Does the road wind up-hill all the way? Yes, to the very end.
This part makes me think that this poem is about going into the afterlife.
Does the road wind up-hill all the way? Yes, to the very end.
This part makes me think that this poem is about going into the afterlife.
How, how, Cordelia? Mend your speech a little, 0104 Lest you may mar your fortunes.
Why is he ready to strip Cordelia of her inheritance even though he planned this in the first place? Seems petty.
With a first line taken from the tv listings
I think this whole poem is a way of shortly summarizing each story to where it makes these stories sound very straight forward. Essentially the biggest main idea of each story.
Each year as heavy rainfalls flood the valleys, spill over gulches, slide the foundations of overpriced houses, invade sewage pipes and send brown water runoff to the ocean, the king tides roll in, higher in its warming, lingering longer and breaking through sandbags and barricades, eroding the resorts. This is not the end of civilization, but a return to one.
I think this suggests a theoretical cycle of civilization that rises, peaks, then falls back down, only to rise up again.
Soon it will be fifteen years
15 years must be a specific number of years to the author. What might've happened in those years?
We are little kids that just watched Indiana Jones and so we find some old bungee cords and the hooks of those bungee cords find themselves into our belt loops and we tie the other side’s around the tree and now we are
This can be compared to when kids now try "challenges" they find online, like eating tide pods. Except this is much less lethal than eating highly concentrated dish soap.
I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill.
Maybe it's explaining how the jar is a very noticeable thing to see in nature.
All our journeys nearing Space Skirt it with care, Shying at the distances Present in air.
This can be interpreted as a way of saying to be in the present moment, and take care of yourself for the sake of the moment and for the future. Your path shall further reveal itself if you are not reckless on it.
The seven days war that put the world to sleep,
With this being a poem about apocalypse, and a war being described as being seven days long, seven as a number has much importance to biblical mythology, 7 seals, 7 years of tribulation; maybe the author was alluding to this.
You don’t believe in God? And I said, No. I believe in this connection we all have to nature, to each other, to the universe.
Showing the connection of the idea of universal connection, but simply with different ways of looking at it.
it got too much hip, too much bone, too much conga, too much cuatro to two step, got too many piano keys in between her teeth it got too much clave too much hand clap, got too much salsa to sit still
This whole verse seems to describe the strong ties of Spanish dialect in her mother's English. She may be prideful of her Hispanic heritage so even when she speaks English, she still lets the energy of her accent come out.
Where thoughts serenely sweet express, How pure, how dear their dwelling-place.
Her expression is light and sweet, and her emotional dwelling is dear.
for never read Strangers like you that pictured countenance,
Is this a way of saying not to make assumptions of people?
Do not remember me as disaster nor as the keeper of secrets I am a fellow rider in the cattle cars watching you move slowly out of my bed saying we cannot waste time only ourselves.
Maybe this is a message of not remembering someone negatively.
Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year’s leaves are smoke in every lane; But last year’s bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go,—so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, “There is no memory of him here!” And so stand stricken, so remembering him.
Speaking as someone's whose experienced this feeling, don't solely rely on time, but make an actual effort to shape and reorganize your life to a point where you don't need your ex partner in life anymore. Just sitting around doing nothing and wallowing in your own filth and sorrow is only gonna bring more pain more consistently. Fight back against that wall and make the effort to push through it. Time can bring relief, just not on its own.
Wait. I have made them up—all of them— and when I say I am married, it means I married all of them, a whole neighborhood of past loves. Can you imagine the number of bouquets, how many slices of cake? Even now, my husbands plan a great meal for us—one chops up some parsley, one stirs a bubbling pot on the stove. One changes the baby, and one sleeps in a fat chair. One flips through the newspaper, another whistles while he shaves in the shower, and every single one of them wonders what time I am coming home.
This seems like a sarcastic why of answering what she might've thought to be a silly question.
But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.
This part describes the grim outcome of many men in war.
So much of any year is flammable, lists of vegetables, partial poems. Orange swirling flame of days, so little is a stone.
Anything can change at any point in time, and a new year isn't the only time when great change happens. Resolutions could be planned out but failed to follow through.
In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear
Everyone cries out in fear of something, and the thoughts of them are chains of that fear.
We huddled around a quivering soy sauce dish to see it move through the Ouija board.
A game of superstition that plays into the fear of ghosts and hauntings. This leads to many people fearing their house is haunted.
I always like summerbestyou can eat fresh cornfrom daddy's gardenand okraand greensand cabbageand lots ofbarbecueand buttermilkand homemade ice-creamat the church picnicand listen togospel musicoutsideat the churchhomecomingand go to the mountains withyour grandmotherand go barefootedand be warmall the timenot only when you go to bedand sleep
This seems like she's describing her life in Knoxville
Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up
Could this be summarized as a description of what is considered sacred or holy to have been misused, or abused with malicious intent?
Like Elijah. If this is it—if this is what Their cries are cocked toward—let the sky Pass from blue, to red, to molten gold, To black. Let the heaven we inherit approach.
This may be alluding to the story of the Rapture from the book of revelation
it will be summer and my god I’ll say hello to people who don’t live in my house,
perhaps the author isn't very social in other seasons.
Come—I’ll trace you one final autumn, and you can trace your last homecoming into the snow or the sun.
Does this have to do with a high school homecomnig?
No science. No design. Nothing taken Gently into his hand or your hand or mine, Nothing we erect is our own.
This talks of how God created everything according to the author, a more religious approach to possibly opposing Frank's creation
History, with its hard spine & dog-eared Corners, will be replaced with nuance,
I think this summarizes the poem as a statement that sci-fi could rewrite history and culture for the future.
Yesterday is torn in shreds. Lightning’s thousand sulfur eyes Rip apart the breathing beds. Hear bones crack and pulverize. Doom creeps in on rubber treads.
This might be referencing halloween as a holiday, hence the sort of grotesque and slightly suspenseful tone.
Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.”
This shows how no matter how great of an impact one makes in this word, eventually everything ends, decays, and disappears.
Next day she cooks she feeds her kids she dreams… Knowing Aladdin’s trapped
She goes about her normal day with the concern for Aladdin hanging over her head.
His whole instinct is to hunt, Mine to free the meaning pent.
"Mine to free the meaning pent." Is this alluding to interpretations made by humans as a means of explaining the world?
Once the world was perfect, and we were happy in that world. Then we took it for granted.
Humanity summarized.
And for twelve years more he continued to fight.
His motivation is great, regardless of his actions.
of what was already less a copy than a shadow–the original
Alteration to a text can be detrimental to the content and impact of a story.
It will be well for those who seek the favor, the comfort from our father in heaven, where a battlement bulwarks us all.
"bulwark" meaning an act of defense. So there's a religious undertone to it.
That passed over, this can too.
This saying and it's purpose can be put in line with ideals of stoicism, in which one doesn't fret over life's problems, but remains steadfast in the face of said problems.
Know that diamonds and roses are as uncomfortable when they tumble from one’s lips as toads and frogs: colder, too, and sharper, and they cut.
Material value isn't as great as one may initially think, and can even have harmful effects on one's being. Such as a relationship with someone who is very attractive, for although they are attractive in looks, the content of their character may not be as attractive, and can even be toxic.
untamed by narrative and unbound by books.
The words "Untamed" and "Unbound" used to describe stories as almost bestial, and uncontrollable they can be without being set in pages of a book, how malleable and subject to alteration they are. Sort of like a game of telephone, where one may tell a story, and whoever hears it may either misunderstand it, or purposefully changed for whatever reasons they may have.
I felt the hollow thud-thudding of his heart, the pain of resurrected hope. He reached towards the book and the book reached back towards him, because books need to be read quite as much as we need to read them, and it had been a very long time since this particular book had been out of the roll-top desk in the Special Collections room. Dark fingers touched green-dyed cloth, and it was like two sundered halves of some broken thing finally reuniting, like a lost key finally turning in its lock. Every book in the library rustled in unison, sighing at the sacred wholeness of reader and book.
These two paragraphs worked very well as it gave me the feeling of suspense, as it gives books a sort of personification of the book reaching towards him as he reaches for the book; an equal action towards each other.