7 Matching Annotations
  1. Oct 2016
    1. I’m haunted by that scene in 2001. What makes it so poignant, and so weird, is the computer’s emotional response to the disassembly of its mind: its despair as one circuit after another goes dark, its childlike pleading with the astronaut—“I can feel it. I can feel it. I’m afraid”—and its final reversion to what can only be called a state of innocence. HAL’s outpouring of feeling contrasts with the emotionlessness that characterizes the human figures in the film, who go about their business with an almost robotic efficiency. Their thoughts and actions feel scripted, as if they’re following the steps of an algorithm. In the world of 2001, people have become so machinelike that the most human character turns out to be a machine. That’s the essence of Kubrick’s dark prophecy: as we come to rely on computers to mediate our understanding of the world, it is our own intelligence that flattens into artificial intelligence.

      I really think Carr is missing the mark on this one. He is trying to make a connection which simply doesn't exist. In 2001: A Space Odyssey, the MAIN STORY of the movie is literally a HUMAN trying to stop a MACHINE that is not working. I don't think anyone would agree with Carr that the machine was the most human character in the movie. The human ended up having to MANUALLY disable and kill the machine. I don't know, but I think the connection Carr is trying to make here is a little farfetched. It's a good try.

    2. Anecdotes alone don’t prove much. And we still await the long-term neurological and psychological experiments that will provide a definitive picture of how Internet use affects cognition. But a recently published study of online research habits , conducted by scholars from University College London, suggests that we may well be in the midst of a sea change in the way we read and think. As part of the five-year research program, the scholars examined computer logs documenting the behavior of visitors to two popular research sites, one operated by the British Library and one by a U.K. educational consortium, that provide access to journal articles, e-books, and other sources of written information. They found that people using the sites exhibited “a form of skimming activity,” hopping from one source to another and rarely returning to any source they’d already visited. They typically read no more than one or two pages of an article or book before they would “bounce” out to another site. Sometimes they’d save a long article, but there’s no evidence that they ever went back and actually read it. The authors of the study report: It is clear that users are not reading online in the traditional sense; indeed there are signs that new forms of “reading” are emerging as users “power browse” horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.

      Right here is where the author really impressed me. In this paragraph, the author uses the they say / i say strategy in admitting that his previous evidences were just anecdotes, whether they be personal or expert testimonies. Then, he follows up with a completely new kind of evidence in the form of a research study. By conceding the fact that his past evidences were just anecdotes (a relatively weak form of evidence), the author draws readers back in by providing an even stronger piece of a different kind of evidence. The rhetorical strategy used in this paragrpah really helps persuade the audience.

    3. Bruce Friedman, who blogs regularly about the use of computers in medicine, also has described how the Internet has altered his mental habits. “I now have almost totally lost the ability to read and absorb a longish article on the web or in print,” he wrote earlier this year. A pathologist who has long been on the faculty of the University of Michigan Medical School, Friedman elaborated on his comment in a telephone conversation with me. His thinking, he said, has taken on a “staccato” quality, reflecting the way he quickly scans short passages of text from many sources online. “I can’t read War and Peace  anymore,” he admitted. “I’ve lost the ability to do that. Even a blog post of more than three or four paragraphs is too much to absorb. I skim it.”

      In this paragraph, the author provides a story from a credible source. The type of evidence is anecdotal, and the rhetorical strategy is ethos. By presenting the reader with a story told my a credible source, the reader is most likely to agree with the author's claim.

    4. I can feel it, too. Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going—so far as I can tell—but it’s changing. I’m not thinking the way I used to think. I can feel it most strongly when I’m reading. Immersing myself in a book or a lengthy article used to be easy. My mind would get caught up in the narrative or the turns of the argument, and I’d spend hours strolling through long stretches of prose. That’s rarely the case anymore.

      In this paragraph, the author is providing personal anecdotal evidence. This is when the author tells a story from their own lives which supports their claim. I tend to look on this kind of evidence as quite weak and biased. Of course a PERSONAL story is going to be biased towards your PERSONAL claim.

  2. Sep 2016
    1. Interestingly, the audience effect doesn't necessarily require a big audience trr kick in. This is particularly true online. Weinberg, the DuckDuckGo blogger, has about two thousand people a day look-ing at his blog posts; a particularly lively response thread might only be a dozen comments "long. It's not a massive crowd, but from his perspective it's tran~formative. In fact, many people have told me they feel the audience effect kick in with even a tiny handful of view-ers. I'd argue that the cognitive shift in going from an audience of zero (talking to yourself) to an audience of ten people (a few friends or random strangers checking out your online post) is so big that it's actually huger than going from ten people to a million people

      In this paragraph, Thompson, in a way, rebuts a counter argument. This counter argument being the "audience effect" requires a big audience. Throughout this paragraph, Thompson uses anecdotal evidence to support his argument that the "audience effect" can take be present with an audience as little as a few people.

    2. Once thinking is public, connections take over.

      What Thompson is doing here is starting off the next section of his chapter with a sub-claim. This sub-claim does a great job helping to support the whole chapter's main claim.

    3. "I had zero ideas about what to say," she recalls. This turned out to be wrong. Over the next seven years, Okolloh revealed a witty, passionate voice, keyed perfectly to online conver-sation.

      In this portion, Thompson provides us an amazing example of how a woman who "had zero ideas about what to say" became a popular and skillful blog-writer. He starts off by stating the very common view held by many of us which is, "I have no idea what I'm even going to write about," and he takes that belief and blows it out of the water.