235 Matching Annotations
  1. Jun 2024
    1. fluidity with gender

      I would replace this with: gender fluidity

    2. Claude Cahun, an

      replace with: Claude Cahun was an early

    1. intonarumori

      I would add a note here with the translation: "noisetuners" or "noise machines"

    2. Piattie

      replace with: Piatti

    3. Intonarumori

      italics, as it is a foreign word. I don't think it is necessary to capitalize it

    4. Intonarumi

      replace with: intonarumori

    5. Luigi’s

      replace with: Russolo's

    6. Russolo

      add full stop after Russolo

    1. procreation

      Would it be ok to refer to my book here, where I have argued this? See: Laura Scuriatti, Mina Loy's Critical Modernism (Gainesville: University Press of Florida, 2019), pp. 46-60.

    1. quotes FUTURIST tirade against women

      italics except for FUTURISM

    2. LOVE shrugs her shoulders—and kisses him.

      italics, except for LOVE

    3. LOVE hands him a pair of boxing-gloves—red flannel hearts—and puts on a pair herself with which every point made is emphasised by a psychological blow

      italics except for LOVE

    4. with an off-hand gesture he draws LOVE out of his pocket, scattering the newspapers, shakes LOVE out and stands her on the floor in front of him, taking her measure with a masterful eye as she pulls herself together

      italics, except for LOVE (twice)

    5. NATURE comes on, looking enquiring.

      italics, except NATURE

    6. confidentially laying his arm across FUTURISM’s shoulder

      italics, except FUTURISM

    7. FUTURISM picks up LOVE and a handful of newspapers and stuffs them altogether into his pocket—which he slaps with a bang.[7] INMATES and MEN gradually filter back.

      everything in italics except: FUTURISM, LOVE, INMATES, MEN

    8. FUTURISM sits fixing her with theatrically amative eyes—LOVE smiles and wails like a cat on the tiles—her criticism

      everything in italics except FUTURISM and LOVE

    9. gives her a thumping whack on the thigh—LOVE jumps

      everything in italics except LOVE

    10. Drags off LOVE’s roseate hood, dislodging a shower of golden curl

      everything in italics except FUTURISM; replace Drags with: drags

    11. DOLORES draws LOVE forward.

      draws and forward in italics

    12. comes on with

      italics

    13. approaches

      italics

    14. nature

      replace with: Nature

    15. unconsummated

      replace with: inconsummate

    16. of

      delete line break

    17. must

      replace with: have to

    18. They

      replace with: they

    19. replace dash with hyphen

    20. FUTURISM here declaims Futurist attack on love—most drastic

      italics

    21. now

      replace with: now?

    22. proto poem

      replace with: proto-poem

    23. lifeblood

      replace with: life-blood

    24. future

      replace with: Future

    25. MAN

      Replace with: A MAN

    26. MAN

      replace with: A MAN

    27. … passion?—It’s merely neurosis.[1]

      This isn't in Crangle's edition. if we follow it, this should be deleted

    28. Try putting glue on the seats.

      We could add the following footnote here: This refers to various pranks and strategies that the Futurists used in order to provoke audiences at their "serate" (evening events) and create brawls. (LS)

    29. conjuring commercial traveler.

      it should be traveller (British spelling, as in Crangle)

      add footnote here: In the poem "Lion's Jaws", a satire of the Futurist movement, and especially of Filippo Tommaso Marinetti's masculinist and misogynist postures, Loy refers to the figure of "Raminetti" (clearly referring to Marinetti) as a "conjuring commercial traveller". (Loy, Mina. “Lion's Jaws”, The Lost Lunar Baedeker: Poems of Mina Loy, edited by Roger Conover. New York, Farrar, Straus, & Giroux, 1996, pp. 46-50, p. 48). (LS)

    30. to directors

      italics

    31. (

      delete this bracket - no line break. in Crangle it reads: (a composite person called WORLD-FLESH-AND-DEVIL they are accompanied by two inspectors)

    32. a composite person called

      italics

    33. rubbing his eyes

      italics

    34. Awfully.

      line break after Awfully

    35. you

      Capitalized: You

    36. imploringly

      italics

    37. Now

      italics

    38. Silence

      italics

    39. don’t love

      italics

    40. all

      italics

    41. feel

      italics

    42. know

      italics

    43. bunkum

      italics

    44. can’t tell

      italics

    45. Instinct

      Italics

    46. those

      italics

    47. A yawn from the sofa.

      italics

    48. addressing the sofa

      italics

    49. with an intimate caress

      italics

    50. hitting her

      italics

    51. promise

      italics

    52. not

      italics

    53. must

      italics

    54. presenting herself with a bow

      italics

    55. smiling

      italics

    56. bang

      italics

    57. a

      delete

    58. her

      italics

    59. don’t want

      italics

    60. us

      italics

    61. we

      italics

    62. coaxing

      italics

    63. calls

      italics

    64. interested

      italics

    65. The audience sit circle-wise on the outskirts of the hall to watch the performance

      italics

    66. absent-mindedly

      italics

    67. rapturously

      italics

    68. I

      italics

    69. darling

      italics

    70. strokes her face with infinite tenderness, gazing

      italics

    71. Pause

      italics

    72. relieved

      italics

    73. distractedly

      italics

    74. intense

      italics

    75. must

      italics

    76. Yes, dear.

      for some reasons, Crangle has this in italics, so we should follow suit

    77. fearfully

      italics

    78. flinging her away from him

      italics

    79. passively

      italics

    80. takes her in his arms and kisses her frantically, crying in between each half-dozen kisses

      italics

    81. I

      italics

    82. laughing

      italics

    83. must

      italics

    84. very rapidly

      italics

    85. loudly

      italics

    86. mitrailleuses

      italics

    87. must

      italics

    88. very

      italics

    89. parole in libertà

      italics

    90. prophet

      italics

    91. when

      italics

    92. P

      small p in Crangle and for consistency

    93. now

      italics

    94. anybody

      Crangle has any-body

    95. furiously

      italics

    96. my

      italics

    97. town

      italics

    98. Some

      italics

    1. Continuing

      replace with: continuing

    2. To

      replace with: to

    3. DO

      italics

    4. Diana

      replace with: DIANA

    5. by

      replace with: By

    6. Holding

      replace with: holding

    7. tomorrow . . .

      no line break before: tomorrow...

    8. . . . (turning to a step) . . .

      add line break before (turning the first three dots should be next to eyes, not in a new line

    9. left-and

      replace with: left-hand

    10. pass

      replace with: Pass

    11. Here

      add line break after full stop

    12. -

      replace hyphen with em-dash

    13. No use

      add line break before: No use

    14. up

      delete: up

    15. Those

      add line break before Those

    16. . . .

      no line break between first and dots

    17. shoulder

      replace with: shoulders

    18. up-Sir-and

      replace hyphens with em-dashes

    19. . . .

      no line break after mud

    20. not me . . . !

      line break after you....?

    21. -

      replace hyphen with em-dash

    22. A

      replace with: anxiously

    23. Loony

      replace with: LOONY

    24. Diana

      replace with: DIANA

    25. . . .

      the three dots should be next to know

    26. -

      replace hyphen with em-dash

    27. Diana

      replace with: DIANA

    28. he

      delete: he

    29. This little pig.

      line break after the bracket and three dots after pig

    30. Snoozily

      replace with: snoozily

    31. Diana

      replace with: DIANA

    32. Loony

      replace with: LOONY

    33. Picked People

      replace with: PICKED PEOPLE

    34. Loony

      replace with: LOONY

    35. ends .

      indented in Crangle

    36. Diana

      replace with: DIANA

    37. he

      I would replace "he" with "Loony" to make the sentence clearer and more elegant

    38. Diana

      replace with: DIANA

    39. bric-a-brac

      replace with: bric-à-brac line should be indented (as in Crangle)

    40. of ideo-fags

      indented in Crangle

    41. round numbers

      no line break between round and numbers

    42. and

      replace with: And

    43. talk something

      replace with: talk about something!

    44. warm footed

      replace with: warm-footed

    45. Diana

      replace with: DIANA delete full stop

    46. T

      replace with: to

    47. back-)

      replace with: back) - the latter is an em-dash

    48. Diana’s

      replace with: DIANA's

    49. . . .

      line break after dots

    50. .

      delete full stop

    51. . . .

      the dots should be next to submerged

    52. [12]

      delete endnote

    53. Loy met the Florentine branch of the Futurists in the Caffé Giubbe Rosse: they used to meet in the back room and were famously very loud and quarrelsome

      delete endnote

    54. Loony’s

      replace with: LOONY's

    55. -

      replace with dash

    56. Diana

      replace with: DIANA

    57. . . .

      the dots should be next to caress, not in a new line

    58. his rediscovery

      Could we add a refence to my book here, where I write about this issue? Also, if we want to keep our initials for the notes, this would end with: (LS). The reference to my book is: See L. Scuriatti, Mina Loy's Critical Modernism (Gainesville: University of Florida Press, 2019), pp. 113-116.

    59. museumsand

      add space. It should read: museums and

    60. souls to

      replace "souls to" with: soul's

    61. China

      replace with: china

    62. his

      replace "his" with: the

    63. anticipates

      replace with: anticipate

    64. autumn

      replace "for autumn" with: for the autumn

    65. Must

      replace with: "Has to have"

    66. Diana’s

      replace with: DIANA

    67. futurism

      replace with: Futurism

    68. Houseless Loony

      Replace with HOUSELESS LOONY

    69. Lady Diana

      replace with LADY DIANA

    70. about Marinetti;

      no line break

    71. Ho capito

      italics

    72. cocktails Remember

      There does not seem to be a line break in Crangle's edition, but it is not clear. Is there a break in The Dial?

    73. .

      delete full stop

    74. friends

      replace with FRIENDS

    75. . . .

      dots should be next to "you", and not in a new line

    76. . . .

      the three dots should not be on a new line, but next to frost

    77. into Arabic

      it should read "into the Arabic" - although it sounds wrong. Either we correct it and add [sic], or insert an excision sign to show that we have intervened onto the text

    78. ball.

      delete full stop

    79. Still Life With Chair Caning

      Italics. "With" should be "with"

    80. In Advance of a Broken Arm

      italics

    81. Bicycle Wheel

      italics

    82. his

      delete "his"

    83. Ossy, you know,

      delete commas. It should read: Ossy you know

    84. Oh,

      delete comma

    85. knows

      insert space between note and knows

    86. steam heating

      hyphenate: steam-heating

    87. is

      delete is

    88. CittàBapini

      italics

    89. Collision

      italics

    90. people

      Capitalized: People

    1. The Sacred Prostitute

      Consistency issue: in the previous parts of the book, the two plays (The Pamperers and The Sacred Prostitute) are in inverted commas, not in italics, whereas they are in italics here and elsewhere.