9
can we change the animation into this: C:/Users/ASUS/OneDrive/Documents/GitHub/rme-marketing/.claude/worktrees/slack-yt-runner-4d7637/02-projects/review-my-emails/review-playground/storyboard-anim-tests.html
9
can we change the animation into this: C:/Users/ASUS/OneDrive/Documents/GitHub/rme-marketing/.claude/worktrees/slack-yt-runner-4d7637/02-projects/review-my-emails/review-playground/storyboard-anim-tests.html
grid of dots
Can the dots start out all green?
The way I would run it: at the beginning the whole grid shows green, every dot alive. Then as the year passes they slowly turn grey. The greying itself still needs to be random, scattered across the grid, not going grey in a block.
movedpassword
I understand the line being spoken, but I cannot see how this picture relates to it.
Everything in the frame is the same envelope. When I look at it I think, what does an envelope have to do with changing jobs? The word "new job" is doing all the work and the drawing is doing none.
Each reason needs its own icon, something that actually shows the reason, instead of the same envelope repeated with a different label under it.
Frame 9
If the point is that phone numbers die, can we use an actual phone screen with the contact list on it. Show a thousand numbers in there. Tick the ones that are still reachable, cross the ones that are dying, then animate the dying numbers disappearing.
The big counter cracks into dots that fly off into five little tool windows, the email tool, invoicing, the CRM, a spreadsheet, an old doc. Some dots land in two places at once. One pile becomes a mess of piles.
if this frame is meant to link back to the 100,000 from Frame 5, then the animation has to show that. The 100,000 itself should turn into the fragments that fly out. Right now there is no number anywhere in the sketch, so nothing on screen connects this beat to the one before it.
settles on a big, satisfying number.
can we make the animation like the odometer stop at 10,000 and then go up 50,000 and then 100,000
d
I don't know about the art, was that the eyes