from every gentle touch and movement of the sleeping, confiding child
More praise for the innocence of a child... a precious being that needs protection. It's interesting how this reading depicts maternity.
from every gentle touch and movement of the sleeping, confiding child
More praise for the innocence of a child... a precious being that needs protection. It's interesting how this reading depicts maternity.
If it were your Harry, mother, or your Willie, that were going to be torn from you by a brutal trader, tomorrow morning,—if you had seen the man, and heard that the papers were signed and delivered, and you had only from twelve o’clock till morning to make good your escape,—how fast could you walk?
The fear of a mother losing her child is one thing, but having no power to do something about it is another.
the place where she had grown up, the trees under which she had played, the groves where she had walked many an evening in happier days
Romanticizing the past (nostalgia) is a beautiful yet dangerous thought to have. Sometimes it can be a cage to your future... and time can mess with the mind. As a child, you can experience moments that age like wine, but in those moments a child can often be blind to bigger issues that hide in the shadows.
“Who made this man my master? That’s what I want to know!” he said
I wonder if George was brought up like Eliza would he still be having these thoughts? The contradicting comfort that Mrs. Shelby creates with Eliza and her child slides under the radar and creates this prosthetic world.
Well, it is dreadful,” said Eliza; “but, after all, he is your master, you know.” “My master! and who made him my master? That’s what I think of—what right has he to me? I’m a man as much as he is. I’m a better man than he is.
George addresses the underlying problem. I think Eliza understands this, yet she's afraid to lose the illusion of a life that is "good". She's settling for her role in someone else's life maybe to protect her boy.
The marriage was highly approved of by Mrs. Shelby, who, with a little womanly complacency in match-making, felt pleased to unite her handsome favorite with one of her own class who seemed in every way suited to her; and so they were married in her mistress’ great parlor, and her mistress herself adorned the bride’s beautiful hair with orange-blossoms, and threw over it the bridal veil, which certainly could scarce have rested on a fairer head; and there was no lack of white gloves, and cake and wine,—of admiring guests to praise the bride’s beauty, and her mistress’ indulgence and liberality.
This is an example of Mrs. Shelby "masking the problem". She is seen as a sweet mistress who treats Eliza like her daughter, but Eliza is her doll whom lives within Mrs. Shelby's limits and expectations.
Mrs. Shelby, being entirely ignorant of her husband’s embarrassments, and knowing only the general kindliness of his temper, had been quite sincere in the entire incredulity with which she had met Eliza’s suspicions. In fact, she dismissed the matter from her mind, without a second thought; and being occupied in preparations for an evening visit, it passed out of her thoughts entirely. CHAPTER II
This has left me extremely uneasy. It's like affirming this will happen. Does Mrs. Shelby really care about this situation, or is she in such disbelief that it's not even worth thinking about? Notice how the author makes this character unbalanced to make us feel nervous.
Whoever visits some estates there, and witnesses the good-humored indulgence of some masters and mistresses, and the affectionate loyalty of some slaves, might be tempted to dream the oft-fabled poetic legend of a patriarchal institution, and all that; but over and above the scene there broods a portentous shadow—the shadow of law. So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a master,—so long as the failure, or misfortune, or imprudence, or death of the kindest owner, may cause them any day to exchange a life of kind protection and indulgence for one of hopeless misery and toil,—so long it is impossible to make anything beautiful or desirable in the best regulated administration of slavery.
There are good masters out there who treat their slaves well with respect, but that's just masking the problem and keeping slavery alive.
Perhaps you laugh too, dear reader
Why a fourth wall break in this scene? Reminds me of conformity- however Mr. Shelby seems uncomfortable.
These critters ain’t like white folks,
I may have overread something, so this woman and her child aren't white? I wonder why it wasn't announced earlier in dialogue nor description. Maybe it's for the reader to be caught off guard? Perhaps it's the point of equality and skin color shouldn't matter...? Would it be wrong to compliment someone on their beauty based on their skin color?
There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.
Notice the romancing of innocence with a child. It draws me back to self reliance with describing a child's mind "untouched by society"
Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
I MADE IT TO THE END! And there doesn't seem to be a climax, it seems like he just stopped mid thought because his dinner was ready or something.
Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)
Like I said, this just seems like a massive conversation with his conscious that never ends.
Nor do I understand who there can be more wonderful than myself.
Is this healthy confidence or just insane ego?
My words itch at your ears till you understand them.
Quite the damn itch, but I still don't understand most of this. He seems to cover almost everything in this.
breastworks,
this means sandbags or defensive walls i believe.
Where the bull advances to do his masculine work, where the stud to the mare, where the cock is treading the hen, Where the heifers browse, where geese nip their food with short jerks, Where sun-down shadows lengthen over the limitless and lonesome prairie, Where herds of buffalo make a crawling spread of the square miles far and near, Where the humming-bird shimmers, where the neck of the long-lived swan is curving and winding, Where the laughing-gull scoots by the shore, where she laughs her near-human laugh, Where bee-hives range on a gray bench in the garden half hid by the high weeds, Where band-neck’d partridges roost in a ring on the ground with their heads out, Where burial coaches enter the arch’d gates of a cemetery, Where winter wolves bark amid wastes of snow and icicled trees, Where the yellow-crown’d heron comes to the edge of the marsh at night and feeds upon small crabs, Where the splash of swimmers and divers cools the warm noon, Where the katy-did works her chromatic reed on the walnut-tree over the wall,
Okay, we get it. Does this exaggerated repetition help his opera? How could this be effective?
You my rich blood! your milky stream pale strippings of my life!
There is a very biblical tone present and a comparison of him and Christ.
Hurrah for positive science! long live exact demonstration! Fetch stonecrop mixt with cedar and branches of lilac,
What in the name of heavens is this guy spouting about? It seems like he is taking this too far this isn't a song anymore it's a lifelong opera of fleeting thoughts.
I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man, And I say there is nothing greater than the mother of men.
This is as close as he has come to complementing a woman.
The pleasures of heaven are with me and the pains of hell are with me,
one can believe anything they want. I remember a quote from the film "13 Hours" which quoted "All the heavens and all the hells are within you". I forget where they say that was from. I think a book one of the characters was reading.
One world is aware and by far the largest to me, and that is myself,
Is this taking self-reliance too far?
conformity goes to the fourth-remov’d, I wear my hat as I please indoors or out.
"I am a man and do as I please"?
These are really the thoughts of all men in all ages and lands, they are not original with me,
he really doesn't talk much about women other than wives bearing children and prostitutes...
tongue
quite a few tongue references in this. Going back to the blade of grass and lover sticking tongue into his heart...
What is commonest, cheapest, nearest, easiest, is Me,
laziness?
and the women my sisters and lovers,
Kind of an awkward sentence...
These come to me days and nights and go from me again, But they are not the Me myself.
Thoughts are not you
There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Talking about the past and future is a waste of time. Live in the here and now.
You shall listen to all sides and filter them from your self.
Make your own interpretation
belch’d
burped? from back of throat?
I permit to speak at every hazard,
If i see something, ill say something i truly believe regardless of opinion from others
Hoping to cease not till death.
yolo?
And what I assume you shall assume,
What I'm saying is something you will say?
Song of Myself
confidence, essence, perspective, opinion
Your life is not only spared, but now you’re also caught in the middle of a hot and steamy cross-racial love triangle
I get what you're saying here but realistically I would be terrified from seeing my friends heads roll behind me and would have a hard time trusting anyone from then on. And yes I would probably try and escape in the night.
All the story does is reiterate the societal bounds that women and minority groups have been trying to break.
Even though the story is intriguing, Greenwood makes a fair point here. How would it change if it was vise versa? A Native American man be taken prisoner only to be swooned over two white English princesses. Oh wait, the Englishmen would probably just kill him. That was their answer to everything foreign.
All that mattered was that a white woman was hurt by a group of non-white people, and that there was seemingly no viable reason for it other than inherent brutality.
I didn't see it this way exactly. She lost her child which is beyond heartbreaking, but how exactly did the Native Americans hurt her? Because they took her away from what she knew against her will- I suppose. This entire story I was only interested in the Native Americans.
This makes me wonder how much change and growth this woman has experienced in these last eleven weeks and couple days. She is still grounded by her God, but I am sure she will be talking about this time for the rest of her life.
I have seen the extreme vanity of this world: One hour I have been in health, and wealthy, wanting nothing. But the next hour in sickness and wounds, and death, having nothing but sorrow and affliction.
I wonder if she knew this when she was living a "healthy and wealthy life". Maybe she did. I wonder how this journey changed her.
They could go in great numbers over, but the English must stop. God had an over-ruling hand in all those things.
Or the Native Americans were more adaptive and connected to the land.
Then I took it of the child, and eat it myself, and savory it was to my taste.
Very interesting. I was expecting her to sympathize with the child and help.
A squaw moved it down again, at which I looked up, and she threw a handful of ashes in mine eyes. I thought I should have been quite blinded, and have never seen more, but lying down, the water run out of my eyes, and carried the dirt with it, that by the morning I recovered my sight again.
Acts of kindness that are misunderstood at first from a foreign perspective. I would have been heated, and then embarrassed in the morning for getting heated.
He answered me that such a time his master roasted him, and that himself did eat a piece of him, as big as his two fingers, and that he was very good meat.
Am I reading this right? Is it humor, because they really are having fun messing with her.
I found six acorns, and two chestnuts, which were some refreshment to me.
Starting to acknowledge things in greater light that she didn't before?
but the third week, though I could think how formerly my stomach would turn against this or that, and I could starve and die before I could eat such things, yet they were sweet and savory to my taste.
This is adapt or die but it can also signify that if you spend a certain amount of time with anyone you can eventually grow some kind of bond with them; good or bad but in this case it seems as a mutual acknowledgement of existence that neither her nor anyone else can escape. This could potentially mean growing to like.
Relating Native Americans to creatures in Hell. I wonder what a Native American woman would say about the Europeans in a situation like this?
The Buildup of Iya, The Camp-eater was far more powerful than the ending. It seemed rushed to conclude. I feel it would have been stronger if we were met with more of a foe. Instead Iya seemed like a leech whom was extremely weak. It's still an interesting concept.
Placing an ear close to the open baby mouth, the chieftain and his wife, each in turn heard the voices of a great camp. The singing of men and women, the beating of the drum, the rattling of deer-hoofs strung like bells on a string, these were the sounds they heard.
Must be other camps that he swallowed.
It's inspiring to listen to the way the landscape and the coziness of these teepee villages is told; makes the surrounding world seem vast and dangerous (unknown)
"I have heard that bad spirits come as little children into a camp which they mean to destroy.
What an absolutely clever idea; and we've seen evil in children before throughout stories, but for something evil to use something deemed essential and innocent as a portal to destroy paints a creative conflict- especially in this setting at this time. Also how vital a child was (especially male) to a chief to keep the bloodline going.
long tinkling metal fringes,
What is that describing?
Then broke forth a rippling, laughing babble
Laughing is an interesting way to describe hearing good news. Maybe it's similar to cheering?
cheat them by and by.
Over and over again? Or is it more in the sense of all in all?