32 Matching Annotations
  1. Nov 2023
    1. I’m getting really fond of the room in spite of the wall-paper. Perhaps BECAUSE of the wall-paper. It dwells in my mind so! I lie here on this great immovable bed—it is nailed down, I believe—and follow that pattern about by the hour. It is as good as gymnastics, I assure you. I start, we’ll say, at the bottom, down in the corner over there where it has not been touched, and I determine for the thousandth time that I WILL follow that pointless pattern to some sort of a conclusion.

      Is this a metaphor for her life starting a point untouched or innocent. But overtime she has forced herself to believe it is rather pointless in her pursuit of recovery to be happy and healthy.

    2. But I must not think about that. This paper looks to me as if it KNEW what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down. I get positively angry with the impertinence of it and the everlastingness. Up and down and sideways they crawl, and those absurd, unblinking eyes are everywhere. There is one place where two breadths didn’t match, and the eyes go all up and down the line, one a little higher than the other.

      In these paragraphs It seemed as though her mind were slipping as she spoke. As if she was deteriorating with the wallpaper.

    3. don’t like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! but John would not hear of it. He said there was only one window and not room for two beds, and no near room for him if he took another. He is very careful and loving, and hardly lets me stir without special direction. I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more.

      It doesn't seem as though she is being taken care of as much as she believes. She believes he is, yet she dislikes the room he places her in. She also mentions he takes care of her medication which is questionable giving his placement of her.

    1. I fear, since last it was We had a drop together. Welcome home!”

      This covenant made by the narrator is similar to the unsurness Adams has about the impending future and the paradigm shifts it will bring.

    2. Here there is death. But even here, they say, — Here where the dull sun shines this afternoon As desolate as ever the dead moon Did glimmer on dead Sardis,

      I felt a sense of loom coming as if a warning or precautionary tale with the sense something would be lost forever. It was not as dark in the Dynamo but I did feel the same sense of unknown in the loss of an era. It was hard to comprehend to the narrator the terror that had occurred.

    1. SEEDS in a dry pod, tick, tick, tick, Tick, tick, tick, like mites in a quarrel– Faint iambics that the full breeze wakens– But the pine tree makes a symphony thereof. Triolets, villanelles, rondels, rondeaus, Ballades by the score with the same old thought:

      the placement of the poem feels rhythmic. Almost seems like a continuity between Frost.

  2. Oct 2023
    1. From “Bow Down” come “Rise Up,” Come they Lion from the reeds of shovels, The grained arm that pulls the hands, They Lion grow.

      It almost sounds as if there is a revolt from bowing down as a domesticated animal to rising up to freeing oneself. I wonder if a rebellious connotation is in the last lines of the stanza?

    2. The repose of the hung belly, from the purpose They Lion grow.

      I wonder if he is getting at the underlying purpose for a lion everyday which ultimately is to fill their natural hunger. The lion and whatever it represents would grow naturally from its hunger and necessity to fuel itself.

    3. From the ferocity of pig driven to holiness,

      The fierceness of this line makes me believe there is a passion behind what he is saying. Which leads me to ask what does pig-driven mean?

    1. The coarse defeats the twice-refined,

      In these lines it's understood by me that the harshness in life the "course" can defeat the sweet and goodhearted the "twice refined". I see this an idea of life going in the wrong direction for no good reason. Despite our trials of pursuing whatever, it can be shattered by something course.

    2. Here lies, and none to mourn him but the sea, That falls incessant on the empty shore, Most various Man, cut down to spring no more;

      These lines opening up the poem are so significant to the rest, but are so simple and pure. The imagery places you at the shore, but not with the body because only the sea knows where he lies not to rise another morning as I interpreted it.

    3. t well may be. I do not think I would.

      The power of autonomy over our own nostalgic desires. This line suggest such strength and yet the author used "think" which implies a possibility to of him failing.

    1. nd other withered stumps of time Were told upon the walls; staring forms Leaned out, leaning, hushing the room enclosed. Footsteps shuffled on the stair. Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still.

      The motif of fragmentation is played out in these lines as Pound begins to distort time and how things will be distorted with every telling. Suggesting the telling of his own writing being distorted with every interpretation.

    2. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.

      Is his audience expected to know the translation, is it designed to make the reader get lost, or is this a quote?

    3. If there were water    And no rock    If there were rock    And also water    And water    A spring    A pool among the rock    If there were the sound of water only    Not the cicada    And dry grass singing    But sound of water over a rock    Where the hermit-thrush sings in the pine trees    Drip drop drip drop drop drop drop    But there is no water   Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you

      Fragmentation is practiced here in the description of what's happening and the setting. Pound compounds and expands his stanzas to convey a sense of ambiguousness through the read. As the reader continuously tries to place themselves they are constantly unsure.

    4. The river’s tent is broken: the last fingers of leaf Clutch and sink into the wet bank. The wind Crosses the brown land, unheard. The nymphs are departed. Sweet Thames, run softly, till I end my song. The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. And their friends, the loitering heirs of city directors; Departed, have left no addresses.

      This scene is another example of fragmentation. Because of the analogies made of nymphs departing and the world around him deteriorating. I believe Pound is saying nature is now In harm to be fragmented.

    5. And down we went. In the mountains, there you feel free.

      What are they hiding from? Why does the forest keep them safe from the towns and cities?

    6. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water.

      I feel as though I should know the meaning by the blank card on his back

    1. Some have relied on what they knew; Others on simply being true. What worked for them might work for you.

      I wonder if he is talking about death just as much as living and how you do either?

    2. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

      The stanza is written brilliantly in the way it changes the mood as if there are insidious reasons for stalking the barn on a night like this. Pushing the reader to believe there is another intention to being there other than just admiring of the nature.

    3. I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence:

      Frost leads the reader towards deciding on a path, then without notice tells the reader he's already taken the trail without telling which one he took.

    1. In those sombre forests of his striving his own soul rose before him, and he saw himself,—darkly as through a veil; and yet he saw in himself some faint revelation of his power, of his mission. He began to have a dim feeling that, to attain his place in the world, he must be himself, and not another. For the first time he sought to analyze the burden he bore upon his back, that dead-weight of social degradation partially masked behind a half-named Negro problem. He felt his poverty; without a cent, without a home, without land, tools, or savings, he had entered into competition with rich, landed, skilled neighbors. To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.

      I think the story can be related in every fashion to many Black peoples up bringing, but I wonder how much it mirrors Du Bois time growing up having these realizations? It reminds me of Henry Adams writing his piece about himself in the third person.

    2. Years have passed away since then,—ten, twenty, forty; forty years of national life, forty years of renewal and development, and yet the swarthy spectre sits in its accustomed seat at the Nation’s feast. In vain do we cry to this our vastest social problem:—

      Is Du Bois demonstrating a form of a slavery still exists forty years since Emancipation Proclamation? Does Adams believe as much as we believe technology will free us in a sense? while saying nothing has truly changed?

    3. He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.

      Although only half is spoken on but at this point in time how does Du Bois define what it means to be "American"? Would this alter from Adams?

    1. The historian was thus reduced to his last resources. Clearly if he was bound to reduce all these forces to a common value, this common value could have no measure but that of their attraction on his own mind.

      Is he talking about about some kind of common value we all feel and have an attraction for in knowledge?

    2. From Zeno to Descartes, hand in hand with Thomas Aquinas, Montaigne, and Pascal, one stumbled as stupidly as though one were still a German student of 1860. Only with the instinct of despair could one force one’s self into this old thicket of ignorance after having been repulsed a score of entrances more promising and more popular. Thus far, no path had led anywhere, unless perhaps to an exceedingly modest living.

      Is he saying that if any of these philosophers, politicians, and stoics were born in this time they would be normal modest people? Is he saying they wouldn't have mattered or is he saying they would be disgusted by what they saw?

    1. Foolish is foolish is. Birds measure birds measure stores birds measure stores measure birds measure. Exceptional firm bites. How do you do I forgive you everything and there is nothing to forgive. Never the less. Leave it to me.

      This line puts the idea of all he wrong things one can do in a few moments. The lapses of mind mid day but there's usually nothing to forgive.https://cdn.shrm.org/image/upload/c_crop,h_705,w_1254,x_0,y_0/c_fit,f_auto,q_auto,w_767/v1/People%20Managers/Making_mistakes_photo_bbe2pm?databtoa=eyIxNng5Ijp7IngiOjAsInkiOjAsIngyIjoxMjU0LCJ5MiI6NzA1LCJ3IjoxMjU0LCJoIjo3MDV9fQ%3D%3D

    1. I have eaten the plums that were in the icebox

      Sometimes as hard as it can be to hold off from something, our desires can overcome us. Longing can overcome us. Sometimes all we have that is sweet or that gives delight is a couple of plums in the icebox.

    2. sent out at fifteen to work in some hard-pressed house in the suburbs— some doctor’s family, some Elsie— voluptuous water expressing with broken

      These two stanzas remind me of young migrant and immigrant workers put to work, often beginning as children. Working to help their families make ends meet.The childhood and opportunity to leave on her own is taken away. If they don't make ends meet they get put in foster homes.Sometimes pushing them in the direction of a broken life.

    3. They enter the new world naked, cold, uncertain of all save that they enter. All about them the cold, familiar wind—

      This stanza contextually places the idea of what it would mean to be born during the hight of the depression. I'm interested to know if the year 1933 has relevance to the poem?