21 Matching Annotations
  1. Feb 2021
  2. www.newyorker.com www.newyorker.com
    1. You’ll understand that she concealed your paternity out of faith that her own inexhaustible love would be enough.

      Its interesting how much the mind wanders when you are physcally and mentally exhausted.

    2. Beauty status will not excuse, for another beauty, your appearance where you are not supposed to be.

      Suggesting you can get by with a lot based on looks, but there are lines you cannot cross. Going somewhere you are not supposd to be is dangerous.

    3. At times, the moon may appear like a surveillance device, tracking your movements.

      The moon is a beakon of hope that reminds her of her husband. She does not want to think about her husband while she is in this room.

    4. Greater proximity to the source of money and control is progress.

      We now see that her goal is to follow the money. She does not need to remain with the same man the whole time, but progress means being with the most powerful man.

    5. This joy may arise from your discovery that the moon, hard and radiant, is still aloft.

      she keeps referencing the moon because it calms her. It symbolizes hope and that things will be okay.

    6. Knowing your latitude and longitude is not the same as knowing where you are.

      metaphorical to how she doesn't know the context that she is in. Physical location is not the same as understanding her surroundings, or the people she is with.

    7. You will reflect on the fact that you’ve been guaranteed you will not be the same person.

      The author is indicating that they have to do something but have not yet said what it is, from this line we are starting to see it is probably something big.

    8. Your mind will rejoin your body when it is safe to do so.

      Its a weird concept that people can do this and have to sometimes. A coping mechanism usually, but in this case it seems to be on purpose.

    9. “I’m not sure” is acceptable only when followed, coyly, with “You’ll have to convince me.”

      She knows exactly what to say and how to act in order to get the response she wants. walking the reader through her thought process may be foreshadowing that she has ulterior motives.

    10. When you know that a person is violent and ruthless, you will see violent ruthlessness in such basic things as his swim stroke.

      This is an interesting concept about confirmation bias. When you expect something or hold certain beliefs, you tend to only then look for and see things that agree with your previously held viewpoint. This concept can easily be applied to other aspects of life

    1. , led by the second bus, make their slow way past the baby carriage with the torn red-and-blue checkered shade, which is still in the gutter

      Second time this exact imagery of the baby carriage has been used. It started out bright and pretty but now it is torn and in the gutter resembling the situation that occurred.

    2. “It was the father who pushed the son out of the way.”

      With each new person the story goes through the more it is changed. Kind of reminds me of a game of telephone where the details are slightly changed with each new retelling until the point where it is completely different than the original.

    3. “What a tragedy! If he hadn’t had the child with him, he would have made it across in time!”

      Could this have larger significance about having children in general and how they affect people's lives?

    4. I will never, never be able to forget . . .

      The lyric of the music is drilled into all of their minds because in times of crisis people tend to remember things more vividly. Its an interesting coincidence that this is the line that is playing at this exact moment.

    5. How can you say it’s my fault?” In a strained voice, the driver tries to explain, but no one pays any attention

      It is interesting to see everyone's first reaction in a time of crisis. The driver immediately thinks about culpability and the consequences to himself, some of the bystanders jump to trying to help the baby/bikers, while some of the other bystanders also jump to fault and yell to keep the scene intact for the police. I wonder what makes people react in a way of helping versus blaming.

    6. He is about forty, not a young man, and his hat is tilted slightly backward, revealing a balding forehead. Sitting in the baby carriage under the shade is a three- or four-year-old child with rosy cheeks.

      A lot of detail is used to describe the man, his bike, and the baby throughout the story. These details are not really relevant to the events in the story but really paint a clear image in the reader's head so as the accident unfolds we can picture what is happening in detail.

  3. Jan 2021
    1. they take their leave almost at a run

      It is never explicitly stated what is is, but something about the Mancuspia scares off the general public. People seem to avoid them at all costs leaving us to wonder if it is somehow connected to the headaches.

    2. . One doesn’t have to think too hard to recognize it as a Cyclamen stage, of the kind that responds to treatment in only a few minutes and braces us to get up and back to work again

      It seems like the whole story has been about working until some sort of ailment causes them discomfort and they name it as a stage. They then describe the stage and a possible treatment, then go back to work. It seems very repetitive and miserable. Their entire lives revolve around headaches and work.

    3. headaches

      First mention of headaches which should be important since it is the title of work. Author has mentioned a variety of treatments and medicines that they use that could possibly be due to the headaches.