By means whereof the honest widows may without danger play at the close buttock game with might and main, and as hard as they can, for the space of the first two months after the decease of their husbands. I pray you, my good lusty springal lads, if you find any of these females, that are worth the pains of untying the codpiece-point, get up, ride upon them, and bring them to me; for, if they happen within the third month to conceive, the child should be heir to the deceased, if, before he died, he had no other children, and the mother shall pass for an honest woman.
his use of humor in Rabelais’ depiction of widows engaging in sexual activity to potentially conceive a legitimate heir plays with social conventions and challenges moral boundaries. This reflects the Bhagavad Gita's teaching: "You have the right to work, but never to the fruit of work." Here, the act of sexual engagement is framed as a mere process, detached from the moral implications typically associated with it. Just as the Gita advocates detachment from the outcomes of one’s actions, Rabelais uses humor to detach these actions from societal judgment, treating them as absurdly natural and disconnected from the usual expectations of legitimacy and virtue.
"You have the right to work, but never to the fruit of work. Let not the fruit of action be your motive, nor let your attachment be to inaction." — Bhagavad Gita 2.47