“Experimental” dramatic techniques have become, in the late twentieth century, so much a part of the playwright’s arsenal of strategies that they seem scarcely “experimental” any longer, but rather more a kind of deft shorthand for what would have required, in an earlier decade, a more elaborate and methodical unfolding of plot
What would we be considering "experimental" in terms of playwriting? Will we need to know more about playwriting terms or the history or will this be more based on what your argument is?