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      These annotations made me feel interested and more thoughtful about photography because both essays showed that images are more complicated than they first appear. Wollen made me see photography as something powerful because it freezes time, while Berger and Mohr made me realize that photographs can still be unclear and need interpretation. Together, the essays made me feel that photography is both strong and limited at the same time: it preserves real moments, but it does not always explain them fully.

    2. In the relation between a photograph and words, the photograph begs for an interpretation, and the words usually supply it.

      I think this is a strong ending idea because it shows that photographs become more meaningful when combined with language. The image captures attention, but words often help turn that attention into understanding.

    3. What is happening? It requires a caption for us to understand the significance of the event.

      This stood out to me because it argues that images do not always speak for themselves. Sometimes words are necessary to guide the viewer toward the intended meaning if its true or misleading.

    4. The ambiguity arises out of that discontinuity which gives rise to the second of the photo- graph’s twin messages.

      I found this important because it explains why photographs can feel sorta incomplete. They only show one instant, so the viewer is left wondering what happened before or after.

    5. Between the moment recorded and the present moment of looking at the photograph, there is an abyss.

      This made me feel that every photograph carries distance in it. By the time we look at a photo, the original moment is already gone, which gives the image a kind of sadness too it.

    6. Yet it tells us nothing of the significance of their existence.

      This part was powerful to me because it shows that a photograph can prove something existed without explaining why it matters. A photo may be truthful, but it can still leave out the deeper meaning.

    7. FILM IS ALL LIGHT AND» SHADOW. INCESSANT MOTION, TRANSIENCE, FLICKER, A SOURCE OF BACHELARDIAI REVERIE LIKE THE FLAMES © IN THE GRATE.

      I liked this comparison because it makes the difference between film and photography very easy to think. Film feels alive and moving, while photography feels frozen, preserved, and permanent.

    8. Some light is thrown on these questions by the verb-forms used in cantidus,

      This section made me see that even captions shape the way we understand photographs. The words under an image can push us to see it as action, or proof.

    9. It is useful to approach photography in the light of these categories. Is the signified of a photographic image to be seen as a state, a process or an event?

      This made me think more carefully about what a photograph is actually showing. A photo can capture a condition, an action, which means its meaning depends on how the viewer interprets it.

    10. or example, Roland Barthes’ antipathy towards the cinema and absorption in the still photograph.

      I thought this was interesting because it suggests that photography breaks the normal flow of time. Instead of showing life as ongoing, it takes one instant and makes us focus on it more deeply.

    11. The lover of photography is fascinated both by the instant and by the past. The moment captured in the image is of near-zero duration and located in an ever-receding ‘then’. At the same time, the spectator’s ‘now’, the moment of looking at the image, has no fixed duration.

      One thing that stood out to me was how Peter Wollen describes photography and film as opposites through the idea of time. In the first essay, he explains that film feels full of motion and change. This idea made photography feel more powerful to me than I first expected because even though it is still, it can hold meaning for a very long time.