Itwasananswer.
weary of self-service patrician speechifying
64 Matching Annotations
- Feb 2019
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econdcitizen
cut from Moshunsky. effect to not contrasr his eloquence with M's. also shows his experience of listening to patrician speeches
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Whatwork’s,mycountrymen,inhand?WheregoyouWithbatsandclubs?Thematter,speak,Iprayyou
M speaks angrily in Moshinsky's film. Doesn'tfit with M as eloquent patrician who treats the people well while looking down on them privately
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h’otherinstrumentsDidseeandhear,devise,instruct,walk,feel,85And,mutuallyparticipate,didministerUntotheappetiteandaffectioncommonOfthewholebody
The implication is that the stomach (the patricians) does none of these. Not seeing, hearing, ... feeling mutually participating?
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as Menenius dubs the first citizen"great toe,"one o'th' lowest, basest, poor- est," and"ras
maybe M turns to insult because first citizen can meet him on his own terms in terms of rhetoric so M turns to metaphor as insult to put him back in his place
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0 Language is used to convince people to gather into societie
psychology - we now see humans as born social and becoming individual
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s3.us-central-1.wasabisys.com s3.us-central-1.wasabisys.com
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ent of Martius: 'That we did, we did for the best, and though we willingly consented to his banishment, yet it was against ou
perhaps another reason why C hates the plebs and doesn't want to speak to them. he thinks he is wasting his words as their feelings are fickle they love or hate on a whim plus he thinks he shoud be offered the post of consul as a reward for his amazing fighting
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DOIs,
Cal - you don't need to put https in front of a DOI.
That's only for URLs
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- Nov 2018
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learn2.open.ac.uk learn2.open.ac.uk
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Readers
did ford teach rhys? visual effects
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in
WWS and similarity to evocation of landscape in heart of darkness
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s.
Peter Doig
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All
showing vs telling showing - example of John Reed's tyranny in previous chapter when he threw the book at her. example of servants' partiality - Abbot's words and Bessie's. others are telling?
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looked
sensory detail
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glided up to the ceiling and quivered o
verbs that describe living beings
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d howling in th
pathetic fallacy
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always suffering, always brow-beaten, always accused
tricolonic anaphoric asyndeton 3 without conjunctions
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not ye
telling reader that it would be soon foreshadowing
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for
anaphora - repetition of 'always'
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d glare
personification or pathetic fallacy?
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Steps
personification
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heart beat thick, my head grew hot;
alliteration
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Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred:
internal conversation
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A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour, with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany
asyndoten to make it overwhelming? so much stuff so much red/pink darkly polished old...
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Miss Eyre, are you ill?” said Bessie. “What a dreadful noise! it went quite through me!” exclaimed Abbot
reveals personality
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“Unjust! –– unjust!
juxtaposition opprobrium - mature narrator unjust - childs language
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Eliza
look at sentence length onwards
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I thought it like one of the tiny phantoms, half fairy, half imp, Bessie’s evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated traveller
foreshadows how R sees J first meeting gytrash
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I was a trifle beside myself; or rather out of myself, as the French would say:
adult narrator
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Oxford: Oxford University Press,
they said dont include town ig its in publishers name
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necessary
what about plays?
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example:Nicolas
Should I write Open University online library instead of Google ebook?
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be given; they should be preceded by the accepted abbreviated forms ‘ed. by’, ‘trans. by’, ‘rev. by’
please give examples of ed. by and trans. by
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politiquement
audience
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orce du mythe, écrit-elle, est telle que la plupart des spectateurs, en dépit des intentions de l’auteur, n’écoutèrent que la
audience response
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il privilégie la querelle de famille, le conflit des générations, les tourments de l’adolescence
less political than soph.
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- Oct 2018
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learn2.open.ac.uk learn2.open.ac.uk
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other communication systems
cf south korean thriller writer korean courtesy and reverence
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learn2.open.ac.uk learn2.open.ac.uk
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AndwecutandateofthebaconandthebreadThathehadbroughtustofeedusinourneed
not jews
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meaningarevanishinglysmall
cf mark muse dante inferno. no terza rima compared to others who force the content to keep the rhyme
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learn2.open.ac.uk learn2.open.ac.uk
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beengraduallytodivertattentionawayfromitsimmediatecontextandtoconvertitintoauniversalplayabouttherecurrentbattlebetweenthegenerations
idealism - ? processed/springs from where in brain?
pragmatism - prefrontal cortex
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IncontrasttotheSophocles,ithasacoolsurface,andthisisnowheremoreobviousthanattheverybeginningandattheend
cool surface - can be seen in 70s film version stacey keach
warm - can be seen in juliette binoche version
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Onlyaclosescrutinyofthetext,placedIwouldsuggestagainsttheSophoclesoriginal,caninformusastowhetherornothesuccumbed
essay?
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indictingtotheaudiencethecharactersonebyonebeforetheyopentheirmouths
anticipating the Nuremberg trials which would soon follow
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andtheculturalassimilationinvolvedhasinEnglandneverbeenentirelyfreefromananglocentricreconstructionofthecontinentalexperienceofwar
is this not, perhaps, what the writer is guilty of in her comments on the previous page about Anouilh as nostalgic etc?
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completelyshockingnewness
perhaps the force of circumstance - perhaps his suddenly and potentially for the first time connecting something from ancient Greece to his own historical moment
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howcananybodyhavealwayshadbyheartaplaythathehadreadandre-read
I might know a song by heart but I still want to hear it. I might know a poem by heart but I still want to read it.
My quibble would be with 'always' - it's not true that he had 'always' known it
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socialhistoriesofthespectatorsandwiththeimpactoftheeventsofthetime
look up newspaper reviews of the time re set design etc
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Ithinkthisisamistakeandisprobablyderivedfrombeliefinahierarchicalrelationshipbetweentheancientandthemodernlanguage,castingthetargetlanguageasthesuppliantratherthanthepartner
Perhaps. But I think it's more complicated. Perhaps there were errors in the mediating translation - e.g. the Anouilh version we are using which contains 2 errors
also - different purposes - e.g. studying the original greek in detail vs a chinese whispers study of different translations working through each other
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valuedintheirsociety
anouilh - what french society was suffering under the nazis
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imitation
Anouilh - air raid shelter?
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learn2.open.ac.uk learn2.open.ac.uk
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AttheclimaxoftheassaultonThebes,Creon,undercompulsionofTeiresias’propheticbidding,sacrificesMegareustothegodsandthusobtainssalvationforThebes
If Creon has sacrificed his son to save Thebes, he is unlikely to be sympathetic to Antigone's desire to bury Polynices. this refers to Maurice Druon's version?
Antigone was written by Sophocles before the other 2 plays. Does this have any impact on my statement above?
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arepertoirethatexistsonlyinthereaderandisactivatedby“referencestoearlierworks
e.g. my belief that Rushdie was referring to Prophet Mohammed in the Satanic Verses, not because he referred to him as such in SV (he referred to Mohandan the prophet), but because he had referred to him as Mohandan in Midnight's Children.
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theabilitytorecognizethegapsandhurdlesofaworkasungrammaticalarepartofeveryreader’slinguisticcompetence
massive generalisation. assumes one universal reader reader as archetype
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Solvingthepuzzleofaliterarytextisnotaspecialtalent,tobecultivatedbylongyearsoftraining,butaskillwithinthereachof“themostordinaryreader”;theinterpreter“isonlyamoreconsciousreader”(“InterpretationandDescriptivePoetry”236,238).YethisowninterpretationsofpoemsandnovelsarefulloflearnedallusionsanddrawonanencyclopediccommandofFrenchandEnglishliteratures
what about writerly vs readerly texts? most ordinary readers would struggle with modernist texts like Mrs Dalloway
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aporia
an unsolvable internal contradiction or logical disjunction in a text, argument, or theory
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epigone
A less distinguished follower or imitator of someone, especially an artist or philosopher
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sociolect
the dialect of a particular social class
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theartscould,overthelongrange,beconsideredasbydefinitionsuicidal:
could apply to character of Antigone?
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www.dartmouth.edu www.dartmouth.edu
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with her the worst endures
This anticipates Adam's future decision to eat of the fruit
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descri'd
Middle English from Old French descrier, meaning ‘publish or proclaim’
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But if much converse perhaps Thee satiate, to short absence I could yield. For solitude somtimes is best societie,
Adam seems to misunderstand that Eve's comments regarding their conversations were in regard to their interrupting the necessary work in the garden. Adam appears to understand her comment as meaning that she has had enough conversation and needs a break from it.
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These paths & Bowers doubt not but our joynt hands Will keep from Wilderness with ease, as wide
Adam's opinion is different from Eve's - he seems to feel that caring for the garden is easy, while Eve seems overwhelmed by it.
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unearn'd. Labor is not alien to Milton's Paradise; rather it is considered proper to human dignity and its performance made food, drink and rest more pleasurable (4.328). The notion of earning one's supper by work does, however, seem at odds with Paradise; Adam was quite ready to take an afternoon off to entertain Raphael.
Perhaps because she feels overwhelmed by the amount of work that the garden requires, and that continual interruptions mean that they are not keeping up with it: 'what we by day Lop overgrown, or prune, or prop, or bind, [ 210 ] One night or two with wanton growth derides Tending to wilde.'
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averse. Opposite.
In the sense of being derived from the Latin aversus 'turned away from'.
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Caparisons
Decorative coverings spread over saddles and/or harnesses
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