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  1. Last 7 days
    1. A small caveat to this strategy is to not use the same students for each class meeting. “Buddy burnout” can be a negative factor among students who are consistently asked to partner with students with differences and disabilities. Also, consider only using a student helper for the portion of class when a student with differences and disabilities will need assistance. Another successful strategy is to ask a student with differences and disabilities to assist someone else. This has been a powerful reminder to all students that those with differences and disabilities have areas of strengths as well.

      I am happy to be learning about this because this is something that I have not considered before. Allowing students to help each other is very important but how you frame it is just as or more so important. "Buddy burnout" is also a new concept I am interested in learning more about.

    2. It is very effective to follow the same strategies used by other teachers and staff members. Consistency is important in that it lessens the number of transitions required during the school day. Music educators will find it very helpful to talk with other team members and colleagues to define a set of expectations and possible consequences prior to the first day of school.

      Paraprofessionals are also such a huge resource when it comes to having students with disabilities in your class. They know the students very well because they spend so much time one on one with the students and usually have very effective strategies on managing behaviors.

    3. Give students many opportunities to demonstrate their knowledge (academic and social) and allow them to respond in the method that is most comfortable for them (visual, kinesthetic, or oral).

      I see this in action when I am student teaching this semester with my co-op in beginning band. We try to ask lots of questions to the students to demonstrate their knowledge, have them demonstrate their skills, and have them interact with technology when being assessed for learning.

    4. Students often are keenly aware of their own limitations and of what strategies will assist them to be more successful during instruction.

      I never considered this idea before this reading. Students are much more aware than we realize as adults and as educators. I think including them to the extent that is appropriate is a great tool and helps them understand their role and value.

    5. Some teachers create class rules that are too vague, ask too much or too little of students, or compile a lengthy list of rules that are difficult to remember, comply with, and enforce. Begin with a few rules that are general enough to be adapted to many situations and are easy to remember.

      I know some classroom teachers in the beginning of the school year have the students come up with class rules to follow as a group. This is a great way to get students involved in the expectations of behavior. It also gives them a voice for how they would like to build their classroom community.

  2. Sep 2025
    1. Music therapists are more concerned with how music can assist in the development of nonmusical goals rather than skill sets.

      I think there can be some overlap between music educators and music therapists in terms of what our goals are. I know Montclair has a music therapy program and it would be interesting to learn more about it.

    2. . First, write strategies and thoughts down as soon as you finish teaching. Find time to sit and reflect on what just happened and how it may impact future lessons with students or the overall environment in the music classroom.

      I think this could be difficult advice for the schedules I have experiences at the 6 different schools I have been at. Maybe you could do a deep reflection right after if you have a prep or lunch, but many times you are ushering in new kids as the previous ones leave. I think reflection is important, but this does not seem realistic to me.

    3. paraprofessional

      I have seen lots of paraprofessionals in my time observing and most of them have great intentions and are super helpful with the kids. I have also seen how paraprofessionals can step on the toes of music teachers, and it be kind of awkward. It is definitely an important and delicate relationship to have as a music teacher.

    4. This opportunity may also allow music educators to learn techniques from the current paraprofessional working with the student with differences and disabilities that may be useful in the music classroom.

      I think observation is very important and can be beneficial for music teachers, but I wish there was more support from admin to complete this task. From what I have observed and what I am currently experiencing in my student teaching placement, music teachers tend to have full schedules and even miss their preps at some points to teach their students. Realistically, when is this observation supposed to take place?

    5. Licensure requirements can leave little room for “special” topics in the methods classroom.

      Our degree is so jammed packed with so many other requirements that I wish we focused more on this. I wonder if other elective teaching programs like art, gym, or technology have certain courses or a better way to implement more education on this topic into the curriculum.