27 Matching Annotations
  1. Jan 2017
    1. He was accused over and over and over again of wanting to build a bomb, or wanting people to think he’d built a bomb.

      OK I don't know this school but I don't really think that's right. It could have looked like a bomb, but I don't think teachers should have called the police just because of a clock.

    1. of the joy that kills. 

      I like how Chopin chooses to end this. I'm inferring here that the doctors assumed Mrs Mallard was overjoyed to see her husband, when really she was probably far from it. It seems to be a theme in Chopin's works that society never really understands what's going on in the protagonist's mind, and that everyone around her projects traditional values onto her. Society views all marriages as tender and loving, and the doctors would never assume any bad blood in the marriage. Come to think of it, neither would the husband.

    2. Richards' quick motion to screen him from the view of his wife.

      I'm a little confused as why Richards would try to keep Mrs Mallard from seeing her husband. Was he trying to protect her from the shock of seeing her presumed to be dead husband living and breathing? There a lot of things that I would have to reread this story to understand. Also, I must reference Rogue One when Krennick sees Galen's wife Lyra and he's like "Look who's back from the dead! It's a miracle!"

    3. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.

      It's a calm but somewhat hopeful spring day. These particular weather conditions add a lot of meaning to the story. The air outside is lonely but teeming with springtime rebirth and optimism. Our heroine faces a pleasant loneliness and a feeling of rebirth at the news of her husband's death.

    4. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

      I love this sentence so much. Kate Chopin says a lot of these little things here and there that are so insightful about the way our minds and our feelings work. As she looks out in to the sky, she is overwhelmed by her emotions to the point where her mind is blank, as opposed to consciously thinking or reflecting about something. It's also interesting to me that Chopin always chooses to compare her characters to "normal" people, and pointing the differences in their thought processes or actions.

  2. Oct 2016
    1. `Consider your verdict,' the King said to the jury.

      The King and Queen know absolutely nothing about conducting courtroom trials, and yet they do it anyway. It's interesting how Alice has to be taught Wonderland rules and the characters in Wonderland need to be taught the rules of the real world. It's also interesting how the Wonderland characters have to be taught just as much patience as Alice, as the King wants to skip right ahead to the end of the trial.

    1. `IF I don't take this child away with me,' thought Alice, `they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?'

      Alice has to learn to take care of the baby, which is interesting because it's the first time she's actually shown love or affection in the book besides her cat Dinah. It wasn't her choice to nurse this oddball offspring, but you can tell she is developing a sense of inner morality when she worries what would have happened if she left the baby behind. She does care about what happens to others, and she doesn't always know how to help them, but she will try.

    2. `There might be some sense in your knocking,

      The Frog Footman's character is almost like a caricature of Alice...logical, analytical, without too much consideration of other's feelings. Alice becomes irritated with him because he is unable to help her get anywhere. However, Alice is unable to talk to him because he is so completely aloof to the point of stupid. Sometimes, when we interact with other people, we have to make an effort to interact with them and to respond to them, otherwise we might come off as stupid.

    1. This time Alice waited patiently

      Alice is learning the virtue of patience in this chapter. Normally she would get irritated easily, but as she deals with the Caterpillar she becomes more mature in the ability to deal with irritating situations and difficult people.

    2. `Well, I should like to be a LITTLE larger, sir, if you wouldn't mind,' said Alice: `three inches is such a

      This is another example of Alice's pride, as she complains about her situation with no consideration for the Caterpillar. She wants to go back to the normalcy of her original size, but she is insulting the Caterpillar by calling his size "wretched". In a way, this shows Alice is beginning to find her identity as she knows what size she is supposed to be and what size she isn't.

    1. When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one!

      This statement that Alice makes reflects somewhat of a shift in her mindset, because in the first chapter she seems used to out-of-the-ordinary things happening to the point where she expects them to happen. Now she is able to discern "reality" from "fairy-tales". The question is, does she want to stay in this fantasy world and be ordered around by strange creatures while continually changing size, or does she want to return to the real world of school, lessons, and responsibilities?

    2. The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She' ll get me executed, as sure as ferrets are ferrets!

      This comment about the Duchess is somewhat out of place. Despite the Duchess's "speaking of axes, chop off her head!" in chapter 6, it's out of the Duchess's character and power to order executions. However, The Queen of Hearts's character is obsessed with excecutions, and orders them constantly. It's a mystery as to why the rabbit would choose to refer to the Duchess instead of the Queen.

    1. `and why it is you hate--C and D,' she added in a whisper, half afraid that it would be offended again.

      Alice has the interesting habit of being overly considerate of people's feelings without knowing the reason. She knows that the mouse will be offended by the words "cats and dogs", but she doesn't make the connection that cats and dogs eat mice and rats. She's trained by society to be polite, but she doesn't always have a grip on the real world. This is also highlighted by her tail/tale misunderstanding. I feel like Alice is an introvert because she projects her inner thoughts onto the outside world.

    2. This is the driest thing I know.

      "Dry" as in the opposite of wet is contrasted with "dry" as in uninteresting or boring. This is a subtle joke, and it is easily missed, but it highlights Lewis Carroll's use of dry wit.

    1. How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!

      Is Alice just having a natural memory lapse here, or is something supernatural messing with her forces of recollection here? True, the entire book is very likely a dream in Alice's head, and this explains the natural memory lapse, but I can't help being a little disturbed by the fact that her voice becomes hoarse and strange. This poem is Carroll's parody of "Against Idleness and Mischief" by Isaac Watts. The contrast of the lazy crocodile and the hard-working bumblebee may be revealing of Alice's true nature,as she may not be the disciplined little girl she believes herself to be.

    2. `I'm sure I'm not Ada,' she said, `for her hair goes in such long ringlets,

      This passage reminds me of something Anne Hathaway said in an interview about Alice trying to figure out who she's not by process of elimination. But her thought process is really weird here. The world around her is different, therefore she must be different. Her hair is still the same, therefore she can't be Ada. Alice still has the same physical appearance, and the same thought processes, so how could she possibly be anyone else? And I like how prideful she is when comparing herself to Mabel. It shows that she gets a lot of self-confidence from trying to be smarter than everyone else.

    1. for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket,

      Animal? Normal. Animal talking? Still normal. Animal talking with human possessions and clothing? Whoa there, horsie. I like Alice's thought progression here. The fact that an animal can speak may not be unusual to a child with a vivid imagination, but as soon as she notices that it behaves like a human and has human possessions, it suddenly becomes unusual. I wonder if there's something deep in our minds that is tuned to the difference between the natural world and the human world of material goods.

    2. `and what is the use of a book,' thought Alice `without pictures or conversation?'

      From the very beginning of the book we see a picture of Alice as a very curious, observant person. Her gravitation towards books with pictures or conversations reflects the inner child in all of us, as we like things that stimulate and excite our imagination.

  3. Jan 2016
    1. Or will we face the future with confidence in who we are, in what we stand for, in the incredible things that we can do together?

      He is making a good point here...fear and racism are making it harder for America to make progress. People in America can accomplish great things if we learn to get along.

    2. Or will we face the future with confidence in who we are, in what we stand for, in the incredible things that we can do together?

      He is making a good point here...fear and racism are making it harder for America to make progress. People in America can accomplish great things if we learn to get along.

    3. wars and depression, the influx of new immigrants, workers fighting for a fair deal, movements to expand civil rights.

      Stuff we're learning about in APUSH. Funny how relevant it is today.

  4. Nov 2015
    1. dignity

      Do suffering people really have to be hidden from our view for their dignity to be preserved? Maybe it's better that we don't see them so that we don't get disillusioned into thinking we helped them forever.

    2. The problem with voluntourism is that it treats receiving communities as passive objects of the visiting Westerner’s quest for saviordom.

      Places around the world are not passive objects. They are real people but without the resources that other countries have. Westerners have resources that other people need, but that doesn't make them "saviors".