30 Matching Annotations
  1. Sep 2025
    1. You have to make up. So the ball,which is a physical object, only becomes meaningful as a football within thecontext of the rules of the game. The only way you play is to develop a game ora language game about football: “You can put it there; You can’t put it there. Youcan’t touch it; You can’t kick it, etc.” Within the rules, it becomes a football.

      This is even more evidence for the previous claims in this. It dips into philosophical reasoning for why things are certain things. the football does not have purpose or meaning until you put it in the context of a football game and on a football field. We give things meanings to support our world view.

    2. is itself a system ofrepresentation: our concepts, our way of representing the world

      I think this is why it would be impossible to satisfy everyone when it comes to representation, because everyone has different lens's and different meanings of everything. Life is not an objective path, everyones is different and everyone will see a certain thing a different way.

    3. It will always be a contested question.There will never be a finally settled, fixed meaning

      I agree with this claim, there will never be a final and correct way on who, how or what to represent in the media. You will never be able to truly represent everyone as they wish.

    4. what we’retalking about is the fact that in the notion of representations is the idea of givingmeaning

      I think that this is a very interesting take on the notion of representation. A lot of people fight for representation in the media but what does it amount to really? Is it all an act done by major studios to give the illusion of progress? Would companies do it on their own if they had no social pressure to make changes?

    5. I’m going to talk about the notion of representation, which is a verycommon concept in cultural studies and in media studies kinds of work, but Iwanted to explore the idea a little bit

      I like this introduction, it describes what is going to be talked about without taking a direct stance upfront. It acknowledges that there is a topic that is going to be discussed but it is so broad and vague that it needs to be broken down fully before an idea or stance could be taken.

    1. Forensic databases are frequently referenced on CSI. These include the Forensic MedicalJournal, the Dental Society Database, and the Combined DNA Index System (CODIS). Thesedatabases often reveal key information.

      It is interesting to me where they draw the line because a lot of this stuff is classified information. Even the people who are employed as crime scene investigators are not allowed to discuss what they did at work with their loved ones,

    2. The accuracy of the scientific equipment and techniques is less importantthan the meanings about science that CSI conveys

      I would say that this is not only true for shows In this genre but also medical shows, there is more of an emphasis on what the instruments represent than if they are used in a practical sense in the show.

    3. CSI circulatesa set of cultural meanings about the police: they are competent, they are a team, and theyare a moral authority that stands against social disorder (see Wilson, 2000)

      This is a good sentiment to push when making a show about this type of profession, they might not always get it right as there are an insane amount of variables in this field but at the end of the day everyone on the team is human and is capable of making mistakes.

    4. It is a successful police drama at atime when there are many challenges to the legitimacy of law enforcement.

      Of course this is also true because a true forensics/police show would include a lot of paperwork and lab work hat might not be as entertaining as the on scene stuff, at its core this is a show and its purpose is to entertain.

    5. The series foregrounds scienceand yet many in its audience lack a science background.

      I think that this works because it's something sort of taboo. Not a lot of people have or will experience being inside a crime scene, it draws out that morbid curiosity that's built into every person.

    1. Additionally, the presence of DVDs makes the published version definitive and canonical over both the original broadcast and typically shortened syndicated rerun versions.

      DVD was apart of the cycle that is outdated technology, streaming right now is king of television broadcasting. And one day if a more mainstream or convenient way to stream shows is found then that will become the standard. DVD made reruns basically useless because why would you need reruns when you can just pop the DVD in and watch the show that you want to whenever you want.

    2. . The random access control of DVDs greatly enhances and enables viewers to engage the operational aesthetic, allowing pausing, rewinding, and slow-motion close study to ferret out narrative clues from twisty mysteries like Lost and Alias, and replay past moments to highlight exemplary moments of narrative construction

      This is true, the ability to start stop and rewind/ rewatch movies and shows whenever you want was a new feature that has been brought to T.V via the DVD model. It allows the viewer to be more in control and engage with the content however they want

    3. These televisual strategies are all possible via scheduled flow, but greatly enhanced by viewing multiple times via published DVDs

      This was basically bottling the idea of the flow theory captured in a DVD so you can rewatch it whenever you want.

    4. Seriality can be greatly enhanced by the publishing model, as viewers owning DVD sets can mimic the “random access” possibilities of books to consult and replay moments from episodes or seasons past.

      The DVD model is becoming more and more outdated by the day but its principles still remain the same. Replay ability was why DVD blew up in the first place and also its applicability to this model.

    1. A kind of cross between the serial and the series has becomeincreasingly popular on British TV. In a light drama or a situation comedylike Agony a particular event is passed on from episode to episode, whilstthe rest of the events are specific to one episode. Hence in Agony MaureenLipmann’s agony columnist is pregnant, and her pregnancy increases untilthe last episode is concerned with giving birth. However, everything elsethat occurs, the week’s catastrophes and comic turns, take place within oneepisode which presents their resolution or expulsion from the programme.No memory remains of them next week.

      This is a perfect example of my last two annotations, the character has a main plot point but each week faces a new set of trivial new issues. In the end the main plot point is fixed but the episodes leading up to the culmination of the show does nothing to the actual purpose of the show.

    2. . There is no development at allacross the series. The serial marks a long slow narrative movementtowards a conclusion, but often that conclusion is tentative (allowing asecond series) or incidental (the dispersion of the characters)

      Once again, how shows that used to air weekly work. They may give the illusion of providing a solution but it is a flimsy or weak one that can easily be broken and replaced with a new conflict for the characters to solve and the viewer to digest. It is a very easy way to get as many stories into the show as possible.

    3. . The TV series proposes aproblematic that is not resolved; narrative resolution takes place at a lessfundamental level, at the level of the particular incidents

      That's how shows like sitcoms or 90's shows that would air every week would work. The cast of characters would have to face a new issue weekly that would get "solved" but would be right back the next week with a different issue.

  2. blog.richmond.edu blog.richmond.edu
    1. n this regard— flow as “the impulse to go onwatching”—Williams’s concept is neither a fascinatingbut outmoded critical tool, nor a broad brush to ap-ply to any cultural incongruities, but still a compellingmodel with which we can analyze how communica-tions systems structure societies (and vice versa).This content downloaded from76.120.235.4 on Sat, 07 Aug 2021 20:30:25 UTCAll use subject to https://about.jstor.org/terms

      And I believe that this will be true and long as watchable media is still viable. People will always crave more and the "Impluse to go on watching" will always live in humans as it is their nature. The construction of the flow theory in television is not only true in media but in all of life. Humans are constantly questioning and wanting answers which is why this model works so well.

    2. compelling metaphorof the ideological power of television

      I don't think that there is an ideological metaphor for the power of television. I think that any media consumption on a screen is very powerful, especially in the modern age we have seen it tear families and people apart.

    1. But we areonly just beginning to recognise, let alone solve, the problems ofdescription and response to the facts of flow.programming: distribution and flow96

      I think that this statement is very important because now that we have recognized that it is a problem what are we doing to solve it? the answer is nothing. Content just keeps getting easier and shorter to consume and people keep consuming it

    2. There are of course many cases inwhich this does not happen: people can consciously selectanother channel or another programme, or switch off altogether

      I think that this statement can now be applied with a modern lens and can speak to peoples current attention spans. Apps like Tik Tok and instagram have implemented ways of consuming hundreds of different types of content within just a few minutes of being on the app. I Truly Believe that cable television was the last time humans had a attention span that made it so they could sit through a whole broadcast on T.V

    3. or the ‘interruptions’ are in one way only the most visiblecharacteristic of a process which at some levels has come todefine the television experience.

      For some people, this unpredictable style of t.v has been something that people are fond of and keep coming back too. Fans of a series often try to search for and uncover outages from the show just because they crave more of that unpredictability that a certain show has. A stellar example of this would be the Comedy "The Office".

  3. Aug 2025
  4. drive.google.com drive.google.com
    1. The audience-without consciousawareness-continually rehearses basic cultural contradictions that cannot be resolved within the existing socioeconomic system outside of thetext: law and order versus the idea of individual success (the gangstergenre); nature versus culture (the Western);

      This is another important part about movies and T.V genres. Books kind of exist independently of the social political climate whenever you are reading the book. Movies and shows often comment or reflect the time that they were made in or are suppose to represent. So people unconsciously take their personal views and watch the movie through their personal lens.

    2. It is due to their nature as artifacts of popular culture that films andtelevision programs have been treated in a specific way in genre studies.Genre study in film has had a historically and culturally specific meaning.

      A lot of movies success does rely on its ability to relate to the current times. Often times movies will make jokes that will make sense in the current climate or at the time of their release. The same goes for genre, if a certain genre or style of movie/show is popular at the time you will see a lot of movies with the same sort of theme. An example of this would be the explosion of marvel super hero movies in the 2010's

    3. iterary criticism, which has been around much longer than either filmor television criticism

      I have taken a literary English class and I can draw comparisons between literary criticism and television criticism. Mainly on story progression because the way the stories are portrayed are very different.

    1. n the case of television, these kinds of advertisements almost alwaysshowed the product in the center of the family group.

      This is still true to this day, think of any car commercial you've ever seen, there's always a happy family going to their kids soccer practice or something

    2. Many contemporaries fearedthat returning veterans would be unable to resume their positions asresponsible family men.

      This statement makes sense, imagine how hard it would've been to come back from a war and the whole dynamic of family and society is different due to new technology

    3. . It was seen as a kind of household cement that promised toreassemble the splintered lives of families who had been separated

      so it was seen kind of as a status thing?

    4. elevision was supposed to bring the familytogether but still allow for social and sexual divisions in the home.

      This is the double edge sword of T.V you can apply it to amplify your life but also it can cause loneliness and drive a wedge in your social life.

    5. e popular media published reports andadvice from social critics and social scientists who were studying the effectsof television on family relationships.

      This is something that is still debated today, how tv and media affects families and relationships