Reminds me of the "opera scenario" Joanna spoke about in Part III.

I like this section, because it establishes DADA as anti-art and anti-sense, reflecting the nonsensical moments such as Sarah not knowing how many kids she has or mislabeling things purposefully. This section also ends with the inclusion of a Dada artists "exhibition" where spectators were allowed to smash things, calling ahead to Sarah's throwing and smashing of dinnerware.