98 Matching Annotations
  1. Feb 2022
  2. May 2021
  3. Apr 2021
    1. This datum figure can take on many forms: a surface, space, grid, axis, horizon line, mass,

      The concrete walls that extend into the landscape beyond VAPA are a datum of the 40' wide bays of the building.

    2. Cedric Price’s 1960–61 Fun Palace is an example of a structural infrastructure— in this case a steel grid of occupiable columns (contain- ing stairs, plumbing, electrical) and beams—one that antici- pates programmatic elements that could be subsequently attached or suspended.

      The architect of VAPA, Robertson Ward, went to London to work with Cedric Price. His ideas about flexible space were in line with Cedric Price's.

    3. A network of highways operates as an interface between the speed and turning radii of the automobile and the city or topography through which it passes

      The automobile has been the principal subject of urban planning since the mid-twentieth century, and in recent decades there has been efforts by many towns to refocus on the pedestrian.

    1. QC Preflight Point2nd1111p102Job no : 76627 Title : Form + Struture Client : AVAScn : #175 Size : 160(w)230(h)mm Co : M11 C0 (All To Spot)(Coagl)_LCDept : DTP D/O : 12.07.07(Job no: 76627C1 D/O : 03.08.07 Co: CM3)76627_CTP_F+S_100-121SN.qxd 8/2/07 10:31 PM Page 102Intervened interiors

      Mass MoCA could be considered to be an example of this type of intervention.

  4. Mar 2021
    1. haptic

      relating to the sense of touch, in particular relating to the perception and manipulation of objects using the senses of touch and proprioception.

    2. While traditional architecture generally establishes spatial organizations axially upon our introduction to a space, modern architec-ture would often promote entry into the corners of spaces, so that our first glance would be diagonal.

      Compare Commons with VAPA and CAPA.

    3. If cast concrete is highly polished, it can virtually disappear as it reflects the environment surrounding it. Or its normally hard, inelastic surface can be softened through the imprint of the traces of its forming.

      The concrete walls of VAPA and Dickinson were sandblasted to expose the aggregate (small stones). This gives the concrete texture and color.

    4. Here, marble, a typically opaque material, has been thinly cut to just over 1-inch (2.5 cm) thick to produce a surprising translucency,

      The Beinecke Library at Yale uses the same strategy, with walls of translucent Vermont Marble.

    5. These surfaces might also breathe in that they may be required to control natural ventilation

      We have become keenly aware of the importance of ventilation in the past year.

    6. Trusses are composed of triangulated elements, usually of metal or wood, that can span great distances with less mass and greater efficiency than most beams.

      Greenwall

    7. Most structures have a hierarchy of beams, with primary beams being the principal contact with the vertical structure and secondary beams (or joists) spanning between these primary beams. In the case of especially large structures, there may even be tertiary beams.

      This kind of construction is called trabeation.

    8. The interplay between elements in tension and those in compression has been a fundamental aspect in the development of architectural forms.

      A wonderful example of tension and compression is the Brooklyn Bridge. The massive stone towers in compression supporting the twisted steel cables supporting the roadway in tension.

    9. Architectural poché, on the other hand, is the occupiable space that appears to be excavated within the mass.

      this is either poorly worded, or just wrong.

      poche the walls, columns, and other solids of a building or the like, as indicated on an architectural plan, usually in black.

    10. While programmed as just a stair, the Spanish Steps function as a vertical urban garden, a market, a place to rest, a viewing platform, and seating for spectators

      Alma - The multiple functions of simple architecture. How can I add more purpose to utilitarian things

    11. The designer who understands these codes during the programming stage will immedi-ately know the range of a project’s possibilities

      Alma - I’m curious about which codes protect the environment and what loopholes there must be

    12. In other words, one should not put too much faith in the dimensional data one gathers while programming, to aim for the tightest fit

      Alma - Taking into account time. How will time affect the structures you imagine

    13. Additional

      Alma - All spaces should be accommodating. I feel that too many times taking into account disabled people or people with special requirements is an afterthought.

    14. For example, spaces requiring plumbing are famously arranged close to each other, often back to back and vertically stacked, so that the expenses of construction and repair are minimized

      When you are eating out at a restaurant (remember when you did that?), if you needed to use the restroom, you usually had a pretty good idea where to find it.

    15. A loose fit is more likely to satisfy the vicissi-tudes that accompany the life of a building

      The lofts of Soho in NYC were constructed to accommodate light manufacturing in the 19th century. In the late 20th century they became studios and living spaces for artists. Now they are coveted as homes for the prosperous.

    16. Additional dimensions should be taken into account for the accommodation of those in wheelchairs, those with special physical requirements, and the innumerable nonaverage adults

      Since the passage of the ADA, there has been significant progress towards more Universal Design.

  5. doc-14-0k-apps-viewer.googleusercontent.com doc-14-0k-apps-viewer.googleusercontent.com
    1. What he callsthe “social megamachine”

      The Empire State Building, built at the height of the Depression, in the middle of Manhattan.

      William F. Lamb, chosen to lead the Empire State Building design team, worked at breakneck speed, completing preliminary drawings for the 102-story building in just two weeks. To help ensure the stability and usability of the massive structure, he offered an innovative design that placed critical components, such as plumbing, mail chutes, and elevators, at the building’s core.

      The Empire State’s water delivery system – which includes more than 70 miles of pipe – is especially noteworthy and remains virtually unchanged today. The landmark’s water tanks are housed in the core of the building instead of on the roof, like most tall buildings in the city.

      The team also broke new ground when it came to fire protection and building strength by encasing the building’s steel frame and components in concrete. Iron oxide and linseed oil paint coated the steel frame components when they were manufactured. Builders on site then covered the frame with asphalt to prevent erosion when coated with the concrete layer.

      The Empire State Building also pioneered a form of just-in-time material delivery. The site was very compact and did not allow for storage of construction materials – which included over 10 million bricks. Therefore, everything that was delivered had to be used that day. To expedite construction, engineers created a railway system to move materials efficiently and rapidly around the site.

      The speed of the building’s construction is enviable even by today’s modern engineering and building standards. The Empire State Building was completed in 410 days – three months ahead of schedule – and at a pace of 4.5 stories a week.

  6. doc-00-4k-apps-viewer.googleusercontent.com doc-00-4k-apps-viewer.googleusercontent.com
    1. The production oftypes in passive architecture comes about through a random,multidimensional, combinatorial, radically novel process,one in many ways similar to that involving the creation ofspecies in the field of genetic engineering, and threatened byan identical range of risks

      !

    2. venustasthan to theutilitas

      venustās f (genitive venustātis); third declension

      loveliness, comeliness, charm, grace, beauty, elegance, attractiveness

      ūtilitās f (genitive ūtilitātis); third declension

      usefulness, utility

  7. doc-0k-0k-apps-viewer.googleusercontent.com doc-0k-0k-apps-viewer.googleusercontent.com
    1. The energy that flows to maintain conformationthe heteronomy of the built domain

      Welcome to the second half of the third chapter.

      heteronomy

      1. the state or condition of being ruled, governed, or under the sway of another, as in a military occupation.
      2. the state or condition of being under the influence or domination, in a moral, spiritual, or similar sense, of another person, entity, force, etc. Cf. autonomy. — heteronomous, adj.
  8. doc-0o-0k-apps-viewer.googleusercontent.com doc-0o-0k-apps-viewer.googleusercontent.com
    1. genotype andphenotype

      A genotype refers to the genetic characteristics of an organism. A phenotype refers to the physical characteristics. For example, having blue eyes (an autosomal recessive trait) is a phenotype; lacking the gene for brown eyes is a genotype.

    1. genotype andphenotype

      A genotype refers to the genetic characteristics of an organism. A phenotype refers to the physical characteristics. For example, having blue eyes (an autosomal recessive trait) is a phenotype; lacking the gene for brown eyes is a genotype.

    Annotators

  9. doc-08-2c-apps-viewer.googleusercontent.com doc-08-2c-apps-viewer.googleusercontent.com
    1. charcoal to study the primary architecture concept of a tower that celebrates the reflective properties of glass

      It's remarkable that the bold drawing of a glass tower (before one was ever built) was represented by charcoal!

    2. Architects do not build buildings, they make the drawings and models from which buildings are made.

      My own suspicion of the enormous generative part played by architectural draw ing stems from a brief period of teaching in an art college.* Bringing with me the conviction that architecture and the visual arts were closely allied, I was soon struck by what seemed at the time the peculiar disadvantage under which architects labour, never working directly with the object of their thought, always working at it through some intervening medium, almost always the drawing, while painters and sculptors, who might spend some time on preliminary sketches and maquettes, all ended up working on the thing itself which, naturally, absorbed most of their attention and effort. I still cannot understand, in retrospect, why the implications of this simple observation had never been brought home to me before.

      Architectural Historian Robin Evans, "Translations fro Drawing to Building," 1986, referencing his time teaching at Bennington.

    3. While a concept is largely rooted in abstraction, the parti is rooted in practical application, a knowledge of precedents, a strategy of programmatic distribution, and the sense of an eventual necessity to explain a project to others

      The formulation of parti is a central concept in architectural projects.

    4. The stair leading up to the plinth aligns with the glacier beyond: here the projected line is an instru-ment that orients and locates the visitor in the space of the landscape

      ...and here is the evidence Josie.

    5. Steven Holl’s original water- colors for Simmons Hall,

      The scale of this building is misleading. It looks much bigger than it is in reality, due to the fact that each floo level is three square windows tall.

  10. Feb 2021
  11. doc-08-2c-apps-viewer.googleusercontent.com doc-08-2c-apps-viewer.googleusercontent.com
    1. Luigi Moretti and the Evocative Precedents of Architecture

      The authors put in these side-pieces throughout the book. They are recognized by the parallel lines in the background. You can read the chapter first, then go back or just read straight through.

    2. a model of the spaces within Michelangelo’s San Giovanni dei Fiorentini in Rome;

      This was a speculative design by Michelangelo for a centrally organized church - a popular pursuit during the Renaissance. Da Vinci also made several designs. The model in image 1 is an attempt to show the spaces of the church as physical solids - an inversion of the solid/void of the plan.

    3. Tireless debate has always focused on the qualities that could cause a building to be described as “architecture.”

      The definition of architecture is something we will discuss over the course of the term. What definition resonates with you?

  12. doc-00-0k-apps-viewer.googleusercontent.com doc-00-0k-apps-viewer.googleusercontent.com
    1. ‘focus’

      Etymology.. focus (n.) 1640s, "point of convergence," from Latin focus "hearth, fireplace" (also, figuratively, "home, family"), which is of unknown origin. Used in post-classical times for "fire" itself; taken by Kepler (1604) in a mathematical sense for "point of convergence," perhaps on analogy of the burning point of a lens (the purely optical sense of the word may have existed before Kepler, but it is not recorded). Introduced into English 1650s by Hobbes. Sense transfer to "center of activity or energy" is first recorded 1796.

  13. Jan 2021
  14. doc-00-0k-apps-viewer.googleusercontent.com doc-00-0k-apps-viewer.googleusercontent.com
    1. From the eye to the skin: such is the architectural itineraryproposed here. We tend to think of buildings as forms frozenin the retina or on photographic paper; but architecture ap-peals as much to touch as to sight. The incursion of energyinto that still, crystalline picture defrosts architecture, blur-ring its hermetic profile and giving it a place in the world ofprocesses and life.

      Who said that architecture is frozen music?

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