26 Matching Annotations
  1. May 2016
    1. .

      Overall the chapter does a good job at introducing the story and where Zitkala-Sa is coming form. This chapter sets up important scenarios that will come in the future of the text. Zitkala's writing enticed me to read more about the author.

      The advanced capability to tell a story from her own point of view is amazing. Zitkala truly draws in the reader from this opening chapter.

  2. Apr 2016
    1.  It was very little I could swallow besides my sobs, that evening.

      Here Zitkala is reaching for the readers sympathy. The story just opens up so fast and suddenly to this little girl looking for ward to going to the land of red apples only to be rudely awakened. The character misses her mother and family and cries the first night. This is a saddening moment in the story and causes the reader to have sympathy for her. This is one of the firs times Zitkala attempts to make an emotional connection with the reader.

    2.  It was night when we reached the school grounds. The lights from the windows of the large buildings fell upon some of the icicled trees that stood beneath them. We were led toward an open door, where the brightness of the lights within flooded out over the heads of the excited palefaces who blocked the way. My body trembled more from fear than from the snow I trod upon.

      More describing of a setting from the child's eye. Zitkala's literary technique of using tone of a little girl further enhances how the reader can relate to the character. Great work here by Zitkala-Sa

    3.  I had arrived in the wonderful land of rosy skies, but I was not happy, as I had thought I should be

      The foreshadowing in the beginning of the chapter catches up with bad realization of Zitkala of how she is not happy in the land of rosy skies.

    4. From the table we were taken along an upward incline of wooden boxes, which I learned afterward to call a stairway.

      Amazing writing form Zitkala here, this is exactly how a child that has never seen stairs would classify stairs as. "An upward incline of wooden boxes" Zitkala's consistency of writing the text from the eyes of a child is superb and she continues to do it throughout the text.

    5. Entering the house, I stood close against the wall. The strong glaring light in the large whitewashed room dazzled my eyes. The noisy hurrying of hard shoes upon a bare wooden floor

      Here we see a good explanation of how a child experiencing something new for the first time would remember a certain memory. As children we do not usually remember specific things that were said instead we remember sounds, smells, and visual images. Zitkala does a good job at portraying what a child might describe something as simple as a bright white room for the first time.

    6. I was both frightened and insulted by such trifling. I stared into her eyes, wishing her to let me stand on my own feet, but she jumped me up and down with increasing enthusiasm. My mother had never made a plaything of her wee daughter.

      According to: Jessica Enoch “Resisting the Script of Indian Education: Zitkala Ša and the Carlisle Indian School”

      She exclaims how Zitkala's work scolded the white culture and explains how she hated assimilating to the Quaker tradition. When the women picked her up and jumped up and down with enthusiasm Zitakala thought that her mother would never do that to her.

      She claimed that the white women thought of her as a "play thing" and that her mother would have never done that. Here we see an example of how Zitkala is in disagreement with the white culture and how they handle their youth. This is one of the many instances where Zitkala disagrees with the Quaker lifestyle.

    7. I sat perfectly still, with my eyes downcast, daring only now and then to shoot long glances around me.

      Throughout this text I constantly find parallels in writing methods with Zitkala-Sa. I feel main reason for this is she is the voice of exile. By that I mean she was pushed away from her tribe at a young age. She didn't know why.

      According to: Zitkala-Sa| The native voice from exile the author claims that "But biographical information together with agency reports, contemporary opinion and philosophy, and contemporary criticism of her writing can establish a cultural, temporal, linguistic, and aesthetic context, while it also establishes a context of exile."

      Here we have evidence of the writing style implemented by the author.

    8.  In this way I had forgotten my uncomfortable surroundings

      Throughout the text I find interesting parallels with Zitkala-Sa's other memoirs she does.

      For example her use of vivid imagery in "Why Am I Pagan" "I pause to rest me upon a rock embedded on the side of a foothill facing the low river bottom." (Zitkala-Sa) She uses the same writing methods in The Land of Red Apples. Throughout the text the reader will find multiple parallels of her different works.

    9. Often I had stopped, on my way down the road, to hold my ear against the pole, and, hearing its low moaning, I used to wonder what the paleface had done to hurt it

      Obviously the author had some sort of connection with nature, Native Americans were taught to respect nature and be very reverent toward it. So seeing a telegraph pole for the first time might have frightened the girl. By that I mean, the girl thought the tree was "hurt" it seemed she believed that the trees could feel pain as if they were alive.

      I love this in line in text because it really shows the difference in cultures here. Native Americans are taught to love nature and respect it. While the the other culture of the industrial revolution uses many of natures resources.

    10.  I sank deep into the corner of my seat, for I resented being watched.

      Interesting to see how she does not not like being watched as if other strangers looking at her makes her uncomfortable. The author does a good job at making sure the reader knows how uncomfortable she is with the "white faces".

    11. We had anticipated much pleasure from a ride on the iron horse, but the throngs of staring palefaces disturbed and troubled us.

      Here we see how the characters were anticipating to get to the Red Apple Country. They refer to a train as the iron horse because they are unfamiliar with what a train is. It is interesting to see how the author implements this writing method, she is writing the entire story as a point of view from a child.

      Furthermore, the author refers to Caucasians as white faces, this shows how the main character is unfamiliar with their surroundings and uses terms like these. The author does a good job at describing simple events taken for granted as an adult.

    12. Under a sky of rosy apples we dreamt of roaming as freely and happily as we had chased the cloud shadows on the Dakota plains

      The author tries to make the the place they are heading so beautiful and amazing. This literary method makes the readers believe they are heading to a good place. It is some kind of foreshadowing of false hope of what is to come from this.

  3. Jan 2016
    1. superfluities

      noun, plural superfluities. 1. the state of being superfluous. 2. a superabundant or excessive amount. 3. something superfluous, as a luxury.

    2. ea

      In this paragraph we learn allot about the writing method of Benjamin Franklin. It seems he is trying to get the reader to realize they should review oneself before blaming the government taxes.

    3. God helps them that help themselves

      I like the use of religion here really adds to the intensity of the text. Also quoting the almanac further intensifies the magnitude as well.