he TV series repeats a problematic. Ittherefore provides no resolution of the problematic at the end of eachepisode, nor, often, even at the end of the run of a series. Hence again thereduction of onward narrative progression
when a TV series has no good progression in the native the series is probably going to be canceled or loss a lot of money
The series is the major point of repetition in TV, matchingthe innovation that takes place within each segment. This pattern ofrepetition and innovation is very different from the cinematic model.
sometimes if a story inconsistency between multiple parts of the story the author\creator will make another story between the OG story clear it up and make it more understandable for audiences
Movement from event to event is slower than in cinema, andparticular incidents tend to proliferate and be explored in more detail.
yes These events can be very slow paste to flush out the plot and to introduce interesting ideas and creations
In each form, the events that take place are anticipated. For the soapopera/drama, the deliciousness of the anticipation is worth in manyinstances more than the event itself
yes this very true anticipated events from soup can be very interesting and entertaining to people
Where an eventwith narrative consequences does take place, several segments arerequired to work through those consequences and to recapitulate the eventitself.
The narrative moves the story forward and causes a problem for that will be solved later in the future of the story
The recognition of the seriesformat tends to hold segments together and to provide them with anelement of continuity and narrative progression from one to the next.
The narrative tells a story through a spoken or written account of connected events; a story.
Any model of narration on broadcast TV therefore has to be based onthe particular institutional and material nature of that TV as we now knowit.
The narrator has follow the rules of the director or author when announcing certain events in a story
Non-fiction films have always had a precarious place in thecommercial cinema, and nowadays they are practically non-existen
I wouldn't say none-existent just less used in todays cinema world, but there is quite still a lot of them , there just not as popular as they use to be