174 Matching Annotations
  1. Nov 2020
    1. "Fear not that I shall be the instrument of future mischief. My work is nearly complete. Neither your's nor any man's death is needed to consummate the series of my being, and accomplish that which must be done; but it requires my own. Do not think that I shall be slow to perform this sacrifice. I shall quit your vessel on the ice-raft which brought me hither, and I shall seek the most northern extremity of the globe; I shall collect my funeral pile, and consume to ashes this miserable frame, that its remains may afford no light to any curious and unhallowed wretch, who would create such another as I have been. I shall die. I shall no longer feel the agonies which now consume me, or be the prey of feelings unsatisfied, yet unquenched. He is dead who called me into being; and when I shall be no more, the very remembrance of us both will speedily vanish. I shall no longer see the sun or stars, or feel the winds play on my cheeks. Light, feeling, and sense, will pass away; and in this condition must I find my happiness. Some years ago, when the first images which this world affords first opened upon me, when I felt the cheering warmth of summer, and heard the rustling of the leaves and the chirping of the birds, and these were all to me, I should have wept to die; now it is my only consolation. Polluted by crimes, and torn by the bitterest remorse, where can I find rest but in death?

      Confronting the crimes by death, similar to Frankenstein and how he died. this is the final build on the parallel between Frankenstein and the creature

    2. "Oh, it is not thus—not thus," interrupted the being; "yet such must be the impression conveyed to you by what appears to be the purport of my actions. Yet I seek not a fellow-feeling in my misery. No sympathy may I ever find. When I first sought it, it was the love of virtue, the feelings of happiness and affection with which my whole being overflowed, that I wished to be participated. But now, that virtue has become to me a shadow, and that happiness and affection are turned into bitter and loathing despair, in what should I seek for sympathy? I am content to suffer alone, while my sufferings shall endure: when I die, I am well satisfied that abhorrence and opprobrium should load my memory. Once my fancy was soothed with dreams of virtue, of fame, and of enjoyment. Once I falsely hoped to meet with beings, who, pardoning my outward form, would love me for the excellent qualities which I was capable of bringing forth. I was nourished with high thoughts of honour and devotion. But now vice has degraded me beneath the meanest animal. No crime, no mischief, no malignity, no misery, can be found comparable to mine. When I call over the frightful catalogue of my deeds, I cannot believe that I am he whose thoughts were once filled with sublime and transcendent visions of the beauty and the majesty of goodness. But it is even so; the fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am quite alone.

      The creature's reflection on what it has done shows how the creature cannot live in the current society it is in right now.

      We can also see the connections of hell to Paradise lost, as the creature and hell was regarded as unacceptable because of actions and what they are.

    3. Seek happiness in tranquillity, and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries. Yet why do I say this? I have myself been blasted in these hopes, yet another may succeed."

      is it truly worth it to achieve your ambitions, if they could backfire on you despite the possibility for success?

    4. Think not, Walton, that in the last moments of my existence I feel that burning hatred, and ardent desire of revenge I once expressed; but I feel myself justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blameable. In a fit of enthusiastic madness I created a rational creature, and was bound towards him, to assure, as far as was in my power, his happiness and well-being. This was my duty; but there was another still paramount to that. My duties towards my fellow-creatures had greater claims to my attention, because they included a greater proportion of happiness or misery. Urged by this view, I refused, and I did right in refusing, to create a companion for the first creature. He showed unparalleled malignity and selfishness, in evil: he destroyed my friends; he devoted to destruction beings who possessed exquisite sensations, happiness, and wisdom; nor do I know where this thirst for vengeance may end. Miserable himself, that he may render no other wretched, he ought to die. The task of his destruction was mine, but I have failed. When actuated by selfish and vicious motives, I asked you to undertake my unfinished work; and I renew this request now, when I am only induced by reason and virtue.

      Frankenstein's lack of regret and virtue shows how his pursuit of knowledge went beyond his capabilities and thus had to fix it.

      In a sense, this is also a theme of the story as Frankenstein tries to take responsibility for what he has done along with confronting the creature.

    5. I mentioned in my last letter the fears I entertained of a mutiny. This morning, as I sat watching the wan countenance of my friend—his eyes half closed, and his limbs hanging listlessly,—I was roused by half a dozen of the sailors, who desired admission into the cabin. They entered; and their leader addressed me. He told me that he and his companions had been chosen by the other sailors to come in deputation to me, to make me a demand, which, in justice, I could not refuse. We were immured in ice, and should probably never escape; but they feared that if, as was possible, the ice should dissipate, and a free passage be opened, I should be rash enough to continue my voyage, and lead them into fresh dangers, after they might happily have surmounted this. They desired, therefore, that I should engage with a solemn promise, that if the vessel should be freed, I would instantly direct my course southward.

      Would Walton's pursuit of knowledge be filled with bodies of the dead in his negligence, or will he accept how he went too far and turn back before he regrets it?

    6. I am surrounded by mountains of ice, which admit of no escape and threaten every moment to crush my vessel. The brave fellows whom I have persuaded to be my companions look towards me for aid; but I have none to bestow. There is something terribly appalling in our situation, yet my courage and hopes do not desert me. We may survive; and if we do not, I will repeat the lessons of my Seneca, and die with a good heart. Yet what, Margaret, will be the state of your mind? You will not hear of my destruction, and you will anxiously await my return. Years will pass, and you will have visitings of despair, and yet be tortured by hope. Oh! my beloved sister, the sickening failings of your heart-felt expectations are, in prospect, more terrible to me than my own death. But you have a husband, and lovely children; you may be happy: Heaven bless you, and make you so! My unfortunate guest regards me with the tenderest compassion. He endeavours to fill me with hope; and talks as if life were a possession which he valued. He reminds me how often the same accidents have happened to other navigators, who have attempted this sea, and, in spite of myself, he fills me with cheerful auguries. Even the sailors feel the power of his eloquence: when he speaks, they no longer despair; he rouses their energies, and, while they hear his voice, they believe these vast mountains of ice are mole-hills, which will vanish before the resolutions of man. These feelings are transitory; each day's expectation delayed fills them with fear, and I almost dread a mutiny caused by this despair.

      Frankenstein sympathizing with Walton is similar to Frankenstein's professor egging him on with his pursuit for knowledge, there seems to be another parallel.

    7. Must I then lose this admirable being? I have longed for a friend; I have sought one who would sympathize with and love me. Behold, on these desert seas I have found such a one; but, I fear, I have gained him only to know his value, and lose him. I would reconcile him to life, but he repulses the idea

      Both Frankenstein and Walton are somewhat happy as now they've achieved companionship, though Walton still on the pursuit for knowledge might lose this friend. It's possible as Walton is heading on a path similar to Frankenstein.

    1. sometimes he himself, who feared that if I lost all trace I should despair and die,

      The monster still plans to make Frankenstein suffer from negative emotions, thus he nags him on

    2. The deep grief which this scene had at first excited quickly gave way to rage and despair. They were dead, and I lived; their murderer also lived, and to destroy him I must drag out my weary existence. I knelt on the grass, and kissed the earth, and with quivering lips exclaimed, "By the sacred earth on which I kneel, by the shades that wander near me, by the deep and eternal grief that I feel, I swear; and by thee, O Night, and by the spirits that preside over thee, I swear to pursue the daemon, who caused this misery, until he or I shall perish in mortal conflict. For this purpose I will preserve my life: to execute this dear revenge, will I again behold the sun, and tread the green herbage of earth, which otherwise should vanish from my eyes for ever. And I call on you, spirits of the dead; and on you, wandering ministers of vengeance, to aid and conduct me in my work. Let the cursed and hellish monster drink deep of agony; let him feel the despair that now torments me."

      Now in a sense, the creature has created a monster as well: Frankenstein is a living echo of the creature's rage built from loneliness and suffering, which is a new parallel in the story.

      This truly follows the parallel that the creature and Frankenstein are almost similar in every way

    1. I saw the scenes which were familiar to me in my happier time, and which I had contemplated but the day before in the company of her who was now but a shadow and a recollection. Tears streamed from my eyes. The rain had ceased for a moment, and I saw the fish play in the waters as they had done a few hours before; they had then been observed by Elizabeth. Nothing is so painful to the human mind as a great and sudden change. The sun might shine, or the clouds might lour; but nothing could appear to me as it had done the day before. A fiend had snatched from me every hope of future happiness: no creature had ever been so miserable as I was; so frightful an event is single in the history of man. But why should I dwell upon the incidents that followed this last overwhelming event. Mine has been a tale of horrors; I have reached their acme, and what I must now relate can but be tedious to you. Know that, one by one, my friends were snatched away; I was left desolate. My own strength is exhausted; and I must tell, in a few words, what remains of my hideous narration.

      This is a great twist from before: A beautiful child only to a vast tower of nature teasing Frankenstein of his lost innocence and tragedies for the things he had done thanks to him creating a monster of suffering

    2. As I heard it, the whole truth rushed into my mind, my arms dropped, the motion of every muscle and fibre was suspended; I could feel the blood trickling in my veins, and tingling in the extremities of my limbs. This state lasted but for an instant; the scream was repeated, and I rushed into the room. Great God! why did I not then expire! Why am I here to relate the destruction of the best hope, and the purest creature of earth. She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by her hair. Everywhere I turn I see the same figure—her bloodless arms and relaxed form flung by the murderer on its bridal bier. Could I behold this, and live? Alas! life is obstinate, and clings closest where it is most hated. For a moment only did I lose recollection; I fainted. When I recovered, I found myself surrounded by the people of the inn; their countenances expressed a breathless terror: but the horror of others appeared only as a mockery, a shadow of the feelings that oppressed me. I escaped from them to the room where lay the body of Elizabeth, my love, my wife, so lately living, so dear, so worthy. She had been moved from the posture in which I had first beheld her; and now, as she lay, her head upon her arm, and a handkerchief thrown across her face and neck, I might have supposed her asleep. I rushed towards her, and embraced her with ardour; but the deathly languor and coldness of the limbs told me, that what I now held in my arms had ceased to be the Elizabeth whom I had loved and cherished. The murderous mark of the fiend's grasp was on her neck, and the breath had ceased to issue from her lips.

      You can see now how Victor in a sense has become like the creature in his life: Full of suffering, pain, and absence of companionship.

      If the creature's main goal was to make Frankenstein like him, well he succeeded.

    1. Those were the last moments of my life during which I enjoyed the feeling of happiness. We passed rapidly along: the sun was hot, but we were sheltered from its rays by a kind of canopy, while we enjoyed the beauty of the scene, sometimes on one side of the lake, where we saw Mont Salêve, the pleasant banks of Montalêgre, and at a distance, surmounting all, the beautiful Mont Blânc, and the assemblage of snowy mountains that in vain endeavour to emulate her; sometimes coasting the opposite banks, we saw the mighty Jura opposing its dark side to the ambition that would quit its native country, and an almost insurmountable barrier to the invader who should wish to enslave it.

      Beauty acts nothing more as a malevolent teasing force to show how Victor cannot be in the face of beauty due to his atrocities

    2. My destruction might indeed arrive a few months sooner; but if my torturer should suspect that I postponed it, influenced by his menaces, he would surely find other, and perhaps more dreadful means of revenge. He had vowed to be with me on my wedding-night

      Considering the trend of suffering that the creature wants to make Frankenstein go through, it can be said that Frankenstein is wrong about him dying based on this quote: "Death eases all suffering". Since the creature wants revenge, he would probably go for actions that would make him suffer the pains and guilts of life.

    3. This letter revived in my memory what I had before forgotten, the threat of the fiend—"I will be with you on your wedding-night!" Such was my sentence, and on that night would the dæmon employ every art to destroy me, and tear me from the glimpse of happiness which promised partly to console my sufferings. On that night he had determined to consummate his crimes by my death. Well, be it so; a deadly struggle would then assuredly take place, in which if he was victorious, I should be at peace, and his power over me be at an end. If he were vanquished, I should be a free man. Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free. Such would be my liberty, except that in my Elizabeth I possessed a treasure; alas! balanced by those horrors of remorse and guilt, which would pursue me until death.

      This notes the consistent trend of grief that Victor must go through thanks to the creature going out for him in vengeance.

    4. He wished as much as possible to obliterate the memory of the scenes that had taken place in Ireland, and never alluded to them, or suffered me to speak of my misfortunes.

      The theme of not confronting the problem and avoiding it is consistent with Frankenstein and his father, would've they done better if they didn't act in ignorance?

    5. As for my father, his desires and exertions were bounded to the again seeing me restored to health and peace of mind. His tenderness and attentions were unremitting; my grief and gloom was obstinate, but he would not despair. Sometimes he thought that I felt deeply the degradation of being obliged to answer a charge of murder, and he endeavoured to prove to me the futility of pride.

      Would Frankenstein's father still act the same if he knew what Frankenstein had done? Would the father actually help out the creature and give him pity, or treat the creature like a monster like others?

    6. and who might make inquiries concerning an event, the very remembrance of which made me again feel the pang I endured when I gazed on his lifeless form in the inn at ----.

      The pause in the end really shows the remorse and guilt Frankenstein has, as he feels guilt for what he'd done to cause his death.

  2. Oct 2020
    1. "Since you have preserved my narration," said he, "I would not that a mutilated one should go down to posterity."

      Ironic considering modern adaptations and misconceptions, ow

    1. We were not allowed to converse for any length of time, for the precarious state of my health rendered every precaution necessary that could insure tranquillity. Mr. Kirwin came in, and insisted that my strength should not be exhausted by too much exertion. But the appearance of my father was to me like that of my good angel, and I gradually recovered my health. As my sickness quitted me, I was absorbed by a gloomy and black melancholy, that nothing could dissipate. The image of Clerval was for ever before me, ghastly and murdered. More than once the agitation into which these reflections threw me made my friends dread a dangerous relapse. Alas! why did they preserve so miserable and detested a life? It was surely that I might fulfill my destiny, which is now drawing to a close. Soon, oh, very soon, will death extinguish these throbbings, and relieve me from the mighty weight of anguish that bears me to the dust; and, in executing the award of justice, I shall also sink to rest. Then the appearance of death was distant, although the wish was ever present to my thoughts; and I often sat for hours motionless and speechless, wishing for some mighty revolution that might bury me and my destroyer in its ruins.

      This shows how Victor has no way to turn back: considering his mental state, no one will believe him of the creature and what he has done. As a result, Victor cannot compensate for what he has done and will possibly die in guilt

    2. But I was doomed to live

      This statement here is very reminiscent of the statement: die a hero, or live long enough to be a villain

      By failing to confront with the truth of who murdered William and to repair the relationship of the creature, Victor must face the consequences of his actions after causing 3 deaths

    3. Several other men were examined concerning my landing; and they agreed, that, with the strong north wind that had arisen during the night, it was very probable that I had beaten about for many hours, and had been obliged to return nearly to the same spot from which I had departed. Besides, they observed that it appeared that I had brought the body from another place, and it was likely, that as I did not appear to know the shore, I might have put into the harbour ignorant of the distance of the town of ---- from the place where I had deposited the corpse.

      Somewhat ironic that Victor's failure to admit the truth about the creature later succeeds in lying about Victor's innocence of Henry's death

    1. I listened to the gurgling sound as it sunk, and then sailed away from the spot. The sky became clouded; but the air was pure, although chilled by the north-east breeze that was then rising. But it refreshed me, and filled me with such agreeable sensations, that I resolved to prolong my stay on the water, and fixing the rudder in a direct position, stretched myself at the bottom of the boat. Clouds hid the moon, every thing was obscure, and I heard only the sound of the boat, as its keel cut through the waves; the murmur lulled me, and in a short time I slept soundly.

      Example of beauty foreshadowing tragedy

    2. The idea of renewing my labours did not for one instant occur to me; the threat I had heard weighed on my thoughts, but I did not reflect that a voluntary act of mine could avert it. I had resolved in my own mind, that to create another like the fiend I had first made would be an act of the basest and most atrocious selfishness; and I banished from my mind every thought that could lead to a different conclusion.

      This theme of never considering the consequences show how Victor has made choices foolishly on impulse, and if he had listened and accepted the monster a very difficult conclusion would've been set.

    3. "The hour of my weakness is past, and the period of your power is arrived. Your threats cannot move me to do an act of wickedness; but they confirm me in a resolution of not creating you a companion in vice. Shall I, in cool blood, set loose upon the earth a dæmon, whose delight is in death and wretchedness. Begone! I am firm, and your words will only exasperate my rage." The monster saw my determination in my face, and gnashed his teeth in the impotence of anger. "Shall each man," cried he, "find a wife for his bosom, and each beast have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. Man, you may hate; but beware! Your hours will pass in dread and misery, and soon the bolt will fall which must ravish from you your happiness for ever. Are you to be happy, while I grovel in the intensity of my wretchedness? You can blast my other passions; but revenge remains—revenge, henceforth dearer than light or food! I may die; but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery. Beware; for I am fearless, and therefore powerful. I will watch with the wiliness of a snake, that I may sting with its venom. Man, you shall repent of the injuries you inflict."

      This anger shows how in a sense both Frankenstein and the creature have become true monsters: Frankenstein in terms of denying the humanity of his creation along with dismissing his threat to thus endanger his loved ones, and the creature where now he focuses on murder and killing for content. Both have committed wrongs which in term put neither in the terms of justice. These characters' personal justices are nothing more than ignorance and failure to confront each other

    4. As I sat, a train of reflection occurred to me, which led me to consider the effects of what I was now doing. Three years before I was engaged in the same manner, and had created a fiend whose unparalleled barbarity had desolated my heart, and filled it for ever with the bitterest remorse. I was now about to form another being, of whose dispositions I was alike ignorant; she might become ten thousand times more malignant than her mate, and delight, for its own sake, in murder and wretchedness. He had sworn to quit the neighbourhood of man, and hide himself in deserts; but she had not; and she, who in all probability was to become a thinking and reasoning animal, might refuse to comply with a compact made before her creation. They might even hate each other; the creature who already lived loathed his own deformity, and might he not conceive a greater abhorrence for it when it came before his eyes in the female form? She also might turn with disgust from him to the superior beauty of man; she might quit him, and he be again alone, exasperated by the fresh provocation of being deserted by one of his own species.

      This contributes to the arguments on the duality of monster and man and what makes them that way: By showing how the next creature could be more worse than the first in multiple potential ways instead of favoring the better possible outcomes, we see how Frankenstein saw the creatures as irredeemable beings

    1. I waited for my letters with feverish impatience: if they were delayed, I was miserable, and overcome by a thousand fears; and when they arrived, and I saw the superscription of Elizabeth or my father, I hardly dared to read and ascertain my fate. Sometimes I thought that the fiend followed me, and might expedite my remissness by murdering my companion

      This fear of his relatives compared to before is a cruel use of irony: ignorance turned into attentiveness as only now the family is of importance after the monster was made due to Frankenstein's family being his only thing of value.

      This signifies how the threat of the unknown makes people change, and how Frankenstein is somewhat now regretful of not giving attention to his family before the tragedy of the monster

    2. "I could pass my life here," said he to me; "and among these mountains I should scarcely regret Switzerland and the Rhine."

      In a sense, Henry's curiosity of exploration is somewhat similar to Frankenstein's pursuit of knowledge. This might backfire on Henry based on the story's themes and common tropes

    3. He was for ever busy; and the only check to his enjoyments was my sorrowful and dejected mien. I tried to conceal this as much as possible, that I might not debar him from the pleasures natural to one who was entering on a new scene of life, undisturbed by any care or bitter recollection.

      It's kind of like trying to get your past self to not do something stupid

    4. But in Clerval I saw the image of my former self;

      Clerval was the expression of beauty that Frankenstein wished he had, where he never had pursued knowledge or a goal to the point it betrayed him.

    5. Company was irksome to me; when alone, I could fill my mind with the sights of heaven and earth; the voice of Henry soothed me, and I could thus cheat myself into a transitory peace. But busy uninteresting joyous faces brought back despair to my heart. I saw an insurmountable barrier placed between me and my fellow-men; this barrier was sealed with the blood of William and Justine; and to reflect on the events connected with those names filled my soul with anguish.

      This is expressive of the guilt Frankenstein has to face reality, as he failed to confront the creature when it was first born and thus he must suffer as it has ruined people's lives

    1. We travelled at the time of the vintage, and heard the song of the labourers, as we glided down the stream. Even I, depressed in mind, and my spirits continually agitated by gloomy feelings, even I was pleased. I lay at the bottom of the boat, and, as I gazed on the cloudless blue sky, I seemed to drink in a tranquillity to which I had long been a stranger. And if these were my sensations, who can describe those of Henry? He felt as if he had been transported to Fairy-land, and enjoyed a happiness seldom tasted by man. "I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the water-spout must be on the great ocean, and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half-hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man, than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country."

      The use of sublime beauty as a prelude has been a re-occurring theme and plot device throughout the text, volume 3 might not be different here.

    2. Pardon this gush of sorrow; these ineffectual words are but a slight tribute to the unexampled worth of Henry, but they soothe my heart, overflowing with the anguish which his remembrance creates. I will proceed with my tale.

      Does this mean Henry dies later on? The way Frankenstein talks of this is like Henry cannot be poetic or descriptive of the world anymore, along with how the memory of him has some anguish

    3. Filled with dreary imaginations, I passed through many beautiful and majestic scenes; but my eyes were fixed and unobserving. I could only think of the bourne of my travels, and the work which was to occupy me whilst they endured.

      The parallel of beauty and strong sublime resonates here, horrid algamations following Frankenstein as he departs for beautiful sights

    4. I had heard of some discoveries having been made by an English philosopher, the knowledge of which was material to my success, and I sometimes thought of obtaining my father's consent to visit England for this purpose; but I clung to every pretence of delay, and could not resolve to interrupt my returning tranquillity. My health, which had hitherto declined, was now much restored; and my spirits, when unchecked by the memory of my unhappy promise, rose proportionably. My father saw this change with pleasure, and he turned his thoughts towards the best method of eradicating the remains of my melancholy, which every now and then would return by fits, and with a devouring blackness overcast the approaching sunshine. At these moments I took refuge in the most perfect solitude. I passed whole days on the lake alone in a little boat, watching the clouds, and listening to the rippling of the waves, silent and listless. But the fresh air and bright sun seldom failed to restore me to some degree of composure; and, on my return, I met the salutations of my friends with a readier smile and a more cheerful heart.

      Frank is now more used to the ugly in terms of his eventual confrontation with the creature, and at the same time cannot face it.

    1. "How is this? I thought I had moved your compassion, and yet you still refuse to bestow on me the only benefit that can soften my heart, and render me harmless. If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes, and I shall become a thing, of whose existence every one will be ignorant. My vices are the children of a forced solitude that I abhor; and my virtues will necessarily arise when I live in communion with an equal. I shall feel the affections of a sensitive being, and become linked to the chain of existence and events, from which I am now excluded."

      Like a demand of rights here, the creature wishes to be noted as a human who wants what it wants in exchange for solitude

    2. Let him live with me in the interchange of kindness, and, instead of injury, I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred. Have a care: I will work at your destruction, nor finish until I desolate your heart, so that you curse the hour of your birth."

      He seems to accept the monstrosity he is, and notes how Frankenstein is a monster as well for not accepting him and regarding him for what he looks like rather what he could be

    3. The latter part of his tale had kindled anew in me the anger that had died away while he narrated his peaceful life among the cottagers, and, as he said this, I could no longer suppress the rage that burned within me. "I do refuse it," I replied; "and no torture shall ever extort a consent from me. You may render me the most miserable of men, but you shall never make me base in my own eyes. Shall I create another like yourself, whose joint wickedness might desolate the world. Begone! I have answered you; you may torture me, but I will never consent."

      Based on the creature's and Frank's story, they both are equals in life and interests, and opposites in feelings. However, both are in a sense fruit from the same tree, and as they both hate themselves for what they are and what they've done, they in a sense hate themselves

    1. "I gazed on my victim, and my heart swelled with exultation and hellish triumph: clapping my hands, I exclaimed, 'I, too, can create desolation; my enemy is not impregnable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him.'

      The way the creature states it shows how the creature believes how Frankenstein is worse or equally worst as him as the creature is regarded as an ugly monster while Frankenstein is a cruel unloving creator

    2. "This was then the reward of my benevolence! I had saved a human being from destruction, and, as a recompense, I now writhed under the miserable pain of a wound, which shattered the flesh and bone. The feelings of kindness and gentleness, which I had entertained but a few moments before, gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind. But the agony of my wound overcame me; my pulses paused, and I fainted.

      In a sense, the creature saw itself as human who sunk low as everything had treated him like a monster to the point he begins to believe it.

    3. When night came, I quitted my retreat, and wandered in the wood; and now, no longer restrained by the fear of discovery, I gave vent to my anguish in fearful howlings. I was like a wild beast that had broken the toils; destroying the objects that obstructed me, and ranging through the wood with a stag-like swiftness. Oh! what a miserable night I passed! the cold stars shone in mockery, and the bare trees waved their branches above me: now and then the sweet voice of a bird burst forth amidst the universal stillness. All, save I, were at rest or in enjoyment: I, like the arch fiend, bore a hell within me; and, finding myself unsympathized with, wished to tear up the trees, spread havoc and destruction around me, and then to have sat down and enjoyed the ruin.

      This is where the "monster" truly takes place, where beauty is used to tease the sublime and ugly.

      Another similarity between Victor and the creature

    1. "'Enter,' said De Lacey; 'and I will try in what manner I can relieve your wants; but, unfortunately, my children are from home, and, as I am blind, I am afraid I shall find it difficult to procure food for you

      The fact that the old man is blind is a blessing and a curse: A blessing where the old man would accept the creature because of the fact he cannot judge on appearance, so he notes the creature as a fellow man and not a creature, and a curse because of how it lowers the pretenses of the creature as he assumes all would treat him the same as the old man.

    1. The injustice of his sentence was very flagrant; all Paris was indignant; and it was judged that his religion and wealth, rather than the crime alleged against him, had been the cause of his condemnation.

      Another similarity: the creature knows of a close person to the family that had fallen by injustice, similar to Victor.

      If Frank and the creature see each other as monsters that have caused suffering for each other and themselves because of their knowledge backlashing on them, are they in the sense the same monster?

    1. "I cannot describe to you the agony that these reflections inflicted upon me; I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had forever remained in my native wood, nor known or felt beyond the sensations of hunger, thirst, and heat!

      This is the start of the creature's second similarity with Victor: the pursuit of knowledge turning against you to the point where it takes away the beauty inside and leaves nothing but horrifying sublime

    2. "The words induced me to turn towards myself. I learned that the possessions most esteemed by your fellow-creatures were, high and unsullied descent united with riches. A man might be respected with only one of these acquisitions; but without either he was considered, except in very rare instances, as a vagabond and a slave, doomed to waste his powers for the profit of the chosen few. And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endowed with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded their's. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?

      This idea of humanity presented explains the usage of creature by both Frank and the creature, and explains why the creature is more of a realist. Through the creature's self-reflectance of himself based on what he heard, he found out that people would only respect him if he had anything of value, but he was only an ugly, super strong being that wasn't like others. This contributes to the mindset of how he will never be accepted because of his physical features despite his education and intelligence. this is why both Victor and the creature regard each other as creatures, as they see each other as monstrous due to what they are and what they do, along with how they think: Victor for the acts and looks of the creature, and the creature and how he was mistreated despite his understanding and passive attempts to talk to others.

    3. "In the meanwhile also the black ground was covered with herbage, and the green banks interspersed with innumerable flowers, sweet to the scent and the eyes, stars of pale radiance among the moonlight woods; the sun became warmer, the nights clear and balmy; and my nocturnal rambles were an extreme pleasure to me, although they were considerably shortened by the late setting and early rising of the sun; for I never ventured abroad during day-light, fearful of meeting with the same treatment as I had formerly endured in the first village which I entered.

      This enforces the contrast between beauty and horrifying sublime, "human" vs "monster", and overall the accepted vs the unaccepted as the monsters can only strive in the dark (the creature) to truly be free, but miss out on the joys of the day, where people discriminate against others for what they are

    4. feelings which, from what I was, have made me what I am.

      Note here this is where the creature's thirst to communicate and to find knowledge ends, and where his present hateful-self begins due to people not accepting him

    1. The birds sang in more cheerful notes, and the leaves began to bud forth on the trees. Happy, happy earth! fit habitation for gods, which, so short a time before, was bleak, damp, and unwholesome. My spirits were elevated by the enchanting appearance of nature; the past was blotted from my memory, the present was tranquil, and the future gilded by bright rays of hope, and anticipations of joy.

      The use of beauty acts as a form of torture and possibly a foreshadow to horrors and tragedy based on similar occurrences before such as the letters and the death of miss Frankenstein.

    2. I improved, however, sensibly in this science, but not sufficiently to follow up any kind of conversation, although I applied my whole mind to the endeavour: for I easily perceived that, although I eagerly longed to discover myself to the cottagers, I ought not to make the attempt until I had first become master of their language; which knowledge might enable me to make them overlook the deformity of my figure; for with this also the contrast perpetually presented to my eyes had made me acquainted.

      the creature's wish to be understood as an ambition could be his downfall into sublime horrors, as people tend to judge on looks rather than appearance sometimes

    3. "By degrees I made a discovery of still greater moment. I found that these people possessed a method of communicating their experience and feelings to one another by articulate sounds. I perceived that the words they spoke sometimes produced pleasure or pain, smiles or sadness, in the minds and countenances of the hearers. This was indeed a godlike science, and I ardently desired to become acquainted with it. But I was baffled in every attempt I made for this purpose. Their pronunciation was quick; and the words they uttered, not having any apparent connexion with visible objects, I was unable to discover any clue by which I could unravel the mystery of their reference. By great application, however, and after having remained during the space of several revolutions of the moon in my hovel, I discovered the names that were given to some of the most familiar objects of discourse; I learned and applied the words fire, milk, bread, and wood. I learned also the names of the cottagers themselves. The youth and his companion had each of them several names, but the old man had only one, which was father. The girl was called sister, or Agatha; and the youth Felix, brother, or son. I cannot describe the delight I felt when I learned the ideas appropriated to each of these sounds, and was able to pronounce them. I distinguished several other words, without being able as yet to understand or apply them; such as good, dearest, unhappy.

      The creature is definitally like Victor, where the pursuit of knowledge is his ambition. The question is, will this pursuit turn on him?

    4. "They were not entirely happy. The young man and his companion often went apart, and appeared to weep. I saw no cause for their unhappiness; but I was deeply affected by it. If such lovely creatures were miserable, it was less strange that I, an imperfect and solitary being, should be wretched. Yet why were these gentle beings unhappy? They possessed a delightful house (for such it was in my eyes), and every luxury; they had a fire to warm them when chill, and delicious viands when hungry; they were dressed in excellent clothes; and, still more, they enjoyed one another's company and speech, interchanging each day looks of affection and kindness. What did their tears imply? Did they really express pain? I was at first unable to solve these questions; but perpetual attention, and time, explained to me many appearances which were at first enigmatic.

      Like creator, like creature (I guess). Both the creature and Frank have similar questions about the world and how people work within the early years of their lives

      In a sense, Maybe the creature and Victor are both similar in the sense of curiosity, but different in growing up with either love or hatred around them.

    5. I thought of the occurrences of the day. What chiefly struck me was the gentle manners of these people; and I longed to join them, but dared not. I remembered too well the treatment I had suffered the night before from the barbarous villagers, and resolved, whatever course of conduct I might hereafter think it right to pursue, that for the present I would remain quietly in my hovel, watching, and endeavouring to discover the motives which influenced their actions.

      This desire for love but fear of hatred really brings out the double-faced nature of people: People will either love or hate you depending on who, or what you are in this case.

      The curiosity and building understanding of "humanity" might result in this same way as well in accordance to how the creature first presents itself to Victor

    1. It was a lovely sight, even to me, poor wretch! who had never beheld aught beautiful before. The silver hair and benevolent countenance of the aged cottager, won my reverence; while the gentle manners of the girl enticed my love.

      The introduction of beauty to the creature puts him in a similar stance with Victor in this story, for both wish for a sense of beauty to counter their sublime horrors

    2. I escaped to the open country, and fearfully took refuge in a low hovel, quite bare, and making a wretched appearance after the palaces I had beheld in the village. This hovel, however, joined a cottage of a neat and pleasant appearance; but, after my late dearly-bought experience, I dared not enter it. My place of refuge was constructed of wood, but so low, that I could with difficulty sit upright in it. No wood, however, was placed on the earth, which formed the floor, but it was dry; and although the wind entered it by innumerable chinks, I found it an agreeable asylum from the snow and rain.

      This avoidance of human interaction in fear of being hurt or rejected shows how lonely the creature is, which would develop a bitter, realistic tone towards life the further he mentally matured.

    3. I felt light, and hunger, and thirst, and darkness; innumerable sounds rung in my ears, and on all sides various scents saluted me: the only object that I could distinguish was the bright moon, and I fixed my eyes on that with pleasure.

      Like how a parent abandons a child out of unacceptance, the creature is left to go through life alone without understanding of anything. Because of this, it would make sense to regard the creature as a misunderstood human as the creature has developed values that best suited his vision, views, and desires that are purely the basis of what people want: attention, love, and understanding

    1. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature.

      This introduces the question of what separates human from monster and what makes a monster exist/come into being.

      This introduces the question of who's really in the right: the creature, or Frankenstein

    2. "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion. Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great, that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage.

      What the creature basically states is that he will act in defense as everyone will see him as being different and unworthy to live. In a sense, is the creature a monster for murdering many without explaining himself, or is mankind the monster for putting the creature in ignorance and hate without listening?

      Adding on, Victor is forced to confront what he regards as a monster, but did he create the monster by treating it as one to the point it believed so, or was Victor the monster in making the creature vengeful and spiteful towards humanity for its negligence of him?

    3. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous."

      This statement is somewhat true, as he was harmless at the first time we see the creature. It could be that his origins are similar to Victors where suffering took away his goodness.

    4. Have I not suffered enough, that you seek to increase my misery?

      This statement shows how in a sense the Monster was like Victor, they've gone through suffering after the birth of the creature

    1. Soon after we entered the valley of Chamounix. This valley is more wonderful and sublime, but not so beautiful and picturesque as that of Servox, through which we had just passed. The high and snowy mountains were its immediate boundaries; but we saw no more ruined castles and fertile fields. Immense glaciers approached the road; we heard the rumbling thunder of the falling avelânche, and marked the smoke of its passage. Mont Blanc, the supreme and magnificent Mont Blanc, raised itself from the surrounding aiguilles , and its tremendous dome overlooked the valley.

      The mix of beauty and sublime shows how 2-faced the environment is in depicting the events to behold: There's a shred of beauty in the experiences the characters have but a large amount of subline that rears its head to force tragedy upon its victims.

    2. Yet I am certainly unjust. Every body believed that poor girl to be guilty; and if she could have committed the crime for which she suffered, assuredly she would have been the most depraved of human creatures. For the sake of a few jewels, to have murdered the son of her benefactor and friend, a child whom she had nursed from its birth, and appeared to love as if it had been her own! I could not consent to the death of any human being; but certainly I should have thought such a creature unfit to remain in the society of men. Yet she was innocent. I know, I feel she was innocent; you are of the same opinion, and that confirms me. Alas! Victor, when falsehood can look so like the truth, who can assure themselves of certain happiness?

      The idea of people being monsters really introduces the concept of what makes a monster a monster: is it heinous acts? Is it crimes? Is it the hiding of an evil nature or the truth?

    3. At these moments I wept bitterly, and wished that peace would revisit my mind only that I might afford them consolation and happiness.

      Concept of wishing something wasn't known before, and the regrets of pursuing certain knowledge

    4. I except some bat, or the frogs, whose harsh and interrupted croaking was heard only when I approached the shore often, I say, I was tempted to plunge into the silent lake, that the waters might close over me and my calamities for ever. But I was restrained, when I thought of the heroic and suffering Elizabeth, whom I tenderly loved, and whose existence was bound up in mine. I thought also of my father, and surviving brother: should I by my base desertion leave them exposed and unprotected to the malice of the fiend whom I had let loose among them?

      Considering the idea of not being able to face what one's done, it is effective where Frankenstein now considers more in what he does as he never gave thought to his goals before which lead to his tragedy

    1. Thus the poor sufferer tried to comfort others and herself. She indeed gained the resignation she desired. But I, the true murderer, felt the never-dying worm alive in my bosom, which allowed of no hope or consolation. Elizabeth also wept, and was unhappy;

      Victor has the pain of confrontation, he regards Justine as someone worthy of their resignation. However, Victor cannot confront the fate he was given as he is afraid of it

    2. Could the dæmon, who had (I did not for a minute doubt) murdered my brother, also in his hellish sport have betrayed the innocent to death and ignominy? I could not sustain the horror of my situation; and when I perceived that the popular voice, and the countenances of the judges, had already condemned my unhappy victim, I rushed out of the court in agony. The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom, and would not forego their hold.

      This compares to before where Victor cannot confront what he'd done.

      The feeling of indirect causation in a sense hurts Victor more than how the accused is losing their innocence, as there's a difference between not doing it and doing it.

    3. WE passed a few sad hours, until eleven o'clock, when the trial was to commence. My father and the rest of the family being obliged to attend as witnesses, I accompanied them to the court. During the whole of this wretched mockery of justice, I suffered living torture. It was to be decided, whether the result of my curiosity and lawless devices would cause the death of two of my fellow-beings: one a smiling babe, full of innocence and joy; the other far more dreadfully murdered, with every aggravation of infamy that could make the murder memorable in horror

      Frankenstein mentions here how he would not let Justine be a second victim, being collateral damage because of the creature

    1. Her garb was rustic, and her cheek pale; but there was an air of dignity and beauty, that hardly permitted the sentiment of pity.

      Does Frankenstein assign himself to the domain of sublime, due to what he'd done in his pursuit for knowledge and his goals?

      Is beauty a tempting factor that Victor wants to regain, or is it a form of torture for Victor to face and accept for what he'd done?

    2. The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed that fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact. I thought of pursuing the devil; but it would have been in vain, for another flash discovered him to me hanging among the rocks of the nearly perpendicular ascent of Mont Salêve, a hill that bounds Plainpalais on the south. He soon reached the summit, and disappeared.

      Stereotyping the monster as a murderer as "the monster was the only thing that would've killed William this way."

      This idea of assuming who someone is based on what/who they are and how they look could be a reoccurring theme

    3. Dear mountains! my own beautiful lake! how do you welcome your wanderer? Your summits are clear; the sky and lake are blue and placid. Is this to prognosticate peace, or to mock at my unhappiness?"

      In a sense, this could foreshadow the ending where fate is cruel or kind to Frankenstein and what he'd done.

      Him also lashing out at beauty of the environment could also note how Victor is constantly being baited by beauty in the most sublime areas/situations

    4. "Come, dearest Victor; you alone can console Elizabeth. She weeps continually, and accuses herself unjustly as the cause of his death; her words pierce my heart. We are all unhappy; but will not that be an additional motive for you, my son, to return and be our comforter? Your dear mother! Alas, Victor! I now say, Thank God she did not live to witness the cruel, miserable death of her youngest darling! "Come, Victor; not brooding thoughts of vengeance against the assassin, but with feelings of peace and gentleness, that will heal, instead of festering the wounds of our minds. Enter the house of mourning, my friend, but with kindness and affection for those who love you, and not with hatred for your enemies.

      This truly expresses: a) The family's grief b) the desire of the family for Victor to return The reason why is that there's baiting language and at the same time a large amount of desperation in the connotation, such as "come, dear"

      This makes sense, considering how the entire Frankenstein family have been in the dark about Victor, along with learning about his ill health and William's death. A form of comfort for one of the issues would ease the current heartbreak currently

    1. He meant to please, and he tormented me. I felt as if he had placed carefully, one by one, in my view those instruments which were to be afterwards used in putting me to a slow and cruel death. I writhed under his words, yet dared not exhibit the pain I felt. Clerval, whose eyes and feelings were always quick in discerning the sensations of others, declined the subject, alleging, in excuse, his total ignorance; and the conversation took a more general turn. I thanked my friend from my heart, but I did not speak. I saw plainly that he was surprised, but he never attempted to draw my secret from me; and although I loved him with a mixture of affection and reverence that knew no bounds, yet I could never persuade myself to confide to him that event which was so often present to my recollection, but which I feared the detail to another would only impress more deeply.

      Frankenstein trembling at his muse talking to him suggests how the sciences have scarred Frankenstein, as he somewhat blames Waldman for encouraging his visions and temptation yet knows he's not in the wrong. This results in a very uncomfortable moment where Frankenstein cannot bear to face or state the truth as he feels like it would turn against everything he had done

    2. will write instantly, and relieve them from the anxiety they must feel." I wrote, and this exertion greatly fatigued me; but my convalescence had commenced, and proceeded regularly. In another fortnight I was able to leave my chamber.

      This introduces the idea where the unknown discovers when approached by Frankenstein make him tremble in fear, while the familiar invigorates Frankenstein to make him feel sane

    3. Relieve us from this fear, and we shall be the happiest creatures in the world.

      This feels like everyone begging him to come back, this seems more than a letter of greeting.

      This does make sense, considering Victor never visited home at all.

    1. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped, and rushed down stairs. I took refuge in the court-yard belonging to the house which I inhabited; where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.

      This is irony as mentioned in the subnote: Frankenstein pursues his goal to create new life only to turn away from it in nonacceptance for what he has done; this highly connects to the idea that sometimes ambitions turn against you or they've gone too far to the point of being unable to accept them.

      Adding on, considering the basis of psychology, the monster being turned down and avoided by Frankenstein shows how people will turn away from people they find too different or scary similar to current society, no matter if the person/creature itself is friendly or not

    2. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch—the miserable monster whom I had created

      This part here makes good use of sublime, makes the whole unnatural paranormal things to come shtick work.

    3. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bed-chamber, unable to compose my mind to sleep.

      This represents an idea of when your goals turn against you; How the Feeling of ambition will turn it's ugly head against you

    4. I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs. How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!—Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion, and straight black lips.

      The exaggeration of his physical features assist in suggesting unnaturality, something that was right but looked wrong

    1. But my enthusiasm was checked by my anxiety, and I appeared rather like one doomed by slavery to toil in the mines, or any other unwholesome trade, than an artist occupied by his favourite employment.

      When does ambition and goals become nothing more than your prison?

    2. A human being in perfection ought always to preserve a calm and peaceful mind, and never to allow passion or a transitory desire to disturb his tranquillity. I do not think that the pursuit of knowledge is an exception to this rule. If the study to which you apply yourself has a tendency to weaken your affections, and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.

      Connecting this to Philosophy, Frank makes an understanding: Perfection comes from the peace of mind, and where nothing tempts you to go beyond what you are.

    3. The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time.

      This introduces a question about personal boundaries: When do your goals and ambitions turn against everything you are? Where is the point of no return where you sacrifice some of yourself for something else?

    4. My limbs now tremble, and my eyes swim with the remembrance; but then a resistless, and almost frantic impulse, urged me forward; I seemed to have lost all soul or sensation but for this one pursuit.

      Connecting this to Frank's feelings, there seems to be a point of no return for Frank, like he tossed his old life away for something else entirely.

      He went on a journey with his beliefs, but locked himself in a path he wasn't comfortable with

    5. , I was encouraged to hope my present attempts would at least lay the foundations of future success. Nor could I consider the magnitude and complexity of my plan as any argument of its impracticability. It was with these feelings that I began the creation of a human being. As the minuteness of the parts formed a great hindrance to my speed, I resolved, contrary to my first intention, to make the being of a gigantic stature; that is to say, about eight feet in height, and proportionably large. After having formed this determination, and having spent some months in successfully collecting and arranging my materials, I began.

      Connecting this form of Frankenstein and Modern Day Frankenstein, we can now see the similarities: While the old version focuses on creating life from scratch, the modern form does something similar by having an insane man play Lego with human body parts and electricity till it works

    6. I must also observe the natural decay and corruption of the human body. In my education my father had taken the greatest precautions that my mind should be impressed with no supernatural horrors. I do not ever remember to have trembled at a tale of superstition, or to have feared the apparition of a spirit. Darkness had no effect upon my fancy; and a churchyard was to me merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm. Now I was led to examine the cause and progress of this decay, and forced to spend days and nights in vaults and charnel houses.

      This soldifies Frank as a scientist, rather than Walton who is uneducated and imaginative

    7. In M. Waldman I found a true friend. His gentleness was never tinged by dogmatism; and his instructions were given with an air of frankness and good nature that banished every idea of pedantry. It was, perhaps, the amiable character of this man that inclined me more to that branch of natural philosophy which he professed, than an intrinsic love for the science itself.

      In a sense, Waldman's journey and ambitions to beyond and achieve great things rubbed off on Frank well. It can be compared to Frank and Walton as well

    1. Besides, I had a contempt for the uses of modern natural philosophy. It was very different, when the masters of the science sought immortality and power; such views, although futile, were grand: but now the scene was changed. The ambition of the inquirer seemed to limit itself to the annihilation of those visions on which my interest in science was chiefly founded. I was required to exchange chimeras of boundless grandeur for realities of little worth.

      What Frank says here is that natural Philosophy is uninteresting at all, due tot the fact that it's based ion destroying it's inquiries

    2. She died calmly; and her countenance expressed affection even in death. I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever—that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil, then the actual bitterness of grief commences.

      Connecting to the idea of philosophy, the concept of death and how people feel after witnessing it might become a common theme in the text.

    1. But the latter obtained my undivided attention: wealth was an inferior object; but what glory would attend the discovery, if I could banish disease from the human frame, and render man invulnerable to any but a violent death!

      You can see how Frank is similiar to Walton. They both want something for glory and for desire of knowledge: Walton on the magnetic poles, Frank on the principle of life.

    2. and although I have often wished to communicate these secret stores of knowledge to my father, yet his indefinite censure of my favourite Agrippa always withheld me. I disclosed my discoveries to Elizabeth, therefore, under a promise of strict secrecy; but she did not interest herself in the subject, and I was left by her to pursue my studies alone.

      This concept of lonliness will also seem to be a theme in the story: Walton was alone before meeting Frank, and Frank has been alone in his knowledge and exploration before his path to ruin as he stated.

    3. the theory which he attempts to demonstrate, and the wonderful facts which he relates, soon changed this feeling into enthusiasm. A new light seemed to dawn upon my mind; and, bounding with joy, I communicated my discovery to my father. I cannot help remarking here the many opportunities instructors possess of directing the attention of their pupils to useful knowledge, which they utterly neglect. My father looked carelessly at the title-page of my book, and said, "Ah! Cornelius Agrippa! My dear Victor, do not waste your time upon this; it is sad trash."

      The interest of how people and things think really relate to the story, as it focuses on elements like ambition, desire, and curiosity which are prominent in the characters.

    4. that we might read the writings in those languages; and so far from study being made odious to us through punishment, we loved application, and our amusements would have been the labours of other children. Perhaps we did not read so many books, or learn languages so quickly, as those who are disciplined according to the ordinary methods; but what we learned was impressed the more deeply on our memories.

      This shows how the characters feel happy of what they've done: They've done and learned this to their own content, and applied what they've learned in humor for exploring the world

    5. No youth could have passed more happily than mine. My parents were indulgent, and my companions amiable.

      Considering the start of the book (Preface), I would like to say how the end sentence of the 3 friends together to tell tales really relates to 3 friends spending their childhood together

    6. I delighted in investigating the facts relative to the actual world; she busied herself in following the aërial creations of the poets. The world was to me a secret, which I desired to discover; to her it was a vacancy, which she sought to people with imaginations of her own.

      There seems to be a drawn contrast in the story: Ambition and Quest for Knowledge vs. Content and Imagination of the Unknown

    7. I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.

      Instead of love, this seems to be more of a familial bond. This can be considered as Elizabeth is adopted into the family.

    8. He came like a protecting spirit to the poor girl, who committed herself to his care, and after the interment of his friend he conducted her to Geneva, and placed her under the protection of a relation. Two years after this event Caroline became his wife

      Considering the times of this story, this seemed to be an underaged marriage.

      Frank and how regards his father as a protecting spirit shows his high regard for his father for assisting Caroline.

      However, it can be said how the father's inaction is ignored here, as he only came to aid after Beaufort died. Then again, another interpretation is that the father left Caroline to her own devices as she showed herself to be responsible. This is similar in today's society, where kids are left alone by parents when they become adults who work in the modern world

    1. You seek for knowledge and wisdom, as I once did

      The comparison could foreshadow how Walton could end up like Frank one day, after doing something they will regret

    2. You have hope, and the world before you, and have no cause for despair. But I—I have lost every thing, and cannot begin life anew."

      Does Frank refer to the loss of opportunity?

      By loss of opportunity I mean the point of no return that changes someone's life for the better or worse, and locks someone in a set path

    3. he most noble of human creatures

      Frank stating people as "human creatures" rather than just people could suggest he sees himself as, or is, different from other people

    4. My affection for my guest increases every day. He excites at once my admiration and my pity to an astonishing degree. How can I see so noble a creature destroyed by misery without feeling the most poignant grief? He is so gentle, yet so wise; his mind is so cultivated; and when he speaks, although his words are culled with the choicest art, yet they flow with rapidity and unparalleled eloquence.

      Considering how excessive feelings seem to be a trend, Frank here being one receiver of those feelings mean whatever happens to Walton affects Frank

    5. His limbs were nearly frozen, and his body dreadfully emaciated by fatigue and suffering. I never saw a man in so wretched a condition

      Not going to lie, this sounds like the cover art in the website. Maybe the supernatural part of this text refers to this man actually being dead? His physical description makes him look like a frozen corpse

    1. Remember me to all my English friends.

      The mention of "remembering him" really shows an insecurity in Walton's skills. This is self-explanatory, as he states how overambitious and uneducated he is

    1. I am self-educated: for the first fourteen years of my life I ran wild on a common, and read nothing but our uncle Thomas's books of voyages. At that age I became acquainted with the celebrated poets of our own country; but it was only when it had ceased to be in my power to derive its most important benefits from such a conviction, that I perceived the necessity of becoming acquainted with more languages than that of my native country. Now I am twenty-eight, and am in reality more illiterate than many school-boys of fifteen.

      considering the fact that Walton is to be a captain, the flaw of not having a basic education could be significant later as you usually would study certain things to be a captain on a ship.

    2. But I have one want which I have never yet been able to satisfy; and the absence of the object of which I now feel as a most severe evil. I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathize with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother

      Could Obsession over a goal create a friendship along the way?

    1. I may there discover the wondrous power which attracts the needle; and may regulate a thousand celestial observations, that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death, and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river.

      Ambition, imagination, and dreams are a key part to Walton's character, as these attributes make up his goals of exploring the North pole

    1. The weather, however, suddenly became serene; and my two friends left me on a journey among the Alps, and lost, in the magnificent scenes which they present, all memory of their ghostly visions. The following tale is the only one which has been completed.

      The sentence just shows the author going into the story, presenting the later story as something vivid and unbelievable.

  3. Sep 2020
    1. Soft you. A word or two before you go. I have done the state some service, and they know ’t.400 No more of that. I pray you in your letters, When you shall these unlucky deeds relate, Speak of me as I am. Nothing extenuate, Nor set down aught in malice. Then must you speak Of one that loved not wisely, but too well;405 Of one not easily jealous, but being wrought, Perplexed in the extreme; of one whose hand, Like the base Judean, threw a pearl away Richer than all his tribe; of one whose subdued eyes, 265 Othello ACT 5. SC. 2 410 Albeit unused to the melting mood, Drops tears as fast as the Arabian trees Their medicinable gum. Set you down this. And say besides, that in Aleppo once, Where a malignant and a turbanned Turk415 Beat a Venetian and traduced the state, I took by th’ throat the circumcisèd dog, And smote him, thus.

      This speech is significant where Othello wants to be remembered by what he's done, and nothing more relating to if he's a good person or not.

      Is Othello a good person or not based on his intentions and blindness to Iago's lies?

    2.  She give it Cassio? No, alas, I found it,275 And I did give ’t my husband.

      Is Emilia in a sense also guilty of the crime for helping Iago without knowing his plans?

    3. And your reports have set the murder on!

      Is Othello guilty for acting on a lie granted by Iago, or is Iago guilty for creating said lie? I say both, as one was gullible to do the deed with intentions of justice, and the other was playing with the gullible to do the deed for their own pleasure

    4. If he say so, may his pernicious soul Rot half a grain a day! He lies to th’ heart! She was too fond of her most filthy bargain.⌜He draws his sword.⌝OTHELLO Hah?EMILIA Do thy worst!195 This deed of thine is no more worthy heaven Than thou wast worthy her.

      Emilia in a sense has recognized Othello's madness, for she accepts her fate knowing Othello won't listen to reason.

      Othello's insecurities has given him his downfall, as Iago exploited them and Emilia found out

    5. OTHELLO  No. His mouth is stopped. Honest Iago hath ta’en order for ’t.DESDEMONA  O, my fear interprets. What, is he dead?OTHELLO  Had all his hairs been lives, my great revenge95 Had stomach for them all.DESDEMONA  Alas, he is betrayed, and I undone.⌜She weeps.⌝OTHELLO  Out, strumpet! Weep’st thou for him to my face?DESDEMONA  O banish me, my lord, but kill me not!

      Could the betrayed part relate to Desdemona finding out of Iago's betrayal, or is it directed to Othello for going against what he used to stand for and what he loved?

    6. Be thus when thou art dead, and I will kill thee And love thee after. One more, and ⟨this⟩ the last.⟨He kisses her.⟩ So sweet was ne’er so fatal. I must weep, But they are cruel tears. This sorrow’s heavenly: It strikes where it doth love. She wakes.

      The irony of the kiss is it's a pity smooch in respects to how Othello thought of Desdemona as falling from grace

      Too bad she didn't

    1.  I have rubbed this young quat almost to the sense, And he grows angry. Now, whether he kill Cassio, Or Cassio him, or each do kill the other,15 Every way makes my gain. Live Roderigo, He calls me to a restitution large Of gold and jewels that I bobbed from him223 225 Othello ACT 5. SC. 1  As gifts to Desdemona. It must not be. If Cassio do remain,20 He hath a daily beauty in his life That makes me ugly. And besides, the Moor May unfold me to him. There stand I in much peril. No, he must die. ⟨Be ’t⟩ so. I ⟨hear⟩ him coming.

      Connecting this to the seminar, Iago in a sense is now vulnerable as a character than a director by directly playing a role instead of leading things along. He in turn wants to succeed as said character and thus must eliminate threats that work against him after using them as his puppets

    1. EMILIA 95Yes, a dozen; and as many to th’ vantage as would store the world they played for. [But I do think it is their husbands’ faults If wives do fall. Say that they slack their duties, And pour our treasures into foreign laps;100 Or else break out in peevish jealousies, Throwing restraint upon us. Or say they strike us, Or scant our former having in despite. Why, we have galls, and though we have some grace, Yet have we some revenge. Let husbands know105 Their wives have sense like them. They see, and smell, And have their palates both for sweet and sour, As husbands have. What is it that they do When they change us for others? Is it sport?110 I think it is. And doth affection breed it? I think it doth. Is ’t frailty that thus errs? It is so too. And have not we affections, Desires for sport, and frailty, as men have? 219 Othello ACT 4. SC. 3  Then let them use us well. Else let them know,115 The ills we do, their ills instruct us so.]

      This talk about how men and women are alike in regards to desire shows Emilia's comfort: She's stating that Desdemona isn't an object (due to Othello's statements of her being a prostitute).

      She also notes that Women and Men want the same things --> in terms of comforting Desdemona, Emilia could be suggesting that Othello, like Desdemona, have the desire to patch up and fix their relationship

    2. The poor soul sat ⌜sighing⌝ by a sycamore tree,  Sing all a green willow.45 Her hand on her bosom, her head on her knee,  Sing willow, willow, willow. 215 Othello ACT 4. SC. 3  The fresh streams ran by her and murmured her  moans,  Sing willow, willow, willow;50 Her salt tears fell from her, and softened the  stones— Lay by these.  Sing willow, willow, willow. Prithee hie thee! He’ll come anon.55 Sing all a green willow must be my garland. Let nobody blame him, his scorn I approve.

      This song is a great representation for Desdemona, and shows her hopelessness and avoidance of blame for Othello.

      Desdemona, not knowing of Iago's lies, blames herself

    1. The Moor’s abused by some most villainous knave,165 Some base notorious knave, some scurvy fellow. O ⟨heaven,⟩ that such companions thou ’dst unfold, And put in every honest hand a whip To lash the rascals naked through the world, Even from the east to th’ west!

      Emilia supports Desdemona as she knows that Desdemona is being falsely accused and Othello isn't himself

    2. She says enough. Yet she’s a simple bawd That cannot say as much. This is a subtle whore, A closet lock and key of villainous secrets.25 And yet she’ll kneel and pray. I have seen her do ’t.

      Othello's insecurities has degraded to the point where he can't trust the trustable, and trusts the untrustable

    1. OTHELLO, ⌜striking her⌝ 270Devil!DESDEMONA I have not deserved this.LODOVICO  My lord, this would not be believed in Venice, Though I should swear I saw ’t. ’Tis very much. Make her amends. She weeps.OTHELLO 275 O, devil, devil! If that the Earth could teem with woman’s tears, Each drop she falls would prove a crocodile. Out of my sight!

      This feels like a mixing of the 2 different lives of Othello: the Insecure one, and the General one. They slowly combine as Othello is motivated more by feelings of jealousy and anger from Iago's manipulation for the life of the General, and his anger is a result from the lashing out of the insecure life.

    2. CASSIO  How now, my sweet Bianca? How now? How now?OTHELLO  By heaven, that should be my handkerchief!BIANCA If you’ll come to supper tonight you may. If180 you will not, come when you are next prepared for.She exits.IAGO After her, after her!CASSIO ⟨Faith,⟩ I must. She’ll rail in the streets else.IAGO Will you sup there?CASSIO 185⟨Faith,⟩ I intend so.IAGO Well, I may chance to see you, for I would very fain speak with you.CASSIO Prithee come. Will you?IAGO Go to; say no more.

      Bad circumstances: Bianca comes in with a duplicate of Desdemona's handkerchief, thus pissing off Othello into believing that Cassio is a 2 timing womanizer

    3. As he shall smile, Othello shall go mad,120 And his unbookish jealousy must ⟨construe⟩ Poor Cassio’s smiles, gestures, and light behaviors Quite in the wrong.—How do you, lieutenant?

      Tries to put Cassio in the wrong by making him look like a womanizer (maybe a gullible one as Iago is tricking Othello into making Bianca sound like a manipulative person

    4. Stand you awhile apart. Confine yourself but in a patient list. Whilst you were here, o’erwhelmèd with your grief— A passion most ⟨unsuiting⟩ such a man—95 Cassio came hither. I shifted him away And laid good ’scuses upon your ecstasy, Bade him anon return and here speak with me, The which he promised. Do but encave yourself, And mark the fleers, the gibes, and notable scorns100 That dwell in every region of his face. For I will make him tell the tale anew— Where, how, how oft, how long ago, and when He hath and is again to cope your wife. I say but mark his gesture. Marry, patience,105 Or I shall say you’re all in all in spleen, And nothing of a man.

      The mention of waiting and not acting just prevents Othello from learning the truth --> this is going to not end well when Iago gets Othello to act with him

    5. IAGO 55Work on, My medicine, ⟨work!⟩ Thus credulous fools are caught, And many worthy and chaste dames even thus, All guiltless, meet reproach.—What ho! My lord!60 My lord, I say. Othello!

      Uh oh, did Iago drug Othello? This isn't good

    6. Boding to all—he had my handkerchief.IAGO  Ay, what of that?OTHELLO  That’s not so good now.IAGO  What30 If I had said I had seen him do you wrong? Or heard him say (as knaves be such abroad, Who having, by their own importunate suit Or voluntary dotage of some mistress, Convincèd or supplied them, cannot choose35 But they must blab)—OTHELLO  Hath he said anything?

      Iago's building on Othello's worries for the Handkerchief (Symbol of Desdemona's and Othello's relationship). Iago uses manipulation by tempting Othello to learn more false information in order to twist his vision of everyone from trustworthy to traitors on terms of relationships

    1. Pray heaven it be State matters, as you think, and no conception Nor no jealous toy concerning you.

      This statement here by Emilia is nothing more than a lie, considering she's in cahoots with Iago. By stating this, Emilia is throwing Iago under the bus while the cops search for him

    2. Fetch me the handkerchief! ⌜Aside.⌝ My mind misgives.

      What hurts me is how inconveniently things happen: If coincidences such as these didn't happen, more positive happenings or endings would occur

    3. Tis true. There’s magic in the web of it. A sybil that had numbered in the world The sun to course two hundred compasses, In her prophetic fury sewed the work.85 The worms were hallowed that did breed the silk, And it was dyed in mummy, which the skillful Conserved of maidens’ hearts.

      The handkerchief can be symbolically interpreted as a representation of Othello's and Desdemona's relationship: If lost, so is the relationship.

    1. I had been happy if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, forever400 Farewell the tranquil mind! Farewell content! Farewell the plumèd troops and the big wars That makes ambition virtue! O, farewell! Farewell the neighing steed and the shrill trump, The spirit-stirring drum, th’ ear-piercing fife,405 The royal banner, and all quality, Pride, pomp, and circumstance of glorious war! And O you mortal engines, whose rude throats Th’ immortal Jove’s dread clamors counterfeit, Farewell! Othello’s occupation’s gone!

      This is Othello's turn to tragedy: His jealousy from false-said lies made him turn his back on his profession and the people he commands, as he assumes Desdemona is nothing more than using the army for her "lust", Cassio being unknowing of it as he hadn't done nothing but be a victim of said lust.

    2. e not acknown on ’t. I have use for it. Go, leave me.Emilia exits. I will in Cassio’s lodging lose this napkin370 And let him find it. Trifles light as air Are to the jealous confirmations strong As proofs of holy writ. This may do something. [The Moor already changes with my poison;] Dangerous conceits are in their natures poisons,375 Which at the first are scarce found to distaste, But with a little act upon the blood Burn like the mines of sulfur.

      Again, ironic of jealous talk coming from Iago.

      Also, Othello's doubt's earlier in this scene expresses doubt in righteousness (Othello always tries to maintain this sense of being in the right due to his position). He starts to question this when Iago makes false assumptions to make him doubt Desdemona's loyalty.

    3. O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock The meat it feeds on. That cuckold lives in bliss Who, certain of his fate, loves not his wronger; But O, what damnèd minutes tells he o’er200 Who dotes, yet doubts; suspects, yet ⟨strongly⟩ loves!

      This notion by Iago to not fall to jealousy is a sense ironic coming from him. However, it can be said that Othello would not follow his advice due to Iago's mention of a man's pride, specifically Othello's.

    4. DESDEMONA  Why, your lieutenant, Cassio. Good my lord,50 If I have any grace or power to move you, His present reconciliation take; For if he be not one that truly loves you, That errs in ignorance and not in cunning, I have no judgment in an honest face.55 I prithee call him back.OTHELLO  Went he hence now? 121 Othello ACT 3. SC. 3 DESDEMONA ⟨Yes, faith,⟩ so humbled That he hath left part of his grief with me To suffer with him. Good love, call him back.

      Desdemona wants Othello to make Cassio to feel less ashamed to show himself, though again there is going to be misconceptions thanks to Iago and what Othello first thought previously

    5. Madam, not now. I am very ill at ease,35 Unfit for mine own purposes.

      Cassio leaving out of shame could make him seem suspicious, and we all know how Iago likes to take things out of context

    6. Do not doubt that. Before Emilia here, I give thee warrant of thy place. Assure thee, If I do vow a friendship, I’ll perform it To the last article. My lord shall never rest:25 I’ll watch him tame and talk him out of patience; His bed shall seem a school, his board a shrift; I’ll intermingle everything he does With Cassio’s suit. Therefore be merry, Cassio, 119 Othello ACT 3. SC. 3  For thy solicitor shall rather die30 Than give thy cause away.

      Desdemona's support for Cassio suggests she values her husband's men as they too share her love for Othello (Though in the respectful sense)

    1. For whiles this honest fool Plies Desdemona to repair his fortune,375 And she for him pleads strongly to the Moor, I’ll pour this pestilence into his ear: That she repeals him for her body’s lust; And by how much she strives to do him good, She shall undo her credit with the Moor.380 So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all.

      Confirms before: Make Cassio an apparent secret lover, and make Desdemona and Othello hurt in the process through lies and manipulation

    2. I may say so in this335 respect, for that he hath devoted and given up himself to the contemplation, mark, and ⌜denotement⌝ of her parts and graces. Confess yourself freely to her. Importune her help to put you in your place again. She is of so free, so kind, so apt, so340 blessed a disposition she holds it a vice in her goodness not to do more than she is requested. This broken joint between you and her husband entreat her to splinter, and, my fortunes against any lay worth naming, this crack of your love shall grow345 stronger than it was before.

      I can see where this is going:

      Based on how Iago plans to use jealousy to ruin Othello as mentioned in Scene 1, Act 2: Iago plans to frame Cassio as a secret lover of Desdemona, which would make her the target of Othello's jealousy. The lover notion can be referred to Iago's "praises" of Desdemona along with the quotes and statements Cassio said that could be easily taken out of context

    3. Reputation is an idle and most false imposition, oft got without merit and lost without deserving. You have lost no reputation at290 all, unless you repute yourself such a loser. What, man, there are ways to recover the General again! You are but now cast in his mood—a punishment more in policy than in malice, even so as one would beat his offenseless dog to affright an imperious295 lion. Sue to him again and he’s yours.

      This sweet talk to cure Cassio of his loss could be a next part of Iago's plan: He's done so to Roderigo, and Cassio can play the next puppet

    4.  Am I ⟨to put⟩ our Cassio in some action That may offend the isle. But here they come.65 If consequence do but approve my dream, My boat sails freely both with wind and stream.

      Basically Iago's plan:

      Make Cassio look bad by making him start a fight under the influence of alcohol.

      This will piss off his superiors and in turn will remove Cassio of his position

    5. I am ⟨unfortunate⟩ in the infirmity and dare not task my weakness with any more.

      I don't know why, but making Cassio here super weak to alcohol is pretty funny in my book

    6. Well, happiness to their sheets! Come, lieutenant, I have a stoup of wine;

      Alcohol causes problems: I can see where this is going despite looking at the synopsis already

    7. CASSIO 20She’s a most exquisite lady.IAGO And, I’ll warrant her, full of game.CASSIO Indeed, she’s a most fresh and delicate creature.IAGO What an eye she has! Methinks it sounds a parley25 to provocation.CASSIO An inviting eye, and yet methinks right modest.IAGO And when she speaks, is it not an alarum to love?CASSIO She is indeed perfection.

      These seem like word traps by Iago to say things that can be taken out of context;

      In notion to Iago's plans to mess with Othello's relationship with Desdemona, these statements can be used to put Cassio in a cheating light along with Desdemona in a falsification way

    1. Or, failing so, yet that I put the Moor At least into a jealousy so strong That judgment cannot cure. Which thing to do,325 If this poor trash of Venice, whom I trace For his quick hunting, stand the putting on, I’ll have our Michael Cassio on the hip, Abuse him to the Moor in the ⟨rank⟩ garb (For I fear Cassio with my ⟨nightcap⟩ too), 81 Othello ACT 2. SC. 2/3 330 Make the Moor thank me, love me, and reward me For making him egregiously an ass And practicing upon his peace and quiet Even to madness. ’Tis here, but yet confused. Knavery’s plain face is never seen till used.

      Iago's plans to ruin Cassio's position to get Othello closer to him - his plot is sinister as Othello is probably his next target

      "Keep your friends close, and your enemies closer"

    2. Not out of absolute lust (though peradventure315 I stand accountant for as great a sin) But partly led to diet my revenge For that I do suspect the lusty Moor Hath leaped into my seat—the thought whereof Doth, like a poisonous mineral, gnaw my inwards

      Iago seems to be listed as a disposable character, wanting to ruin Othello's wife while at the same times compares himself and Othello as lustful

    3. her delicate tenderness will find itself abused, begin to heave the gorge, disrelish and255 abhor the Moor. Very nature will instruct her in it and compel her to some second choice. Now, sir, this granted—as it is a most pregnant and unforced position—who stands so eminent in the degree of 77 Othello ACT 2. SC. 1  this fortune as Cassio does? A knave very voluble, no260 further conscionable than in putting on the mere form of civil and humane seeming for the better ⟨compassing⟩ of his salt and most hidden loose affection. Why, none, why, none!

      Iago shows himself as truly manipulative, using lies to pry open Roderigo's feelings for Desdemona and use them for vengeance against Cassio based on one form of courtship as inspiration.

    4.  If after every tempest come such calms, May the winds blow till they have wakened death, And let the laboring bark climb hills of seas Olympus high, and duck again as low205 As hell’s from heaven! If it were now to die, ’Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.

      Considering what happens in the ending (considering the fact this is a tragedy), This is pretty much a giant jinx by Othello. The worse will soon to come after his so-claimed happiest moment.

      Also, his arrival being last due to the storm feels like another form of foreshadowing, where his ruin shall be the last (Along with how he follows the Shakespeare trend of the main character having misfortune in tragedies)

    5. He takes her by the palm. Ay, well said, whisper. With as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do. I will185 ⌜gyve⌝ thee in thine own courtship. You say true, ’tis so indeed. If such tricks as these strip you out of your lieutenantry

      A new evil plan brews within Iago, he plan to exploit this one act of courtesy into a possible relationship based scandal

    6. If she be fair and wise, fairness and wit,145 The one’s for use, the other useth it.

      Iago's descriptions of Desdemona feels sinister in a sense, this description when it states use feels like Iago sees her as a tool for something.

      Considering the story's premise, Iago's praise is more like his slander and plans of using Desdemona as a device for vengeance

    1. The Moor is of a free and open nature That thinks men honest that but seem to be so, And will as tenderly be led by th’ nose445 As asses are.

      Iago plans a train of deceit for Othello, ruining his life with lies for him to act upon harshly

    2. Thou art sure of me. Go, make money. I have told thee often, and I retell thee again and again, I hate the Moor. My cause is hearted; thine hath no410 less reason. Let us be conjunctive in our revenge against him. If thou canst cuckold him, thou dost thyself a pleasure, me a sport. There are many events in the womb of time which will be delivered. Traverse, go, provide thy money. We will have more415 of this tomorrow. Adieu.

      It could be that Roderigo is nothing more than a tool for Iago's revenge against Othello for giving him a terrible military position and giving his desired position to someone else

    3.  She must change for youth. When she is sated with his body she will find the ⟨error⟩ of her choice.395 Therefore, put money in thy purse. If thou wilt needs damn thyself, do it a more delicate way than drowning. Make all the money thou canst. If sanctimony and a frail vow betwixt an erring barbarian and ⟨a⟩ supersubtle Venetian be not too hard for my400 wits and all the tribe of hell, thou shalt enjoy her. Therefore make money. A pox of drowning thyself! It is clean out of the way. Seek thou rather to be hanged in compassing thy joy than to be drowned and go without her.

      Iago makes some ominous statements about how Desdemona will regret her choice before telling Roderigo to go have fun and enjoy the world after getting some money

    4.  It is merely a lust of the blood and a permission of the will. Come, be a man! Drown thyself? Drown cats and blind puppies. I have professed me thy380 friend, and I confess me knit to thy deserving with cables of perdurable toughness.

      Somewhat a wholehearted moment despite it being a tragedy: Iago's telling Roderigo to suck up and man up and move on; he's not going to get Desdemona

    5. have we a prescription to die when death is our physician.

      Roderigo gets all suicidal for not getting the girl, which suits his character as a playboy trying to get Desdemona

    6.  Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee.

      Representative of his protectiveness

      Another way of saying "keep an eye on her so she doesn't do anything stupid or something behind your back"

    7. That my disports corrupt and taint my business, Let housewives make a skillet of my helm, And all indign and base adversities Make head against my estimation.

      The use of disports here shows Othello's set on setting an example of himself as a newlywed: focusing on caring for his wife and not let things get to his head. The use of scant also suggests he's going to be focusing on decency for his wife

    8.  Please it your Grace, on to the state affairs. I had rather to adopt a child than get it.— Come hither, Moor. I here do give thee that with all my heart [Which, but thou hast already, with all my heart]225 I would keep from thee.—For your sake, jewel, I am glad at soul I have no other child, For thy escape would teach me tyranny, To hang clogs on them.—I have done, my lord.

      After listening to the truth that Othello didn't just drug and swoon her like a playboy to be his wife and that he just told her stories, Brabanito changed his tune.

      He apologizes and blames himself for taking things a bit too seriously, and gives Othello his consent of marrying Desdemona

    9.  Did you by indirect and forcèd courses Subdue and poison this young maid’s affections? Or came it by request, and such fair question As soul to soul affordeth?
      1. Considering how people are expecting the worse of Othello (Like Iago trying to ruin his life or the council who isn't believing Othello) despite his high demeanor, this follows the trend of highly regarded status falls from grace from external and internal factors in Shakespeare's tragedies like Macbeth and Romeo and Juliet
    10.  I will a round unvarnished tale deliver Of my whole course of love—what drugs, what charms, What conjuration, and what mighty magic110 (For such proceeding I am charged withal) I won his daughter.

      From what he said, Othello makes it sound he claimed Desdemona with a single night out to drink rather than picking her up at the side of road and taking advantage of her.

    11. My daughter! O, my daughter!

      He might have a super large attachment to his daughter if he's going to wail like that

      Follows the cliche of wailing about someone you care about or love with the structure: _! oh, __!

    1.  How? The Duke in council? In this time of the night? Bring him away; Mine’s not an idle cause. The Duke himself,120 Or any of my brothers of the state, Cannot but feel this wrong as ’twere their own. For if such actions may have passage free, Bondslaves and pagans shall our statesmen be.

      Statement of how the government will feel the same way as Brabantio in terms of Othello stealing his daughter's heart (Very angry and protective of her)

    2. O, thou foul thief, where hast thou stowed my daughter? Damned as thou art, thou hast enchanted her! For I’ll refer me to all things of sense, [If she in chains of magic were not bound,]85 Whether a maid so tender, fair, and happy, So opposite to marriage that she shunned The wealthy curlèd ⟨darlings⟩ of our nation, Would ever have, t’ incur a general mock, 27 Othello ACT 1. SC. 2  Run from her guardage to the sooty bosom90 Of such a thing as thou—to fear, not to delight! [Judge me the world, if ’tis not gross in sense That thou hast practiced on her with foul charms, Abused her delicate youth with drugs or minerals That weakens motion. I’ll have ’t disputed on.95 ’Tis probable, and palpable to thinking. I therefore apprehend and do attach thee] For an abuser of the world, a practicer Of arts inhibited and out of warrant.— Lay hold upon him. If he do resist,100 Subdue him at his peril.

      Angry father ranting of how Othello has swooned his daughter and assumes the worse of how he did it (note how Branantio thinks that Othello drugged Desdemona)

    3. Keep up your bright swords, for the dew will rust them.

      Othello as a general is somewhat honorable, this statement could be praising the swordsmanship of the officers

    4.  You were best go in.

      Iago suggesting to hide does show how Iago plans to drag Othello to a lower status by making him seem like a shell of his former self (supposed top general seen as a coward would result in demotion). This could relate to Iago's rants in the first scene where he's complaining how he didn't get lieutenant and made obsolete by Othello

    5. e will divorce you Or put upon you what restraint or grievance The law (with all his might to enforce it on) Will give him cable.

      The public warning of Iago shows how Iago is trying to pressure Othello as a form of vengeance for his placement in the military

    1. Strike on the tinder, ho! Give me a taper. Call up all my people. This accident is not unlike my dream. Belief of it oppresses me already.160 Light, I say, light!

      Brabantio is a very protective father figure of sorts; he doesn't want anyone taking her heart yet till he's ready

    2. Awake! What ho, Brabantio! Thieves, thieves! 13 Othello ACT 1. SC. 1  Look to your house, your daughter, and your bags! Thieves, thieves!

      The use of thieves could be a substitution for Othello bewitching or stealing Desdemona's heart

    3.  Heaven is my judge, not I for love and duty, But seeming so for my peculiar end. For when my outward action doth demonstrate The native act and figure of my heart In complement extern, ’tis not long after70 But I will wear my heart upon my sleeve For daws to peck at

      Statement expressing how Iago isn't the judge for "love and duty" but for his own fate as his actions will show what kind of person he is before presenting said "heart" to the world

    4. Why, there’s no remedy. ’Tis the curse of service. Preferment goes by letter and affection, And not by old gradation, where each second40 Stood heir to th’ first. Now, sir, be judge yourself Whether I in any just term am affined To love the Moor.

      Iago states how the military works on "letter and affection" and not by experience. He sees himself as not being able to like Othello anymore due to his choice of second-hand man

    5. But he, sir, had th’ election; And I, of whom his eyes had seen the proof30 At Rhodes, at Cyprus, and on ⟨other⟩ grounds Christened and heathen, must be beleed and calmed By debitor and creditor. This countercaster, He, in good time, must his lieutenant be,

      Mention of how Iago himself deserves the promotion as he's seen many battles, but has to back down by Othello (debitor and creditor). Iago notes himself to be rendered obsolete while Cassio becomes a high-ranking lieutenant

    6. Thou toldst me thou didst hold him in thy hate.

      This could note how Othello responded to Iago in reasons why Iago wasn't chosen; Iago assumes it was hate and Othello clarifies it's not based on hate

      Edit: This relates to how Iago feels about Othello, and not about the responses.

    7. Three great ones of the city,10 In personal suit to make me his lieutenant, Off-capped to him; and, by the faith of man, I know my price, I am worth no worse a place.

      This part notes how Iago's feeling how he could be promoted to Lieutenant as he states about being worth the value of a Lieutenant (I know my price, I am worth no worse a place). The 3 great ones could suggest others besides Iago and Cassio that have worked well to a high position in the army under Lieutenant.

    8. That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this.

      Theft could be interpreted here, I can image Iago as a little petty person