38 Matching Annotations
  1. Jul 2020
    1. The Use of Medical Computed Tomography (CT) Imaging in the Study of Ceramic and Clay Archaeological Artifacts from the Ancient Near East

      with non destructive methods such as Computed Tomography (CT) imaging it is possible to investigating and read hidden cuneiform texts without breaking the envelope, also Imaging the interior of cuneiform letters. This method is a sophisticated imaging technique.

      http://www.nino-leiden.nl/message/seeing-through-clay-4000-#annotations:OGSbcLpWEeqFh7dLZ30UwA

      https://www.youtube.com/watch?v=5RmTpMoH-1o&feature=emb_logo

    1. The evolution of writing from tokens to pictography, syllabary and alphabet illustrates the development of information processing to deal with larger amounts of data in ever greater abstraction.

      This study can provide an important information about the characteristic of the writing system in cuneiform tablets

    1. Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium

      very good article about: what purpose colors were applied in the studied Sumerian cuneiform tablets and analysis the color on clay tablet by Raman.

  2. Jun 2020
    1. The cuneiform script, the writing system of ancient Mesopotamia, was witness to one of the world's oldest literate cultures. For over three millennia, it was the vehicle of communication from (at its greatest extent) Iran to the Mediterranean, Anatolia to Egypt. The Oxford Handbook of Cuneiform Culture examines the Ancient Middle East through the lens of cuneiform writing. The contributors, a mix of scholars from across the disciplines, explore, define, and to some extent look beyond the boundaries of the written word, using Mesopotamia's clay tablets and stone inscriptions not just as ‘texts’ but also as material artifacts that offer much additional information about their creators, readers, users, and owners.

      Abstract of the Oxford Handbook of Cuneiform Culture is shown this hand book is very useful and important regarding the study of the Cuneiform Culture

    1. The invention of writing in Mesopotamia marks a watershed in the quantity and nature of information available for the investigation of its ancient cultures. The sheer volume of documentation and the vast scope for research on it traditionally have led Assyriologists to ignore the physical objects on which inscriptions are found. But clay tablets and other text vehicles are artefacts in their own right, susceptible to a range of analyses and capable of yielding a wide range of information about scribal practices and the ancient environment. This paper focuses on claims and evidence for the re-use, and particularly recycling, of tablets.

      Thanks to Jonathan Taylor, It is a very good explanation of making the clay tablet

    1. Mespotamian Seals is offered to bring attention to the admittedly limited text annotation files of the CDLI as one of several avenues of research available in a sub-field more often pursued by archaeologists and art historians than by philologists (CDLI’s initial seals work is described here; cleansing of those file entries is being undertaken by Richard Firth). The CDLI catalogue currently [12/21/2019] contains entries documenting ca. 53,582 Mesopotamian entries related to seals and sealing: 39,622 represent clay tablets, tags or other sealings, most of whose seal impressions included owner legends, and currently just 7,854 are physical seals; 6,117 CDLI entries represent composites derived from seal impressions, and therefore the negatives of original cylinder seals now lost.

      Mesopotamian Seals

    2. Online resources for the study of Mesopotamian stamp and cylinder seals, often with incised legends naming the owner, his profession or educational standing, his patronymic and, looking up in the Mesopotamian hierarchy, his administrative affiliations, are difficult to come by, even though this unassuming administrative tool has played a very substantial role in the development of writing, and in the smooth functioning of an advanced ancient society.

      Mesopotamian Seals The image above depicts a typical cylinder seal of the Ur III period (ca. 2100-2000 BC). Its legend reads “Abbakalla, son of Ur-mes;” the inscription, however, was evidently cut into an imperfectly erased earlier legend, itself probably the more standardized formula “So-and-so, scribe (Sum. dub-sar), son of so-and-so.” The traces of ‛dumu ...’ are clearly visible in a third box below the end of our legend. Click on the image to be taken to CDLI’s entry for the stone artifact.