FredaJackson as the horrible melting woman in Die, Monster, Die! con-firms for us that no matter how far we may be removed from thebeauty of a Robert Redford or a Diana Ross, we are still light-yearsfrom true ugliness.
This is use of ethos because it shows the writer is very familiar with the horror genre by using different film examples.
hystericalfear — of snakes, the dark, the tight place, the long drop ... and, ofcourse, those final worms and grubs that are waiting so patientlyunderground to play their part in the great Thanksgiving table oflife: what once ate must eventually be eaten.
This is pathos as it uses the emotions of fear and disgust. Readers are scared of snakes, darkness, and tight spaces. Readers too likely are grossed out by having to read about eating worms