I’m with you in Rockland
The repeated line is done to give hope to Carl or whomever is reading it. 'I am with you in Rockland' is the literal indicator that he is not alone in his pain.
I’m with you in Rockland
The repeated line is done to give hope to Carl or whomever is reading it. 'I am with you in Rockland' is the literal indicator that he is not alone in his pain.
Visions! omens! hallucinations! miracles! ecstacies! gone down the American river!
A possible reference to Henry Adams' claims that America's puritan ways have denied the mysticism of religion.
.
The first part is like the longest run-on sentence, that doesn't stop until the period indicates the end of their lives.Ginsberg throws away form and the rules of grammar with this sentence.
Moloch whose name is the Mind!
Ginsberg reveals Moloch's name as the mind. The norms are ingrained in the mind of a society. In a sense saying Moloch controls the minds of many to conform to the state's agendas?
who barreled down the highways of the past
A reference to a changing time they must keep up with and a past they can't seem to let go.
yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars,
It seems as though many of the 'great minds' Ginsberg refers too fought in WW ll. A connection to Hemingway's literary works about war and the effects it has on people's psyche.
Lots of folks fightin’ At de roulette wheel, Like old Rampart Street, Or leastwise Beale.
Brown compares hell to Harlem. The struggle to survive is almost hell like. There is a lack of humanity in both places.
They
A lot of references to 'they', could suggest the notion of Us vs Them? The 'they' cursed 'you' into being less than. The poem builds up anger.
you
Brown is referring to the reader as though it happened to them personally. Possibly trying to make the connection with the reader?
as a rebel fronts a king in state,
This sounds like treason? but with a sense of hope that America will change. It is both home and hell?
And realize once more my thousand dreams Of waters rushing down the mountain passes.
Interesting to see many of the writers use mountains as metaphors. The "waters rushing down" reminds me of Eliot and the cleansing the water provides.
Swaying to and fro on his rickety stool He played that sad raggy tune like a musical fool.
This is one of the first times I see Hughes use the pattern of rhyme in his works.
My soul has grown deep like the rivers.
He speaks about how deep his origins go – from Africa to America?
But mutual understanding is basic for any subsequent cooperation and adjustment.
A solution offered by Locke? Though it seems obvious..
in the reaction the vital inner grip of prejudice has been broken.
Locke follows Hughes views on how African-Americans perceive themselves. This perception is holding them back from achieving more.
Chesnutt
It's interesting how he mentions Chesnutt who was 'passing' but identified as African-American.
This young poet’s home is, I believe, a fairly typical home of the colored middle class.
It's almost like Hughes is pointing out a phycological problem in black middle class homes. Maybe they lost their black identity?
But this is the mountain standing in the way
It's interesting that Hughes follows Eliot's pattern of using the metaphor of the mountain as an obstacle in life.
Sleep, little baby, sleep sound, Under the southern stars.
The first time the South is mentioned in the poem. It seems like this poem is for all the Southern born people? A reminder of the grit they are born and raised with?
Seben nappy heads Wit’ big shiny eye All boun’ in jail An’ framed to die.
This verse is a repeated reminder of the struggle of being Black in America. It might also represent the lack of hope for America's claimed virtues?
We held a red funeral for a child who died of hunger. We marched in thousands to her grave. Red roses came from the Communist Party
Gold paints a dark picture of the Communist Party in the beginning of the poem. He also shares their unity, it reflects the title, "Worker Correspondence".
Comrade Lenin of Russia, Alive in a marble tomb, Move over, Comrade Lenin, And give me room.
The repetition of this verse seems like praise of Lenin.
But scattered images remained, grew sharp and deep, indelible: Wisconsin farmhouse, barn wall sagging inward into emptiness,
Like Eliot Rolfe sees the remnants of the great depression around the country as scattered images. They both reveal the pieces left behind buy an economic destruction and war.
If there were only water amongst the rock
Water is now a salvation instead of death, in the last part. The water might symbolize hope?
The road winding above among the mountains Which are mountains of rock without water
Could Eliot be describing the road of life? The mountains could be the obstacles we must face are mountainous.
Consider Phlebas, who was once handsome and tall as you.
Eliot has brought existentialism into this story. He now starts speaking to the reader directly. Almost cautioning us that we will soon meet a similar fate.
Phlebas the Phoenician
Phlebas died in the water. Eliot sheds light on his earthly desires and how they are insignificant now that he is dead.
O City city, I can sometimes hear Beside a public bar in Lower Thames Street, The pleasant whining of a mandoline
Eliot could be talking about pleasant times in the past before the war.
“My feet are at Moorgate, and my heart Under my feet. After the event He wept. He promised a ‘new start.’ I made no comment. What should I resent?
This could be Elizabeth speaking. She speaks of her heart being under her feet as though it was stepped on or underground. After they had sex, he talks about a new start. And she doesn't know what he means by a new start.
carvéd
Now the narrator is using French words to describe the after math of the war. The war touched many people and the narrator is emphasizing their voices.
laquearia
It's interesting that Eliot decided to use a latin word for ceiling. It might be a status symbol?
What are the roots that clutch, what branches grow Out of this stony rubbish?
The narrator is possibly wondering what good can come from the destruction of war. He wonders what 'roots' are left to grow from a desolate area.
Frisch weht der Wind Der Heimat zu Mein Irisch Kind, Wo weilest du?
The narrator code switches to German during the first section. He might be talking to a German soldier after the war? Yet they are still making a connection even after he fought against the Germans.
Nicely.
Stein uses one word stanzas in this poem. It reads quickly but it's vague and hard to put together.
Egg be takers.
There's a lot of mention of Eggs in this poem. I'm not sure if it's the subject?
I have eaten the plums that were in the icebox
Williams uses imagery in his writing. This poem describes the action clearly.
a girl so desolate
Williams might be describing America as a desolate girl. The pattern of isolation in this poem is recurring.
prolix
Prolix? Means using or containing too many words
The apparition of these faces in the crowd;
Pound follows the theme of hauntings in this two sentence poem.
Here lies, and none to mourn him but the sea,
Millay speaks of a lonely death in this poem. Possibly going back to the love theme and the lack of love for the deceased. She writes the consequences have not having love in life.
Love is not all:
This is the first literature we come across that has a theme revolving around love.
What but design of darkness to appall?
Frost describes the dark design of nature. He believes nature was created by evil forces. A force that has been disputed in religious aspects. Such as everything on earth is good, he refutes it with darkness.
If I could put a notion in his head:
Frost follows the same pattern as Masters when he speaks about the neighbor who is stuck in a time past. He has a belief that walls are order and the narrator thinks differently and wishes to change his old ways of living.
I WENT to the dances at Chandlerville, And played snap-out at Winchester. One time we changed partners, Driving home in the moonlight of middle June, And then I found Davis.
This style is more casual than the other poems. It's easily understood. Some lines he starts with verbs, it's action oriented.
For those of you who could not see the virtue Of knowing
Like Robinson, Masters talks about times that have past. The avoidance of understanding what you do not know, keeps people stuck in one time.
and many a change has come
Robinson explores times past a lot in his writing. He also moves to a seven-stanza pattern.
the men were just as good, And just as human as they ever were.
This phrase goes back to the haunting theme we've been reading. Robinson talks of a lost time that can feel like a generational haunting.
I got up and ran to help her.
The narrator has been forced into captivity by her husband that she starts to empathize with the woman in the wallpaper. She feels her captivity and is determined to help her escape. The wallpaper has affected her mind to the point delusion.
“I’ve got out at last,” said I, “in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!”
The narrators consciousness has finally been freed from the captivity she was in. She slips through stages of consciousness throughout the story until she has reached an unhinged stage from her isolation.
a slight hysterical tendency
The notion that she is a hysterical woman is a testament to the time period the narrator is living in. Women are viewed as emotional and unstable. She is treated through stereotypical lenses of her husband, a doctor, who believes he knows best.
the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world.
Du Bois compares his race as a "seventh son", there is something special about the order of decent. The religious repetition continues in his explaining. He believes he and everyone alike were born with "second-sight", they see the way the world sees them. To him there is an unspoken awareness in this sight.
Why did God make me an outcast and a stranger in mine own house?
The religious pattern continues in Du Bois word choice. When he questions God's creation of him and the struggle it brings.
It is in the early days of rollicking boyhood that the revelation first bursts upon one, all in a day, as it were
Du Bois mentions revelations when he was a child. His revelation gave him the wisdom to notice a harsh reality, he was different.
American art, like the American language and American education, was as far as possible sexless.
Adams could be mentioning the Puritan views of early America. The sinful connotations of sex kept America from embracing it. Although he mentions Whitman who used the power of sex in his writing.
Gibbon ignored the Virgin, because in 1789 religious monuments were out of fashion.
The pattern that modern men have left religion behind continues. Adams notices the end of an era after it was deemed medieval.
Neither of them felt goddesses as power–only as reflected emotion, human expression, beauty, purity, taste, scarcely even as sympathy.
Adams brings back the sequence of divine force that compares to the Virgin. Modern men don't worship the Virgin anymore.