115 Matching Annotations
  1. Feb 2020
    1. That the magnifico is much beloved,215And hath in his effect a voice potentialAs double as the duke’s: he will divorce you;Or put upon you what restraint and grievanceThe law, with all his might to enforce it on,Will give him cable.220

      Brabantio is a powerful man, and if he finds out that Othello is with Desdemona, he may annul the marriage, or punish Othello.

    2. Desdemona. Shall I deny you? no: farewell, my lord.

      The relationship of the two is beginning to suffer a bit. As they have just had an argument it would seem. There seems to be tension between the two.

    3. Desdemona. Do not doubt that; before Emilia hereI give thee warrant of thy place: assure thee,If I do vow a friendship, I’ll perform itTo the last article: my lord shall never rest;I’ll watch him tame and talk him out of patience;1650His bed shall seem a school, his board a shrift;I’ll intermingle every thing he doesWith Cassio’s suit: therefore be merry, Cassio;For thy solicitor shall rather dieThan give thy cause away.1655

      Characterization: Desdemona cares for Cassio and promises that she will try to get his position back for him. She is willing to do whatever she can to help others in need. This adds characterization, as it shows how loyal Desdemona is to her word.

    4. Cassio. Masters, play here; I will content your pains;Something that’s brief; and bid ‘Good morrow, general.’

      Characterization: Cassio is hiring musicians in order to make a pleasant experience for Othello. This shows how desperate he is to get his job back.

    5. Wears out his time, much like his master’s ass,For nought but provender, and when he’s old, cashier’d:

      Some servants serve their superiors, only to be discarded when too old. This is strange, as it suggests that Iago views humans as having worth, and that worth can run out, thus making them useless.

    6. Are they married, think you?

      Reference to Desdemona's possible eloping with Othello. Brabantio seems very anxious and frightened by the idea of his daughter marrying Othello.

    7. Yet, for necessity of present life,I must show out a flag and sign of love,170

      References his earlier comment. He has to fake his admiration towards Othello at this current time in order to fulfill his goals.

    8. If she be in her chamber or your house,Let loose on me the justice of the state150For thus deluding you.

      He says that if she is truly in her chambers, then he asks to be sued. He seems very impassioned about convincing Brabantio that his daughter is not home as a way to make him hate Othello.

    9. I took by the throat the circumcised dog,And smote him, thus.[Stabs himself]

      Othello has stabbed himself! I hope his story is told truthfully, for I could see his story being altered due to the fact that he killed himself. While I am not an expert on the period, I am sure suicide was frowned upon by society.

    10. When you shall these unlucky deeds relate,Speak of me as I am; nothing extenuate,Nor set down aught in malice: then must you speak3710Of one that loved not wisely but too well;Of one not easily jealous, but being wroughtPerplex’d in the extreme; of one whose hand,

      Othello begs for his story to be told truthfully, without any sort of exaggeration or toning down. That is more in line with how Othello acted earlier in the play, with him being more honest and honorable.

    11.  I do believe it, and I ask your pardon.Will you, I pray, demand that demi-devilWhy he hath thus ensnared my soul and body?

      Othello admits that he has been taken over by the tricks of Iago. It puts him in a very submissive position. This must have been a blow to his masculinity, but he loves Desdemona so much that he does not care.

    12.  It is the cause, it is the cause, my soul,—Let me not name it to you, you chaste stars!—It is the cause. Yet I’ll not shed her blood;Nor scar that whiter skin of hers than snow,3305And smooth as monumental alabaster.Yet she must die, else she’ll betray more men.Put out the light, and then put out the light:If I quench thee, thou flaming minister,

      This reminds me of the monologue Macbeth does before he murders King Duncan. Both works have a character engage in monologue before they kill someone who is close to them. Interesting to see this in another one of Shakespeare's plays

    13.  O murderous slave! O villain![Stabs RODERIGO]

      Iago is willing to attempt murder in order to draw attention away from himself. Truly chilling. Yet also odd, as Iago never struck me as a person who was willing fight, as he is more skilled with words. Yet maybe he is just preying on the weak and vulnerable, as such a cowardly act seems quite in line with how Iago operates.

    14. Minion, your dear lies dead,And your unblest fate hies: strumpet, I come.Forth of my heart those charms, thine eyes, are blotted;Thy bed, lust-stain’d, shall with lust’s blood be spotted

      Allusion to Desdemona. Othello is going to murder her.

    15. Desires for sport, and frailty, as men have?Then let them use us well: else let them know,3130The ills we do, their ills instruct us so

      Women have desires much like men.

    16. Their wives have sense like them: they see and smellAnd have their palates both for sweet and sour,As husbands have.

      She is saying that women are much like men in many ways. I wonder how this was received by audiences of the 17th century. I wonder if it was incredibly controversial or at the very least tolerated.

    17.  I will be hang’d, if some eternal villain,Some busy and insinuating rogue,Some cogging, cozening slave, to get some office,Have not devised this slander; I’ll be hang’d else.

      Emilia considers the possibility that somebody is tricking everyone. I wonder if these lines will be relevant in the future. Although upon further thought, what if she knew of Iago's plot all along? I doubt this, but it is possible.

    18. . I have none: do not talk to me, Emilia;I cannot weep; nor answer have I none,

      Desdemona would appear to have removed herself from Othello. She seems truly heartbroken, which is quite sad.

    19. Iago. No, forbear;The lethargy must have his quiet course:If not, he foams at mouth and by and by2475Breaks out to savage madness. Look he stirs:Do you withdraw yourself a little while,He will recover straight: when he is gone,I would on great occasion speak with you.

      This is intentional. Iago wants Cassio to leave in order to assist him and his sinister goals

    20. Desdemona. Why, so I can, sir, but I will not now.This is a trick to put me from my suit:Pray you, let Cassio be received again.2275

      Desdemona is trying to change the subject it seems. Suggesting this situation makes her incredibly uncomfortable.

    21. Othello. A liberal hand: the hearts of old gave hands;But our new heraldry is hands, not hearts.2225

      Othello is calling Desdemona out for her supposed promiscuity and infidelity. Othello believes that marriage should be for love. He believes that marriage nowadays has no passion or love in it. Such a nasty thing to say to one's spouse. I also find it funny that Othello, who is an older man is criticizing the younger generations. Proving that this behavior is far from new.

    22.  That is a fault.That handkerchiefDid an Egyptian to my mother give;She was a charmer, and could almost readThe thoughts of people: she told her, while2240she kept it,

      Allusion to the theme of sorcery, as well as a reference to areas outside of Europe such as Egypt.

    23. Cassio. Dost thou prate, rogue?[Striking RODERIGO]

      This seems to be beginning of conflict at this party, as I am sure it will only escalate from this point forward. Especially with Iago pulling the strings.

    24. Iago. Well, happiness to their sheets! Come, lieutenant, I1160have a stoup of wine; and here without are a braceof Cyprus gallants that would fain have a measure tothe health of black Othello.

      This proves that Iago is trying to get Cassio drunk in order for him to make poor decisions. Iago's racist beliefs also come out, as he has to refer to Othello as "black Othello". Why can't he just call him Othello?

    25. Iago. There’s none so foul and foolish thereunto,930But does foul pranks which fair and wise ones do.

      Characterization, Iago believes all women trick men in some way. He doesn't seem to have a high opinion of women and these lines characterize him as incredibly sexist and rude.

    26. I ran it through, even from my boyish days,To the very moment that he bade me tell it;Wherein I spake of most disastrous chances,Of moving accidents by flood and field480Of hair-breadth scapes i’ the imminent deadly breach,Of being taken by the insolent foeAnd sold to slavery, of my redemption thenceAnd portance in my travels’ history:Wherein of antres vast and deserts idle,485Rough quarries, rocks and hills whose heads touch heavenIt was my hint to speak,—such was the process;And of the Cannibals that each other eat,

      Othello has had a truly interesting life. He was a former slave, encountered cannibals, fought battles, and endured sieges. This exciting lifestyle is what draws Desdemona to Othello. The description of Othello and his life makes me curious as to where he grew up.

    27. Brabantio. Ay, to me;

      Exemplifies Brabantino's low opinion of his daughter, as he no longer recognizes Desdemona as his daughter due to the possibility that she pursued a relationship with a black man. Truly despicable behavior on Brabantio's part.

    28. Who, trimm’d in forms and visages of duty,Keep yet their hearts attending on themselves,

      Other servants pretend to be loyal in order to get rich. This is an excellent description of Iago, who fakes his way into getting what he wants.

    29. That never set a squadron in the field,Nor the division of a battle knows

      He is angry that a man who has never lead men into battle has received such a promotion. This proves that Iago is an incredibly jealous person.

    30. And she speaks for you stoutly: the Moor replies,1600That he you hurt is of great fame in Cyprus,And great affinity, and that in wholesome wisdomHe might not but refuse you; but he protests he loves you

      While Cassio may be refused to be reinstated by Othello, Othello still loves him. At least it would appear that way.

    31. Something from Cyprus

      Speaking of "something from Cyprus" was this conflict between Venice and the Turks real or was it something made up for the sake of the story?

    32. Damn’d as thou art, thou hast enchanted her;For I’ll refer me to all things of sense,If she in chains of magic were not bound,285Whether a maid so tender, fair and happy,So opposite to marriage that she shunnedThe wealthy curled darlings of our nation,

      He believes that Othello must have tricked or used a spell on his daughter, as she would not marry the rich, handsome young men of the city. Further adding to his racist ideas as to who Othello truly is.

    33.  I have rubb’d this young quat almost to the sense,And he grows angry. Now, whether he kill Cassio,Or Cassio him, or each do kill the other,

      Iago truly doesn't care about Roderigo. He doesn't care if Iago dies during the ambush, which adds to his characterization, as it truly shows how he is willing to use others for his own ambitions and desires.

    34. . O villain!Cassio. Most heathenish and most gross!

      Satisfying to know Iago will not get away from this. Throughout the duration of this play I was afraid that he would get away with his manipulation

    35. ‘Twill out, ’twill out: I peace!No, I will speak as liberal as the north:Let heaven and men and devils, let them all,All, all, cry shame against me, yet I’ll speak

      Characterization. Emilia doesn't care about the context or social standards that may prevent her from voicing her true opinion. She will speak her mind no matter what.

    36. Othello. Have you pray’d to-night, Desdemona?Desdemona. Ay, my lord.Othello. If you bethink yourself of any crime3330Unreconciled as yet to heaven and grace,

      Othello's Christian ideals come out at this time, as she asks Desdemona to seek forgiveness from God before he murders her.

    37. and Roderigo dead

      It is almost sad to see Roderigo dead. Even though he was "friends" with the villainous Iago, he was just a man who was tricked and led down a bad path. Nobody deserves to die in such a manner

    38. From the possession of this heavenly sight!3635Blow me about in winds! roast me in sulphur!Wash me in steep-down gulfs of liquid fire!O Desdemona! Desdemona! dead!Oh! Oh! Oh![Enter LODOVICO.

      Othello has realized what a truly awful mistake he has made. He wishes to suffer for murdering his wife. He seems much more noble and honorable now that he realizes he was tricked.

    39. But while I say one prayer!Othello. It is too late.[He stifles her]

      Othello has also lost sight of his faith, as he will not even allow Desdemona to pray before he murders her

    40. Yes, presently:Therefore confess thee freely of thy sin;3365For to deny each article with oathCannot remove nor choke the strong conceptionThat I do groan withal. Thou art to die

      Othello will not listen to reason anymore, he is adamant about killing his wife. Nothing Desdemona will say can save her from her fate.

    41. That can thy light relume. When I have pluck’d the rose,I cannot give it vital growth again.3315It must needs wither: I’ll smell it on the tree.

      Othello compares his love for Desdemona to a rose

    42. That thrust had been mine enemy indeed,But that my coat is better than thou know’st

      Was Cassio wearing armor? Does he always do this or did he anticipate that he would be attacked?

    43. It must not be: if Cassio do remain,He hath a daily beauty in his life3155That makes me ugly; and, besides, the Moor

      This shows that Iago is incredibly jealous and bitter towards Cassio, as he is envious of the wonderful life he has.

    44.  No, by this heavenly light!Emilia. Nor I neither by this heavenly light;I might do’t as well i’ the dark.Desdemona. Wouldst thou do such a deed for all the world?3095Emilia. The world’s a huge thing: it is a great price.

      Contrast between the two characters. Desdemona is very set in her morals and would never sin. Yet Emilia would cheat if she were to gain the world.

    45. Dost thou in conscience think,—tell me, Emilia,—That there be women do abuse their husbandsIn such gross kind?Emilia. There be some such, no question.Desdemona. Wouldst thou do such a d

      Desdemona is a little naive and cannot fathom that somebody would cheat on their spouse. Tragic, as she is against what she is being accused of

    46.  Get you to bed on the instant; I will be returnedforthwith: dismiss your attendant there: look it be done

      Maybe I just haven't been picking it up in earlier sections, but Othello seems a lot more mean and domineering, ordering Desdemona to go to her room. I couldn't have imagined Othello doing such a thing earlier in the play.

    47. Do not weep, do not weep. Alas the day!

      It is a little unsettling how Iago is pretending to feel sorry for Desdemona, as if he did not cause all of this suffering in the first place.

    48. Your mystery, your mystery: nay, dispatch.[Exit EMILIA]Desdemona. Upon my knees, what doth your speech import?2775I understand a fury in your words.But not the words.

      Poor Desdemona. She truly has no idea what is going on. This could be incredibly dangerous for her due to how angry and impassioned Othello has become. I hope she will be okay

    49. A closet lock and key of villanous secretsAnd yet she’ll kneel and pray; I have seen her do’t.

      Othello has changed character considerably. He seems far less virtuous and honorable, calling his wife that he used to love deeply a whore

    50.  I would have him nine years a-killing.A fine woman! a fair woman! a sweet woman!

      This shows how truly adamant Othello is about murdering Cassio and sating his desire for "revenge" Also possible use of hyperbole, although perhaps maybe Othello would like to kill him for nine years. Why nine years? Any significance to that number?

    51. This is his second fit; he had one yesterday.Cassio. Rub him about the temples.Iago. No, forbear;

      It is shocking to see Othello affected by Iago's trickery in such a way. I wonder if his fits have anything to do with his age.

    52. Toconfess, and be hanged for his labour;—first, to be2455hanged, and then to confess.—I tremble at it.

      Othello voices his desire to kill Cassio for having a fake affair with his wife Desdemona

    53. Naked in bed, Iago, and not mean harm!It is hypocrisy against the devil:They that mean virtuously, and yet do so,The devil their virtue tempts, and they tempt heaven

      Allusion to Christianity as well as the development of the theme of religion. This also reinforces the idea that Othello is a fervent Christian due to making reference to Christian figures such as Satan

    54. Othello. The handkerchief!

      Othello seems to be getting very impassioned. I don't think we have seen him like this. Maybe I am wrong but always seems so relaxed, he never gets this mad

    55. My wife must move for Cassio to her mistress;I’ll set her on;Myself the while to draw the Moor apart,1540And bring him jump when he may Cassio findSoliciting his wife: ay, that’s the wayDull not device by coldness and delay.

      Iago reveals his brilliant plan here. This shows how truly cunning and opportunistic he is

    56. Iago. Touch me not so near:I had rather have this tongue cut from my mouth1370Than it should do offence to Michael Cassio;

      Irony: Iago says he would never speak badly about Michael Cassio, even though throughout the play he constantly speaks ill of him

    57.  Now, by heaven,My blood begins my safer guides to rule;And passion, having my best judgment collied,Assays to lead the way: if I once stir,1355Or do but lift this arm, the best of youShall sink in my rebuke. Give me to knowHow this foul rout began, who set it on;And he that is approved in this offence,

      Characterization: Othello up to this point has been calm and collected, but here he is beginning to lose his cool when he sees his men start to fight.

    58.  It is Othello’s pleasure, our noble and valiantgeneral, that, upon certain tidings now arrived,importing the mere perdition of the Turkish fleet,every man put himself into triumph; some to dance,some to make bonfires, each man to what sport and1120revels his addiction leads him: for, besides thesebeneficial news, it is the celebration of hisnuptial.

      Othello is throwing a celebratory party for both his victory over the Turks and his marriage. Yet the fact that this news is the only thing told during this act means that this party must be important. Perhaps many dramatic and tense events will unfold at this party.

    59. Most fortunately: he hath achieved a maid835That paragons description and wild fame;One that excels the quirks of blazoning pens,And in the essential vesture of creationDoes tire the ingener.

      Cassio says that Desdemona is incredibly beautiful. I wonder if this a potential foreshadowing, as Iago is planning to frame Cassio, as his good looks and silver tongue make him seem like a perfect adulterer

    60. The very head and front of my offending420Hath this extent, no more. Rude am I in my speech,And little bless’d with the soft phrase of peace:For since these arms of mine had seven years’ pith,Till now some nine moons wasted, they have usedTheir dearest action in the tented field,425And little of this great world can I speak,More than pertains to feats of broil and battle,And therefore little shall I grace my causeIn speaking for myself. Yet, by your gracious patience,

      Othello seems to be of honest character. He admits that while he is not the most graceful speaker, his only "crime" was marrying Desdemona.

    61. Mine’s not an idle cause: the duke himself,320Or any of my brothers of the state,Cannot but feel this wrong as ’twere their own;

      Characterization. Brabantio is extremely entitled. He believes that his daughter seeing Othello is as important as the emergency that is currently unfolding

    62. Without a prompter. Where will you that I go305To answer this your charge?

      Othello seems very cool headed. He is not responding with violence to the Brabantio's racist and offensive insults.

    63. Brabantio. Down with him, thief![They draw on both sides]

      What exactly is Othello stealing? Does Brabantio view his daughter as on object that can be stolen? Weird to refer to a person in such a manner.

    64. The senate hath sent about three several guests255To search you out.

      Othello is an extremely influential and important person, as the nobles sent three search parties to find him.

    65. But that I love the gentle Desdemona,I would not my unhoused free condition230Put into circumscription and confine

      He must truly love Desdemona, as he would not risk punishment if he didn't

    66. My services which I have done the signioryShall out-tongue his complaints. ‘Tis yet to know,—Which, when I know that boasting is an honour,I shall promulgate—I fetch my life and being225From men of royal siege, and my demerits

      Characterization. Othello is not overly pridedul, but he is smart enough to know that his military service and the fact that he is from nobility will protect him to some degree.

    67. Yet do I hold it very stuff o’ the conscienceTo do no contrived murder:

      Characterization. He thinks unnecessary murder is immoral. Yet this somehow seems insincere. Possible foreshadowing?

    68. And spoke such scurvy and provoking terms210Against your honourThat, with the little godliness I have,

      Characterization. This does not seem to be in line with how Iago was acting earlier. He must be lying to Othello to gain his trust

    69. Brabantio. But thou must needs be sureMy spirit and my place have in them powerTo make this bitter to thee.

      Characterization, Brabantio is a powerful man who shouldn't be messed with.

    70. Do, with like timorous accent and dire yellAs when, by night and negligence, the fireIs spied in populous cities.80

      This is weird. Is he saying to shout like a city is on fire?

    71. Rouse him: make after him, poison his delight,Proclaim him in the streets; incense her kinsmen,

      Why are they so persistent in messing with Brabantio? What will they gain?

    72. More than a spinster; unless the bookish theoric,Wherein the toged consuls can propose [25]As masterly as he: mere prattle, without practise,

      They are saying Michael's strategy is nothing but conjecture and theory, no real use.

    73. That thou, Iago, who hast had my purseAs if the strings were thine, shouldst know of this.

      These two are good friends, as these lines imply that Roderigo has given Iago money