering, if Dracula is a story of note taking, what is Bram Stoker telling us with the notes. More interestingly, what is he telling us in who he even allows to take notes on their experiences? Dr. Seward has the most diary entries, followed closely by Mina and Jonathan Harker. Lucy Westenra’s storyline is pivotal to the overall plot, and yet she is only allowed 5 diary entries (there are more than 140 in the novel). So her story is almost entirely shared from the perspective of others. Her character has real “too beautiful to survive” vibes, and thinking about note taking in this way seems to support this reading of her.
Reference: * Title: Devotion and Defacement: Reading Children's Marginalia * Author(s): Seth Lerer * Source: Representations, Vol. 118, No. 1 (Spring 2012), pp. 126-153 * Published by: University of California Press * Stable URL: https://www.jstor.org/stable/10.1525/rep.2012.118.1.126
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Mem., get recipe for Mina.
At one point In Ann Blair’s “Note Taking as an Art of Transmission,” they are talking about the changes in the purpose and content of note taking, and moving “toward the diary based on personal experience and away from notes primarily based on the reading of authoritative sources” (page 102). A diary as notes on experiences? This kind of blew my mind. Especially given the strong association (at least in my mind) between note taking and academic pursuits. I was mostly taught how to take notes in relation to reading sources and writing a paper in school, and I assume many people are taught to think about notes in this narrow way. But why not think of diaries as a means to take notes on experiences, and why can’t those notes be just as useful/important as those of the academic variety. The majority of Dracula is told through the diary and journal entries of Jonathan, Mina, and Dr. Seward, so–perhaps with some extrapolating on my part–Dracula is a story of note taking. Jonathan and Mina are even originally documenting their journal entries in shorthand, which seems even more like note taking. Furthermore, within some of their entries, they are leaving notes to themselves, as right here where Jonathan wants to remind himself to get a recipe for Mina. Notes within notes!
Reference: * Title: Note Taking as an Art of Transmission * Author(s): Ann Blair * Source: Critical Inquiry, Vol. 31, No. 1 (Autumn 2004), pp. 85-107 * Published by: The University of Chicago Press * Stable URL: https://www.jstor.org/stable/10.1086/427303
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Jonathan Harker’s Journal
The text for this project was copied word for word from Project Gutenberg.
In some instances I have added in a heading explaining the source of the post, e.g., "Jonathan Harker's Journal (continued)." See our About the Project page for more details on how this project was created.
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four
My 2000 Dover Thrift Edition includes this, one and only, note:
"Editor's Note: The author apparently forgot to include Harker in the following encounter."
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- Apr 2021
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www.thecity.nyc www.thecity.nyc
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Hart Island’s burial process was designed to handle a large influx of bodies during an epidemic, an important feature when private funeral crematoriums reach capacity
Makes me think we need more public infrastructure here.
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In many cases, the medical examiner’s office, which sends bodies for burial on Hart Island, did not confirm COVID-19 as a cause of death. In addition, many people tested positive but did not receive medical care and so were not counted as pandemic deaths.
Why? How much higher are the actual death tolls?
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Six of the seven nursing homes that sent more than 10 bodies to Hart Island have been cited in the past for issues with infection control, according to data from the Centers for Medicare and Medicaid.
They were cited and then what? Why are they still operating and putting people in danger?
COVID has made plain so many failures in our systems
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reimburse families in need up to $9,000 for funeral expenses
why are funerals so expensive?
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Hart Island is expected to run out of burial space as soon as 2027
Then what?
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one in 10 of its COVID-19 victims in the potter’s field
This is a staggering statistic
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www.thecity.nyc www.thecity.nyc
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led to the deaths of inmates, most of whom had not yet been tried
!
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hand sanitizer
Which is awful especially in light of the fact that Cuomo was using prison labor to make hand sanitizer: https://time.com/5799710/new-york-hand-sanitizer-prison-labor/
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crowded conditions, a scarcity of masks and denial of medical treatment all contributed to their deaths
This!
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A lawsuit filed last month in Manhattan Federal Court suggests there could be additional deaths not counted by the DOC
I wonder if this is true of other illnesses too? How much death is under-reported in the jail systems?
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one of the most successful correctional systems
Low bar
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where he was kept on 24-hour watch by correction officers, even though he was on a ventilator and his arms and legs were “completely tethered” to his bed
This makes me so sad and angry. So unnecessary and dehumanizing.
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In an eerie echo of New York nursing homes, the department did not count deaths following release.
Under-reported deaths as part of NYC's hidden deathscape?
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www.thecity.nyc www.thecity.nyc
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we may not have cared for them while they’re alive, but we need to care for them when they’re dead as much as we can.
Is that enough? Or should this also serve as a call to action to better care for people while they're still alive?
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July
That's very soon given the surge was in April.
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“I fear that there’s a lot of race, class and even gender politics that are not necessarily going to be constructive for something that’s supposed to be healing,”
Does this imply the sole purpose of memorializing is that of healing? If there's no room for these complexities in the healing process and the memorial, then that's a problem.
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whom to memorialize, how best to tell their stories and what to say about the still-evolving pandemic.
Are we already looking back when the pandemic is still very much still our present? Is the instinct to memorialize greater given the high death toll? Does it also speak to recognizing the lack of care previously seen on Hart Island?
Maybe all of these are true, and it's still possible the memorialization is happening too quickly. Part of me also wonders, are people quick to create a memorial so it can do the remembering for us and we can move forward with forgetting?
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It should be opened to the public and some kind of memorial should be built.
It's so sad that so many people are buried here and it's so difficult for anyone to be able to visit them.
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home of the largest mass grave of its kind in the United States
I knew it was large, but I didn't realize this.
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www.theguardian.com www.theguardian.com
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created the precedent for informed consent involving any skeletal remains
Apparently this isn't be used widely across institutions.
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The collection was compiled in the first half of the 19th century and used by Morton to justify white supremacist theories; it contained the remains of Black Philadelphians as well as 53 crania of enslaved people from Cuba and the US, which will now be repatriated or reburied.
Science and medicine have a very long and terrible history they need to reckon with.
Also, reminds me of that Bodies exhibit that was so popular a few years ago, where they suspect many of the bodies used were those of executed political prisoners from China (see: https://www.cbc.ca/news/canada/bodies-revealed-exhibit-may-be-using-executed-chinese-prisoners-says-rights-group-1.2757908)
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Where the bones are now located remains a mystery.
This is infuriating.
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Mann kept possession of the bones
Again, is this a common practice?
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remains sketchy
Purposefully so? Or because it wasn't deemed necessary to keep tidy records?
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After 36 years we find out that not only were these children abused and mistreated and bombed and burned, they haven’t even been allowed to rest in peace
This!
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That’s not how we process our dead
The institutions have taken away the family and community's agency in mourning and memorializing.
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It was one of the great tragedies, to witness the remains as they were found and moved from this location … I still feel unsettled by many aspects of it
Maybe she speaks more about the tragedy as it directly impacted the community, but this quote is making the tragedy all about her.
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does not inform her students that she is displaying the remains without permission of the girl’s family
Is there actually a set of rules or best practices that these professors adhere to? How much is this case representative of the field as a whole?
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The bones are juicy, by which I mean you can tell they are the bones of a recently deceased individual,” Monge continues. “If you smell it, it doesn’t actually smell bad – it smells kind of greasy, like an older-style grease
Wow
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In the ensuing inferno, the Move house as well as the entire surrounding neighborhood was razed to the ground
I admit I was unaware for this bombing until I read this article. An entire neighborhood? Such a blatant disregard for Black lives. And the Philly government is recently apologizing and recognizing this harm?
Also, it puts into perspective how long the police have been militarizing themselves against the communities.
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Real Bones: Adventures in Forensic Anthropology focuses on “lost personhood”
That course title--Adventures? It should be "Real Bones: Adventures in Dehumanizing Black Bodies". The course is contributing and perpetuating these poor children's lost personhood.
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The institutions have held on to the heavily burned fragments, and since 2019 have been deploying them for teaching purposes without the permission of the deceased’s living parents.
It's like Henrietta Lacks again; white institutions using Black bodies as they see fit without regard for them or their living relatives.
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www.cbsnews.com www.cbsnews.com
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cemeteries are a mark of humanity
Yes! And of place, and belonging, and home.
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cemeteries are a mark of humanity
Yes! And of place, and belonging, and home.
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The expression of humanity and empathy that I am witnessing around the situation
Is this enough to atone for the past acts of dehumanization?
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This wouldn't have happened to a White cemetery
I'd be curious to see a map of cemetery obliteration in D.C. to see if this is actually true. Because it is not true in NYC, though I would definitely believe the rate of obliteration is not equal across demographics.
From an unrelated stylistic choice, I very much object to their capitalization of "White."
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But most were reburied without headstones, so the precise locations of the bodies are lost forever.
The current intervention is necessarily limited.
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civil war veterans
Interesting that this is the only qualification of "distinguished." Is this plaque now a war memorial too?
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distinguished
I find this particular word very interesting. Are 'distinguished" people more worthy of remembrance? Who determines which people are distinguished? And ultimately, even their distinguishability isn't enough to save them and this space from being obliterated and repurposed.
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all the headstones were sold or given away as scrap
Headstones treated as mere objects; care with which they were created and placed not recognized. These bodies not worthy of being remembered.
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This wouldn't have happened to a White cemetery
I'd be curious to see a map of cemetery obliteration in D.C. to see if this is actually true. Because it is not true in NYC, though I would definitely believe the rate of obliteration is not equal across demographics.
From an unrelated stylistic choice, I very much object to their capitalization of "White."
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most prominent citizens
Does this make what happened to their cemetery worse? Or is it a reflection that it doesn't matter what status Black people have in life, their bodies are not worth remembering after death?
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expression of humanity and empathy that I am witnessing around the situation
Is this enough to atone for the past acts of dehumanization?
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cemeteries are a mark of humanity
Yes! And of place, and belonging, and home.
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civil war veterans
Interesting that this is the only qualification of "distinguished." Is this plaque now a war memorial too?
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distinguished
I find this particular word very interesting. Are 'distinguished" people more worthy of remembrance? Who determines which people are distinguished? And ultimately, even their distinguishability isn't enough to save them and this space from being obliterated and repurposed.
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all the headstones were sold or given away as scrap
Headstones treated as mere objects; care with which they were created and placed not recognized. These bodies not worthy of being remembered.
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But most were reburied without headstones, so the precise locations of the bodies are lost forever.
The present intervention is necessarily limited.
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not where it belonged with her body, where her family could grieve and mourn and remember her life
An act of erasure?
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But most were reburied without headstones, so the precise locations of the bodies are lost forever
The present intervention is necessarily limited.
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civil war veterans
Interesting that this is the only qualification of "distinguished." Is this plaque now a war memorial too?
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expression of humanity and empathy that I am witnessing around the situation
Is this enough to atone for the dehumanization?
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cemeteries are a mark of humanity
Yes! And of place and home and belonging.
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distinguished
I find this particular word very interesting. Are 'distinguished" people more worthy of remembrance? Who determines which people are distinguished? And ultimately, even their distinguishability isn't enough to save them and this space from being obliterated and repurposed.
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all the headstones were sold or given away as scrap. A previous owner of the farm bought truckloads of them to shore up the riverbank
Headstones treated as mere objects; care with which they were created and placed not recognized. These bodies not worthy of being remembered.
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not where it belonged with her body, where her family could grieve and mourn and remember her life
An act of erasure?
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docdrop.org docdrop.org
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importance of linking the spread of disease and the distribution of deathscapes through joint research with epidemiologists. Another is the analysis of land values and the location of cemeteries and columbaria, which continue to influence land use planning in urban centres.
These are questions we are asking, though we may not have answers yet
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In studying deathscapes, there is every opportunity to contribute, for example, to an understanding of how “we and others can challenge social oppression” (Chouinard, 1994:5). There is also opportunity for policy-makers and planners to be made aware of themultiplicities of landscape meanings and to take account of such multiplicities in landscape/urban design and planning.
This is one of our goals with Mapping Cemeteries
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What new rituals evolve as means to cope with impositions accompanying conditions of modernity? What transformations in conceptions of sacred place and time are evident?
Thinking of shoes hanging on power lines
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Which are the groups whose ideas and values do not find translation in landscapes, whether for their living or dead? What are the relations of domination and subordination that submerge the landscapes (and deathscapes) of some groups? How do such groups find alternative expressions for their meanings and what forms do these take?
Necropolitics represented in the land/deathscape
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It is only in heeding such wisdom that we avoid the narrow strictures of examining deathscapes as a space-utilising phenomenon, as shown above, or in terms of the weathering of tombstones (Meierding, 1993). Only then will we be able to gain insights into the narratives of social, economic and political life embodied in cemeteries and columbaria, memorials and mausoleums.
Deathscapes as physical and notional
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liminal zone in which the boundaries between the popular and official, and the private and public, became blurred
Thinking of spaces with layers, or as a palimpsest
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there is perhaps one constant that has unequivocal geographical concern, and that is, the significance of place
place, home, sense of belonging
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merican memorials as political landscapes which contribute to the construction of a nation’s collective memory. He argues that commemoration is selective and reflects what society wants to remember. Hence, memorials are a visual effort to orchestrate the collective memory of particular wars. This may be to legitimise American action in war, although there may be conflicting readings, reflecting America’s greed and racism.
Again, looking at General Worth
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emeteries, as Morris (1997) illustrates, are also about constructions of the nation.
General Worth's monument: https://www.nycgovparks.org/parks/worth-square/history
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garden cemeteries therefore feminised the landscapes of war while upholding a military ideal of male community, comradeship and common
Gendering landscapes
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private memorials at accident site
Ghost bikes as part of the deathscape in New York City
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deathscapes provide a handle on understanding how space is a contested resource in social life.
Spaces of living competing with spaces of death, but does it have to be this way?
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What kind of “geography of resistance” (Jackson, 1988) may be analysed?
Are we creating a geography of resistance in Mapping Cemeteries?
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recognising it as a cultural construction, a “particularway of composing, structuring and giving meaning to an external world whose history has to be understood in relation to the material appropriation of land”
Infrastructure
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Cosgrove and Jackson (1987:96)
Very interested in reading this article
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COLUMBARIA,
"a structure for the respectful and usually public storage of funerary urns, holding cremated remains of the deceased" source: https://en.wikipedia.org/wiki/Columbarium
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- Feb 2021
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minicomp.github.io minicomp.github.io
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if there may departing be
My first note.
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