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    1. "How do you like the sky?" asked the younger man of the sky-folk. He came out of the fishing cot to watch each evening as I bathed at the river. Usually he looked away, but every so often I felt his eyes on my breasts, my round hips, the forest of curls between my legs. It charmed him that I was "so natural, so unselfconscious," even though every woman is conscious of such things.

      The younger man from the sky people asks the narrator about the sky while she's bathing in the river. He seems innocent, but you can tell he's checking her out. He thinks she's "natural and unselfconscious," but she knows every woman is aware of being watched like that. It shows how different cultures see things and how women are seen in different ways.

    2. Perhaps we were. There had been only two choices at the time of the great exodus: the Ring, where there could be cities and cars and all the conveniences of life as it once was, or Earth and nothing. Most chose the Ring, even though it meant traveling to the great belt of rocks beyond Mars, from which the Earth is merely a tiny pinpoint lost in a black, starry sky. For those who chose Earth, the lama manipa and the rebbe and the storytellers came forth and taught the people anew all the ways they had once scorned. And all the clans everywhere, no matter their chosen ways, swore the same oath: to live simply. Those who could not or would not were exiled to the Ring.

      This passage invites readers to consider the complexities of human decisions in extreme circumstances and the enduring power of cultural heritage amidst adversity.

    3. They bowed, stiffly and with no true humility, but that was all right because I expected no better of them. All my life I had heard tales of the sky-people and how their ways had nearly destroyed the world. I looked each of them in the eye as they straightened and sent my silent message again. You are fools, I said with my shoulders and my legs and my tight strong fists, but I know how much harm fools can do. I will watch you closely.

      This reflects a moment of defiance and skepticism towards the sky-people, a mythical group known for their destructive influence on the world. The narrator, embodying strength and resolve, confronts them with a silent but powerful message: a warning against their potential for harm despite their perceived arrogance. Jemisin's use of physical imagery underscores the narrator's determination to vigilantly observe and challenge the sky-people.