56 Matching Annotations
  1. Jul 2019
    1. I’m with you in Rockland

      The repeated line is done to give hope to Carl or whomever is reading it. 'I am with you in Rockland' is the literal indicator that he is not alone in his pain.

    2. Visions! omens! hallucinations! miracles! ecstacies! gone down the American river!

      A possible reference to Henry Adams' claims that America's puritan ways have denied the mysticism of religion.

    3. .

      The first part is like the longest run-on sentence, that doesn't stop until the period indicates the end of their lives.Ginsberg throws away form and the rules of grammar with this sentence.

    4. Moloch whose name is the Mind!

      Ginsberg reveals Moloch's name as the mind. The norms are ingrained in the mind of a society. In a sense saying Moloch controls the minds of many to conform to the state's agendas?

    5. yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars,

      It seems as though many of the 'great minds' Ginsberg refers too fought in WW ll. A connection to Hemingway's literary works about war and the effects it has on people's psyche.

    1. Lots of folks fightin’ At de roulette wheel, Like old Rampart Street, Or leastwise Beale.

      Brown compares hell to Harlem. The struggle to survive is almost hell like. There is a lack of humanity in both places.

    2. They

      A lot of references to 'they', could suggest the notion of Us vs Them? The 'they' cursed 'you' into being less than. The poem builds up anger.

    1. And realize once more my thousand dreams Of waters rushing down the mountain passes.

      Interesting to see many of the writers use mountains as metaphors. The "waters rushing down" reminds me of Eliot and the cleansing the water provides.

    1. Swaying to and fro on his rickety stool He played that sad raggy tune like a musical fool.

      This is one of the first times I see Hughes use the pattern of rhyme in his works.

    1. in the reaction the vital inner grip of prejudice has been broken.

      Locke follows Hughes views on how African-Americans perceive themselves. This perception is holding them back from achieving more.

    1. This young poet’s home is, I believe, a fairly typical home of the colored middle class.

      It's almost like Hughes is pointing out a phycological problem in black middle class homes. Maybe they lost their black identity?

    2. But this is the mountain standing in the way

      It's interesting that Hughes follows Eliot's pattern of using the metaphor of the mountain as an obstacle in life.

  2. Jun 2019
    1. Sleep, little baby, sleep sound, Under the southern stars.

      The first time the South is mentioned in the poem. It seems like this poem is for all the Southern born people? A reminder of the grit they are born and raised with?

    2. Seben nappy heads Wit’ big shiny eye All boun’ in jail An’ framed to die.

      This verse is a repeated reminder of the struggle of being Black in America. It might also represent the lack of hope for America's claimed virtues?

    3. We held a red funeral for a child who died of hunger. We marched in thousands to her grave. Red roses came from the Communist Party

      Gold paints a dark picture of the Communist Party in the beginning of the poem. He also shares their unity, it reflects the title, "Worker Correspondence".

    4. Comrade Lenin of Russia, Alive in a marble tomb, Move over, Comrade Lenin, And give me room.

      The repetition of this verse seems like praise of Lenin.

    5. But scattered images remained, grew sharp and deep, indelible: Wisconsin farmhouse, barn wall sagging inward into emptiness,

      Like Eliot Rolfe sees the remnants of the great depression around the country as scattered images. They both reveal the pieces left behind buy an economic destruction and war.

    1. The road winding above among the mountains Which are mountains of rock without water

      Could Eliot be describing the road of life? The mountains could be the obstacles we must face are mountainous.

    2. Consider Phlebas, who was once handsome and tall as you.

      Eliot has brought existentialism into this story. He now starts speaking to the reader directly. Almost cautioning us that we will soon meet a similar fate.

    3. O City city, I can sometimes hear Beside a public bar in Lower Thames Street, The pleasant whining of a mandoline

      Eliot could be talking about pleasant times in the past before the war.

    4. “My feet are at Moorgate, and my heart Under my feet. After the event He wept. He promised a ‘new start.’ I made no comment. What should I resent?

      This could be Elizabeth speaking. She speaks of her heart being under her feet as though it was stepped on or underground. After they had sex, he talks about a new start. And she doesn't know what he means by a new start.

    5. carvéd

      Now the narrator is using French words to describe the after math of the war. The war touched many people and the narrator is emphasizing their voices.

    6. What are the roots that clutch, what branches grow Out of this stony rubbish?

      The narrator is possibly wondering what good can come from the destruction of war. He wonders what 'roots' are left to grow from a desolate area.

    7.   Frisch weht der Wind                       Der Heimat zu                       Mein Irisch Kind,                       Wo weilest du?

      The narrator code switches to German during the first section. He might be talking to a German soldier after the war? Yet they are still making a connection even after he fought against the Germans.

    1. Here lies, and none to mourn him but the sea,

      Millay speaks of a lonely death in this poem. Possibly going back to the love theme and the lack of love for the deceased. She writes the consequences have not having love in life.

    1. What but design of darkness to appall?

      Frost describes the dark design of nature. He believes nature was created by evil forces. A force that has been disputed in religious aspects. Such as everything on earth is good, he refutes it with darkness.

    2. If I could put a notion in his head:

      Frost follows the same pattern as Masters when he speaks about the neighbor who is stuck in a time past. He has a belief that walls are order and the narrator thinks differently and wishes to change his old ways of living.

    1. I WENT to the dances at Chandlerville, And played snap-out at Winchester. One time we changed partners, Driving home in the moonlight of middle June, And then I found Davis.

      This style is more casual than the other poems. It's easily understood. Some lines he starts with verbs, it's action oriented.

    2. For those of you who could not see the virtue Of knowing

      Like Robinson, Masters talks about times that have past. The avoidance of understanding what you do not know, keeps people stuck in one time.

    1. the men were just as good, And just as human as they ever were.

      This phrase goes back to the haunting theme we've been reading. Robinson talks of a lost time that can feel like a generational haunting.

    1. I got up and ran to help her.

      The narrator has been forced into captivity by her husband that she starts to empathize with the woman in the wallpaper. She feels her captivity and is determined to help her escape. The wallpaper has affected her mind to the point delusion.

    2. “I’ve got out at last,” said I, “in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!”

      The narrators consciousness has finally been freed from the captivity she was in. She slips through stages of consciousness throughout the story until she has reached an unhinged stage from her isolation.

    3. a slight hysterical tendency

      The notion that she is a hysterical woman is a testament to the time period the narrator is living in. Women are viewed as emotional and unstable. She is treated through stereotypical lenses of her husband, a doctor, who believes he knows best.

    1. the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world.

      Du Bois compares his race as a "seventh son", there is something special about the order of decent. The religious repetition continues in his explaining. He believes he and everyone alike were born with "second-sight", they see the way the world sees them. To him there is an unspoken awareness in this sight.

    2. Why did God make me an outcast and a stranger in mine own house?

      The religious pattern continues in Du Bois word choice. When he questions God's creation of him and the struggle it brings.

    3. It is in the early days of rollicking boyhood that the revelation first bursts upon one, all in a day, as it were

      Du Bois mentions revelations when he was a child. His revelation gave him the wisdom to notice a harsh reality, he was different.

    1. American art, like the American language and American education, was as far as possible sexless.

      Adams could be mentioning the Puritan views of early America. The sinful connotations of sex kept America from embracing it. Although he mentions Whitman who used the power of sex in his writing.

    2. Gibbon ignored the Virgin, because in 1789 religious monuments were out of fashion.

      The pattern that modern men have left religion behind continues. Adams notices the end of an era after it was deemed medieval.

    3. Neither of them felt goddesses as power–only as reflected emotion, human expression, beauty, purity, taste, scarcely even as sympathy.

      Adams brings back the sequence of divine force that compares to the Virgin. Modern men don't worship the Virgin anymore.