2 Matching Annotations
  1. Nov 2021
    1. OTHELLO. Most potent, grave, and reverend signiors, My very noble and approv’d good masters: That I have ta’en away this old man’s daughter, It is most true; true, I have married her. The very head and front of my offending Hath this extent, no more. Rude am I in my speech, And little bless’d with the soft phrase of peace; For since these arms of mine had seven years’ pith, Till now some nine moons wasted, they have us’d Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself. Yet, by your gracious patience, I will a round unvarnish’d tale deliver Of my whole course of love: what drugs, what charms, What conjuration, and what mighty magic, (For such proceeding I am charged withal) I won his daughter.

      What is Othello's tone here? What kind of props do we have to help create the setting? We should ask Jenna Swett if we can film it at her house.

    2. FIRST SENATOR. This cannot be By no assay of reason. ’Tis a pageant To keep us in false gaze. When we consider The importancy of Cyprus to the Turk; And let ourselves again but understand That, as it more concerns the Turk than Rhodes, So may he with more facile question bear it, For that it stands not in such warlike brace, But altogether lacks the abilities That Rhodes is dress’d in. If we make thought of this, We must not think the Turk is so unskilful To leave that latest which concerns him first, Neglecting an attempt of ease and gain, To wake and wage a danger profitless.

      How does race factor into how the European characters interact with Othello?