48 Matching Annotations
  1. Jan 2025
    1. What is above all needed is to let the meaning choose the word, and not the other way about. In prose, the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualising, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one’s meanings as clear as one can through pictures and sensations.

      Other than the notes I made eariler, this is probably my main take away.

    2. like a cuttlefish spurting out ink

      I like how the authoer points out how similies, metaphors, and idioms being misused are one of the biggest problems with modern writing and then proceeds to show how it's done.

    3. Professor Hogben (2) plays ducks and drakes with a battery which is able to write prescriptions, and, while disapproving of the everyday phrase put up with, is unwilling to look egregious up in the dictionary and see what it means

      This sounds like a thinly veiled insult and I'm loving it.

    4. The Fascist octopus has sung its swan song, the jackboot is thrown into the melting pot

      This type of speech feels familiar. Not really sure where, but I think I've seen examples of this before.

    5. Professor Laski (1) uses five negatives in 53 words. One of these is superfluous, making nonsense of the whole passage, and in addition there is the slip alien for akin, making further nonsense, and several avoidable pieces of clumsiness which increase the general vagueness.

      I knew I read a double negative and didn't understand it.

    6. If you use ready-made phrases, you not only don’t have to hunt about for the words; you also don’t have to bother with the rhythms of your sentences, since these phrases are generally so arranged as to be more or less euphonious.

      I feel like I do this too, and it's a bad habit. I figure that's why my personal writing style in an academic setting has been pretty dry even to me.

    7. The first contains 49 words but only 60 syllables, and all its words are those of everyday life. The second contains 38 words of 90 syllables: 18 of its words are from Latin roots, and one from Greek. The first sentence contains six vivid images, and only one phrase (‘time and chance’) that could be called vague. The second contains not a single fresh, arresting phrase, and in spite of its 90 syllables it gives only a shortened version of the meaning contained in the first. Yet without a doubt it is the second kind of sentence that is gaining ground in modern English. I do not want to exaggerate. This kind of writing is not yet universal, and outcrops of simplicity will occur here and there in the worst-written page.

      I like this break down more as it more clearly, points out how the original phrase is better. The new phrase is too busy sounding sophisticated that it is difficult to find the original meaning. The old phrase, while still sophisicated, was only that way because it was artistic and its descriptions were used well. It's because they were used well that, even while difficult for me to understand at first, I could easily find the meaning.

    8. I returned and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all. Here it is in modern English: Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must invariably be taken into account.

      I found this as a really good example of why the new english just sucks. In the older text I could figure out what the words were saying aided due to vivid descriptions of a visual I could see in my mind. The second says the same thing, but it just sounds confusing as if all these descriptions are describing nothing.

    9. The words democracy, socialism, freedom, patriotic, realistic, justice, have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides.

      I find this really true. I've been subjected to political speech, unwillingly, and democracy is one of the big words that gets thrown around a lot divorced from its true definition.

    10. The outstanding feature of Mr. X’s work is its living quality’, while another writes, ‘The immediately striking thing about Mr. X’s work is its peculiar deadness’,

      I just wanted to point out how niether example do their job. They don't really mean anything when you think about. Their's an implied meaning, but the quality being crticized (that I'm actually realizing) is that it is subjective.

    11. Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning[2]. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality, as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly even expected to do so by the reader.

      This goes with my observation from earlier. He has a problem with the misuse of language, because it often is used in ways that are completley shallow.

    12. It is often easier to make up words of this kind (deregionalize, impermissible, extramarital, non-fragmentatory and so forth) than to think up the English words that will cover one’s meaning. The result, in general, is an increase in slovenliness and vagueness.

      There isn't anything completley wrong with using words like fragmentory I think it just has to do with the mindset of the one writing it. Orwell seems to have a problem with people writing who don't actually do so mindfully. To me this is still about the overuse of these words but it's because they tend to come from people who don't absorb their own ideas.

    13. status quo

      I was reading these out loud to myself and I was thrown off by status quo because it's pretty much turned into a normal phrase. Which is funny considering the point being made here about trying to sound elegant by using latin and other languages.

    14. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate, are used to dress up simple statements and give an air of scientific impartiality

      I use these sometimes, but I try not to do it often because I too find it really grading to read.

    15. with respect to, having regard to, the fact that, by dint of, in view of, in the interests of, on the hypothesis that; and the ends of sentences are saved from anticlimax by such resounding commonplaces as greatly to be desired, cannot be left out of account, a development to be expected in the near future, deserving of serious consideration, brought to a satisfactory conclusion,

      I am really bad at not using this kind of passive voice speech. This is mostly because it sound correct in my head rather than the simpler phrase. Although I am no learning when you use it, it just sounds like you're fumbling over your own words.

    16. Another example is the hammer and the anvil, now always used with the implication that the anvil gets the worst of it. In real life it is always the anvil that breaks the hammer, never the other way about: a writer who stopped to think what he was saying would avoid perverting the original phrase.

      I like this example. I've never heard the phrase before, but it makes sense how easy it is to misuse our words like this especially with the passage of time. I've done things like this multiple times so it's crazy people who are expected to write proffesionally don't take the time and care to get the facts right.

    17. For example, toe the line is sometimes written as tow the line.

      I still don't know what it means

      It essentially means to conform, suprised I don't hear that one often.

    18. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed

      I like the point that is being made here. It's common for people to strive for "the beauty of language" but forget that they're supposed to be also making a point. Even if your language sounds doesn't sound sophisticated it's still common for people to raise some good points but not rehave a thesis, or have it culminate in anyway.

    19. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not.

      I was seriously thinking the same thing. There were some snippets that invoked some sort of imagery, but they never felt engaging. The other point I totally agree. It's just a bunch of fluff that doesn't really mean anything.

    20. If a new spirit is to be infused into this old country, there is one thorny and contentious reform which must be tackled, and that is the humanization and galvanization of the B.B.C. Timidity here will bespeak canker and atrophy of the soul.

      This is the only part that made sense the rest had fragments of an idea, but for the most part it's no saying a whole lot. Especially how it culminates at the end.

    21. . All the ‘best people’ from the gentlemen’s clubs, and all the frantic Fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis.

      A common issue I'm noticing with these bad examples are that they just say a lot without actually getting to the point.

    22. On the one side we have the free personality: by definition it is not neurotic, for it has neither conflict nor dream. Its desires, such as they are, are transparent, for they are just what institutional approval keeps in the forefront of consciousness; another institutional pattern would alter their number and intensity; there is little in them that is natural, irreducible, or culturally dangerous. But on the other side, the social bond itself is nothing but the mutual reflection of these self-secure integrities. Recall the definition of love. Is not this the very picture of a small academic? Where is there a place in this hall of mirrors for either personality or fraternity?

      I'm trying to predict what Orwell is going to analyze and I honestly can't tell if it has something to do with the word fluff or how pointless of a paragraph this is.

    23. Above all, we cannot play ducks and drakes with a native battery of idioms which prescribes egregious collocations of vocables as the Basic put up with for tolerate, or put at a loss for bewilder.

      I like using big words but this is just excessive and really hard to figure out even with context clues.

    24. I am not, indeed, sure whether it is not true to say that the Milton who once seemed not unlike a seventeenth-century Shelley had not become, out of an experience ever more bitter in each year, more alien (sic) to the founder of that Jesuit sect which nothing could induce him to tolerate.

      A great woman once said:

      "Your paragraph is gramatically correct, but it's wordy and hard to read."

    25. Now, it is clear that the decline of a language must ultimately have political and economic causes: it is not due simply to the bad influence of this or that individual writer. But an effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely. A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts. The point is that the process is reversible. Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration: so that the fight against bad English is not frivolous and is not the exclusive concern of professional writers. I will come back to this presently, and I hope that by that time the meaning of what I have said here will have become clearer. Meanwhile, here are five specimens of the English language as it is now habitually written.

      I've noticed some people struggling to read any of this (I can't either). However, from my understanding the point is this:

      We don't really use English in a proper way because our own minds have also been "corrupted". This bad thoughts feed into the degredation of our language which feeds back into more bad thoughts.

      The way I summarized this is making me think Orwell might be right. -_-

    26. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. Underneath this lies the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes.

      The hansom cab thing through me off, but ihe's basically following on the previous statement. Language as it is used is falling apart, but the common sentiment is that it's a good thing when it is the contrary.

    27. Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it.

      I get it but I also do not. If I'm reading this correctly English is being used in a bad way, but we're powerless to stop it??? More information required

    1. Faculty members who believed that AI posed a threat argued that its usage would undermine academic integrity, students’ critical thinking and writing skills, and creativity. Administrators who felt positively about AI focused on the need to prepare students for an AI-infused workplace, and said that it could spur new ways of thinking about problems and enhance learning through tools such as AI tutors.

      I think both ideas are correct. Yeah we are undermining are ability to engage in critical thinking and we are also hurting our creative integrity. However, there's a strong possibility that AI is the future, and it would be to our benefit to work with it.

    2. “Nobody likes talking about short-term operational thinking. It’s just not an exciting thing to do,” he says. “People would rather talk about the big picture and how the world is going to change than the nuts and bolts of how to operate every day.”

      I didn't really think about this. There's been big talk about AI being the future but not really how we're going to get to that point or how it may effect us on the deepest level.

    3. Even AI-savvy professors, he has noticed, share this feeling of being untethered from truth when they read students’ writing. “These intense feelings come and go. You feel like you’ve got it all figured out and got a plan. Then you read something and it throws you off again.”

      I have seriously never read anything AI made, but I imagine this is what it's like. There are scraps of something good, maybe even handmade, but there's also just a lot of fluff that sounds like nothing.

    4. So this fall, he plans to scrap many of his writing assignments, including the experiential-learning one that was once so meaningful to many of his students. “Because of those people at the bottom of the scale making it impossible for me to do my work,” he says of AI users, “all those people at the upper end of the scale will never have that good experience.” Some of those better students might even have chosen to become religious-studies majors. ADVERTISEMENT Instead, he will assign less writing and less deep reading, because students’ work in that area is now difficult to assess. He will rely more on lectures and in-class, handwritten exams.

      The biggest problem with AI is that because everyone is scrambling to find a way to work with/around it, we're hurting everybody's ability to learn.

    5. “I do feel a little worried about the future of our students and their training and skills moving forward. But I can’t individually do anything to shut that down or change it. It’s more providing a good example for them. It’s about being a moral compass and showing them that good direction,” he says. “If they choose to abuse it, I kind of believe in karma. ... The world will catch up to them and check them in ways that will damage their career trajectories.”

      If you think about generative as a cheat at creative thinking then I think this a overall passive takeaway. Cheating, while effective, will get you no where in the long run. You're only really hurting yourself if you give up all of your creative integrity.

    6. he could supplement his high-level comments with ChatGPT’s specific recommendations. Nearly all of his students, he says, found it helpful and accurate. “I still feel a little guilty about using AI,” he says. “But it worked.”

      Is that a failure on the student's part or the teacher's because it sounds like the proffesor's inability to teach effectivley.

    7. Still, he is careful, he says, to design questions that he thinks AI would do a mediocre job answering, at best. He asked them to describe, for example, what important concept for understanding how government and politics works is widely misunderstood by the American public. They also had to cite research, explain how democracy would work better if people understood the concept, and consider what they might have gotten wrong about the argument.

      I like writing and I would find this really annoying. I don't see any value in using AI and haven't. So, when you ask your average student to complete an assignment in a convoluted way to discourage AI it just becomes even more confusing.

    8. “But over all, it struck me that most students massively failed to fully take advantage of AI to improve their papers.”

      Then why not teach them to take full advantage of the AI? I just find it backwards to make a statment like that when there doesn't really seem to be any evidence of him telling his students how to do it. Especially considering his view.

    9. use generative AI (he prefers one called Claude) to improve the writing in their papers. He sees that as akin to asking a classmate to read over a final draft.

      I find this interesting because I'm curious can peerfeedback so easily replace AI.

    10. ‘Well, now that we have all these tools that cut out some of these menial tasks that students have been accustomed to doing, students have to do more. They have to be required to do more of this higher-order, critical-thinking work that they can’t possibly do with AI.’”

      I find this pretty stupid. Those menial tasks is how I get to the harder thinking and think more critically about something. If we're skipping that process and going straight to the harder work then it becomes even more difficult. This is also assuming that whatever the AI put out also makes sense.

    11. Her response: It’s her job to ensure students develop basic writing skills, and the noticeable uptick in AI use is impeding those efforts.

      I think the sentiment "Why am I even here for?" explains this feeling best. If we're just going to ignore AI then what's the point of the teacher if they can't even teach students who refuse to learn.

    12. ‘This is amazing. I no longer have to read ever again for anything I have to do because it turns any sort of digital document into a CliffsNotes on demand.’ I didn’t even think about that before I deployed it.”

      I think one of the reasons people also don't want to read anymore also has to do with our broken attention spans. Big block texts are harder for us to focus on, so more people will probably take the easier way out if we let that weak attention span control our habits.

    13. He liked the idea that the tool could help students with hidden disabilities or those who struggle with English as a second language. “I thought at the time this would be great,” he recalls.

      I like AI for specific things. It helps make things easier, like reading, for those who struggle with it or are physically impaired from doing so. I just wish there was a way that we could relegate it for those purposes

    14. OpenAI’s ChatGPT Edu, which aims to expand generative AI’s use on college campuses.

      I was curious, so I opened the link to what "ChatGPT Edu" was. It is, in their own words, "a version of ChatGPT built for universities to responsibly deploy AI to students, faculty, researchers, and campus operations." They go on to describe it's many uses including for reaserching, reviewing work, tutoring, and communication skills.

    15. AI tools can now listen to and summarize a lecture, as well as read and summarize long academic articles.

      I think some people forget that writing isn't the only thing that can be done by AI. It's possible for even studying to be quick and easy too, futher taking control out of our hands.

    16. encourages them to experiment with the tools in their teaching but without providing tested examples of how to do so.

      I like this because of how annoying it is. "...Experiment with the tools in their teaching..." Is the kind academic talk I now expect from K-12 adminstrators. They're always so optimistic and always promote adaptability over everything.

    17. Some, like Wilson, are despairing over its interference with authentic learning, and deeply worried they will have to scuttle the meaningful assignments and assessments they’ve developed over the years because they have become too easily cheatable. Others agree that AI abuse is a problem but focus instead on how AI could enhance learning

      I like the idea of the second camp. Generative AI really isn't going anywhere, so it seems obvious and optimisitc that we will have to work with it. However, I still agree with the first camp, that AI is very problematic and takes away creativity and critical thinking out of the hands of the user.

    18. “I’ve been teaching at this university for 17 years and suddenly this comes along to devalue everything I’ve done to become a caring, competent instructor, and the students are creating make-work for me,”

      I like this as it highlights the moral issue with AI. It pretty much undermines the value in work, and learning to take the easy shortcut. It hurts your authority's integrity and damages the engagment of the audience.

    19. A few didn’t know they had used generative AI because it’s embedded in so many other tools, like Grammarly.

      It's so common for me to think that most auto correct software uses AI that I find it suprising that people don't know. I remember most advertizing grammarly performs nowadays says they are powered by AI. I also just think it's interesting that a mistake like this is so easy to make especially now.