11 Matching Annotations
  1. Mar 2025
    1. Cold north winds are blowing, Heavy falls the snow. Friend, thy hand, if thou art friendly! Forth together let us go. Long, too long, we loiter here: Times are too severe. How the north wind whistles, Driving snow and sleet! Friend, thy hand, if thou art friendly! Let us, thou and I, retreat. Long, too long, we loiter here: Times are too severe. Nothing red, but foxes! Nothing black, but crows! Friend, thy hand, if thou art friendly! Come with me my waggon goes. Long, too long, we loiter here: Times are too severe.

      This reminds me of home (Chicago). A city of wicked wind and severe cold weather in the winter. It is a rough city to be from, and it creates very tough people but people who are very loving at the same time. We have foxes, and the intense wind. The distinction of human behavior and phenotypic evolution signify that it is northern, a clear distinction between the southern half of the United States and northern half of the United States.

    2. Long, long the stormwind blew, and wild. He turned to look at me: he smiled; But mockery was there, and scorn. Ah, how my very heart was torn!

      I loved this as well, The connection between reading people's eyes, I am glad he mentioned "eyes" later in the stanza. However, it is alluded in the section I have annotated, The eyes are almost a dead giveaway of most communication, it transcends any language barriers or any communication barrier (whether it be gazing into the eye of a fellow human, or the eye of a tiger) Something I learned with depth in my college experience is that what is not told by words or action, IS TOLD by the eyes.

      A good book on this is "The Power of Eye Contact" by Michael Ellsberg

    3. The cedar boat is drifting, On currents never still. Sleepless I lie, vexed inly, As with some unknown ill. 'Tis not that wine is wanting, Or leave to roam at will. My heart is no mere mirror That cannot comprehend. Brothers I have, but may not On brothers e'en depend. Tush! when I go complaining 'Tis only to offend. No stone this heart of mine is, That may be turned and rolled; No mat this heart of mine is, To fold or to unfold. Steadfast and strict my life is; Nought 'gainst it can be told. Yet here I sit in sorrow, Scorned by a rabble crew. My troubles have been many, My insults not a few. Calmly I think then, starting, I beat my breast anew. O moon, why now the brighter? O sun, why now dost wane? My heart wears grief as garments Inured to soil and stain. Calmly I think then, starting, Would fly but all in vain.

      I loved the start of this poem, this brings me back to a time in my own life, where I was drinking. Much like what I would write about in my own journal. The stanza's "tis not that wine is wanting," "yet here I sit in sorrow" "my troubles have been many" these are brilliant!

    4. Note. Although this is one of the shortest and apparently most trivial of the Odes in the Book of Poetry, it is credited by the Chinese editors with as much meaning as the largest. It is regarded, like so many more, as illustrating the extent of the reformation brought about by King Wăn. Not only was the kingdom better ruled, society better regulated, and individuals more self-disciplined and improved in manners, but the reformation affected all things: vegetation flourished, game became most abundant, hunting was attended to at the right seasons, and the benign influence of the King was everywhere felt by the people. The poet thinks it is sufficient to dwell upon these last characteristics. Probably the lines were written after some royal hunt.

      A better explanation, the poem makes it seem the society seem on the brink of collapse. It read like that of poetry of 1500 Western and Southern Europe: a struggling and emotionally charged group of kingdoms. Much like that of (The story of) Julius Caesar or Romeo and Juliet

    5. In the wild there lies a dead gazelle, With the reed-grass round it wrapt; And a maid who loveth springtide well By a winsome youth is trapped. In the wood thick undergrowth is found, In the wild the dead gazelle,

      I like this set of stanzas, especially "In the wild there lies a dead gazelle," and "by a winsome youth is trapped." A very natural appeal to a domestic plot. The feeling of man can be domestic when checked but undomestic and wild when it isn't.

      Aside from this poem, the line has a natural depth.

    6. Starlets dim are yonder peeping, In the East are five, and three. Softly, where our lord is (sleeping), Soon or late by night go we. Some have high, some low degree. Starlets dim are yonder peeping, Pleiades, Orion's band. Softly nightly go we creeping, Quilt and coverlet in hand. Some take high, some lower stand.

      I don't understand the concubine aspect of this verse.

    7. True-hearted husband, fain, oh fain Were I to have thee home again. Hearken! now the thunder Is down upon the plain. Hence why must he wander, Nor dare awhile remain? True-hearted husband, fain, oh fain Were I to find thee home again.

      The understanding of this couple of stanza's is broad. In one hand it could be an unfaithful husband, while in another a husband after departure or death. I am to choose a relationship whose stress is Brough upon by departure and to say that "I never thought of effect distance can leave on an uncertain heart." Either they are young lovers, they have been separated for sometime, they have been separated for not long and the author is very attached (possibly in an obsessive way), or I am ignorant to circumstances that are at play that I just haven't experienced or cannot yet define.

    8. She goes to gather water-wort, Beside the streams south of the hills; She goes to gather water-grass Along the swollen roadside rills; Goes now to store her gathered herbs In basket round, in basket square; Goes now to seethe and simmer them In tripod and in cauldron there; Pours out libations of them all Beneath the light within the Hall. And who is she so occupied? Who, but (our lord's) young pious bride?

      It is almost as if her husband has passed.

    9. O to see him once again! O to meet him once again! Stilled were then the swelling sigh. Climbed I yonder up South Hill, Plucked sweet brackens as I went. But my lord I saw not still; Loud was yet my heart's lament. O to see him once again! O to meet him once again! So my heart were well content. Climbed I yonder up South Hill, Now to pluck the royal fern. Yet my lord I saw not still; Still my heart must pine and yearn. O to see him once again! O to meet him once again! So my heart's-ease might return.

      I like this, for my own personal reason. I can relate to the feeling of wanting to see someone again, with a strong desire. Life seems hard until you see them again, once you see them, nothing can bring you pain. It's like the philosophical expression "Love is a drug," which I agree and feel it is the strongest drug, once we find acceptance from a person or group we are like addicts and soldiers at the very same time.

      A similar experience to reading this might be listening to a song by Fantasia.

    10. And countless cars escort her.

      All I can really gather from here is a societal stereotype to help a woman who has fallen on hard times. It has good reason though but it is unfortunate the male citizens of society.