6 Matching Annotations
  1. Last 7 days
    1. “See here, now, Mr. Wilson,” said George, coming up and sitting himself determinately down in front of him; “look at me, now. Don’t I sit before you, every way, just as much a man as you are? Look at my face,—look at my hands,—look at my body,” and the young man drew himself up proudly; “why am I not a man, as much as anybody? Well, Mr. Wilson, hear what I can tell you. I had a father—one of your Kentucky gentlemen—who didn’t think enough of me to keep me from being sold with his dogs and horses, to satisfy the estate, when he died. I saw my mother put up at sheriff’s sale, with her seven children. They were sold before her eyes, one by one, all to different masters; and I was the youngest. She came and kneeled down before old Mas’r, and begged him to buy her with me, that she might have at least one child with her; and he kicked her away with his heavy boot. I saw him do it; and the last that I heard was her moans and screams, when I was tied to his horse’s neck, to be carried off to his place.”

      In that most potent of speeches George claims a sense of human dignity and condemns the racist logic of slavery enforced by laws that deny him basic rights. He voices his deep personal losses: a broken family, being forcibly taken away from his wife, and his identity becoming a racial epithet that serves as a justification for cruelty. For George, pride and a willingness to escape from such chains, even at significant risk, reflect a refusal of the society’s devaluation of his personhood. This excerpt illustrates the harsh facts of life of the enslaved mixed-race and their bravery to stand up for their rights. That passage is necessary for grasping the thematic matter of identity and injustice, an internal battle of enslaved beings claiming their equal potential against such laws.

    2. “He an’t gwine to be sold widout me!” said the old woman, with passionate eagerness; “he and I goes in a lot together; I ’s rail strong yet, Mas’r and can do heaps o’ work,—heaps on it, Mas’r.”

      This moment is a powerful demonstration of the dehumanization and cruelty that lies central to the slave trade. Aged, sick and crippled, Aunt Hagar desperately clings to her son Albert, hoping they would be sold together. But the auctioneer and buyers regard their distress as irrelevant, driving them apart in a brutal manner. The fear the boy has that they are going to be separated is very touching. You could barely see how slavery turned family members into instruments of commerce, dismantling generations-old connections and communities. It’s an emotional condemnation of the system’s savagery. I chose this because the auction scene is one of the most gut-wrenching and effective examples of the inhumanity of slavery in the text. It makes clear in graphic detail how families are torn apart, illustrating how immoral the practice was.

    3. “I’m in the Lord’s hands,” said Tom; “nothin’ can go no furder than he lets it;—and thar’s one thing I can thank him for. It’s me that’s sold and going down, and not you nur the chil’en. Here you’re safe;—what comes will come only on me; and the Lord, he’ll help me,—I know he will.”

      Tom takes hope and defiance in his faith and selflessness, that is, he believes in what God has put into place to keep his wife and children safe, accepting himself in his own faith that he will meet the weight of it to take his duties without fear, taking charge of the children’s safety. The passage articulates the heartbreak of slavery in family life but also the resilience of faith and piety as an aspect of bondage and the human spirit held together by enslaved communities.

  2. Jan 2026
    1. We continued to travel by night, and secrete ourselves in woods by day; and every night, before emerging from our hiding-place, we would anxiously look for our friend and leader,—the North Star.

      The North Star functions as a powerful symbol of hope, guidance, and liberation in Brown’s narrative. It is not just a navigational tool, but a beacon representing freedom and the promise of life beyond slavery.

    2. My master and mistress were great lovers of mint julep, and every morning, a pitcher-full was made, of which they all partook freely, not excepting little master William. After drinking freely all round, they would have family worship, and then breakfast.

      Here Brown employs irony and subtle humor to critique his master’s religious practices. While the family claims piety, they are indulging in alcohol, which contrasts sharply with the suffering of slaves. Brown’s candid admission that he “helped himself” to the julep signals a small act of private agency within oppression, and perhaps a coping mechanism.

    3. Randall asked why he wished to whip him.

      Randall not only protests the overseer’s authority but also exposes control’s limits in such a brutal system. Acts of resistance which historically were dangerous, but extremely powerful, claims of being human and deserving of respect. Brown’s narrative stands in direct opposition to stereotypical views of passive submission among slaves and, rather, presents a picture of the more complicated power dynamics on plantations.