120 Matching Annotations
  1. Jul 2020
    1. I asked them if we were not to be eaten by those white men with horrible looks, red faces, and loose hair. They told me I was not

      I believe in one of our texts or the video about the Atlantic Slave Trade, this was a common theory of white slave traders because the people they took never came back, so they thought that they were eating them.

    2. and we were totally unacquainted with swearing, and all those terms of abuse and reproach

      I believe one of the texts we read for "Context: The Wider World" mentioned that the indigenous people that they observed had swearing word or for bad acts like stealing or adultry. Maybe this was common in Africa across tribes?

    3. indeed our cleanliness on all occasions is extreme

      Although we're expected to wash our hands before eating now, I think it's important to note that it wasn't a common practice back then. One of the contributors to the Black Plague in Europe was the miseducation around hygiene so a culture that partook in similar hygienic practices as are would be seen as extreme.

    4. devoted humble servant

      Such a double edged meaning to refer to yourself as this way when talking about how the slave trade has treated you. I think it's a way to poke at how upper class people say servant in a hospitality manner while actually having servants that they treat like filth.

    5. My Lords and Gentlemen

      This was probably a common way to address readers back then and it serves as a reminder how much women were expected not to read.

    1. But I shall here only set down the substance of what passed between us concerning my own country, reducing it in order as well as I can, without any regard to time or other circumstances, while I strictly adhere to truth.

      This line makes it seems like this was an interpretation of something that actually happened to someone that Swift knew. I wonder if like Beowulf, it's a fictional story about a past that was never lived. The story leans on Gulliver's want for travelling, maybe someone didn't get to travel.

    2. I now began to be a little comforted; and took out some toys, which travellers usually carry for presents

      I notice Swift sometimes repeats details twice. I wonder if he just forgot he wrote it or if it was on purpose. Editing and proof - reading must have been the WORST back then.

    3. I was amazed to see such actions and behaviour in brute beasts

      You could extend this as a metaphor for European Colonization where those that look like brutes (as they thought all others them weren't them) are actually quite noble, while those that look like them (the yahoos) are the actual brutes.

    4. The reader may please to observe

      Swift breaks the fourth wall often. It carries on a pattern I've seen in other pieces that we read where they direct messages to the reader, add more info (like how the mathematicians figured out how many Lilliputians he was) or leave out info (like the gracious expressions to be humble) in order to make the story seem more real when read out loud.

    5. one is purple, the other yellow, and the third white

      Different translations give different colors. The audiobook I'm using to read this gave blue,red, and green. I wonder what's the significance of that little change?

    6. large enough to be a foot-cloth for your majesty’s chief room of state

      Although he promised the items back, it doesn't seem like he will get them back if they're taking inventory with additions like these.

    7. a sort of vehicles upon wheel

      He has the same kind of technological creativity as Cavendish did with how the wind sails created a faux current. In a lot of ways, Gulliver's Travels have a lot in common with The Blazing World.

    1. he accused himself for having suffered slavery so long

      This line kind of bothered me because his experience isn't really what slavery, as I've been taught, was like. He doesn't seem empathetic to the slaves around him, asking to trade slaves for his freedom. He's also treated pretty fairly and not like a slave at all. There's a lot of strange excerpts in this text where they're like "Yes he's black but he's like us! He has a Roman nose! He speaks English!" It's more like he's just stuck in a place he doesn't want to be.

    2. which apron they wear just before ’em, as Adam and Eve did the fig-leaves

      This is such a contrast to how Thomas Hariot described a similar experience

      "They are a people cloathed with loose mantles made of deer skins, and aprons of the fame round about their middles ; all else naked, of such a difference of statures only as we in England"

      You can tell the difference between cultural appreciation and viewing a culture from a colonizing lense.

    3. I was myself an eye-witness to a great part of what you will find here set down; and what I could not be witness of, I received from the mouth of the chief actor in this history, the hero himself, who gave us the whole transactions of his youth:

      I wonder if this story is actually true or if she's doing what poems/storytellers from our earlier modules would do by saying "this is true" or stating a specific detail to make it seem true to both better the story and show that it's suppose to be read aloud.

    1. there were shelves of Sand, Rocks, and other obstructions

      Maybe a way of reminding us that no one knows our world like the animals that inhabit it. Birds are the best pilots, fish are the best sailors, animals are the best hunters, etc.

    2. Some hunted are by him for deer, that’s red

      Until this line you assume that Death is cooking humans but this line makes you realize that humans are acting as gods/death when ending animals lives.

    3. Thus rests he all the day till th’sun doth set;

      It's incredible the amount of empathy one has to have towards animals to realize that most of their days are spent on survival and running towards safety. This makes me wonder if she grew up around animals?

    4. Reason, observing which way I was bent, Did stay my hand, and asked me what I meant:

      I think she's personifying the strain of writing for hours when she says she observed the way she was bent and her hand began talking to her. When the pain and the fatigue sets in hard enough, is when we ask ourselves (and our bodies ask us as well) is what we're doing truly worth it?

    1. Forsooke both flowres and fruit, when once they knew

      From this point on she uses personification to show how to seasons change in such a holy place. She begins with spring, mentioning flowers and fruit, then talking about withering plants that cry (fall) and frosted tips(winter)

    2. Who being fram’d by Gods eternall hand,

      I'm reading this as her saying "Either you're saying that God framed Eve because he would have know that she would have taken a bite, because he is the most perfect, most all-knowing being OR Eve isn't the only one to blame."

    3. Sorrow and the Graue

      Whenever they capitalize something like this, it usually has to do with a god/goddess. (Ex. many of our readings has Fortune capitalized for lady fortune.)

      Greek Goddess of Sorrow - Algea

      Greek Goddess of Death/Sleep - Thanatos, often shown as the personification of death that we commonly see

      Also, worth noting that they're both women

    4. The Naturall, the Morall, and Diuine,

      I wonder if the pattern of threes has anything to do with this line? Most likely not the Trinity but the Father, the son, and the holy spirit?

    5. Estate

      State or condition Source in this context

      It's interesting she'd use this, considering the Queen probably did have the biggest estate in Britain as well. Maybe it's to parallel her power politically as well as her power as a woman?

    6. Salue Deus Rex Judaeorum

      "Hail the king of the Jews" in English, most likely alluding that she'll be using lots of excerpts from the bible.

      Salve Deus Rex Judaeorum means "Long live the King of the Jews" so synonyms

    1. So glad of this as they, I cannot be,

      Although he wants them together but also doesn't want them together because he thinks Ferdinand is a spy, it's a bit ironic that him separating them is actually driving them closer together. I watched a psychology video that explained that parents disapproving of a relationship actually makes the lovers work harder to be together rather than just letting it run its course, particularly in the teenage years. It makes he wonder if he's acting like this on purpose to drive them closer.

    2. My master through his art foresees the danger

      I wonder what the ship passengers' relationships are to Prospero if he wants them alive. Maybe they're the men the two were talking about before that are now the new Duke's servants?

    3. Full fathom five thy father lies.

      There's alliteration in this verse to highlight a few things to Ferdinand. My guess is the betrayal of Ferdinand's father and the storm that parted them, maybe tying it together to hint to him why.

    4. What, must our mouths be cold?

      I'm guessing this is a fancy way to say "will you guys shut up?" Their mouths are cold because they're open, so that's what I'm guessing.

    1. FURTHER RESOURCES

      For anyone who is an auditory learner, here's a link to the audiobook. There are a few differences near the Robin parts but otherwise it's pretty alike. Link

    2. I cannot read, and therefore wish all books were burnt

      I figured this was probably a reflection of the times and added some historical context.

      Burning of Abbeys in Tudor and Stuart England The schism between the Church of England and that of the Roman Catholic Church reached a tipping point during the Tudor and Stuart periods of England (1485–1603, 1603–1714), when the citizens loyal to Crown and Country sacked Abbeys and Monasteries across the British countryside, and pillaged their valuable books to burn, degrade, or destroy. David Cressy's (2005) article, Book Burning in Tudor and Stuart England discussed the mechanics of these book burnings and how the enforcement was trickled down to the citizens; that everyone had a part in this "spectacle". "Over the course of the sixteenth and seventeenth centuries book burning developed from a rare to an occasional occurrence, relocated from an outdoor to an indoor procedure, and changed from a bureaucratic to a quasi-theatrical performance" Source

    3. the first day Of his creation.

      Not only is he paralleling his feelings to Adam, he's also paralleling himself to Adam. His reborn/rebirthed self is that of the first man on Earth, the closest he can be to god/the devil.

    4. Oenon

      was the first wife of Paris of Troy, whom he abandoned for the Queen Helen of Sparta. (Source)<br> Bitterly jealous, Oenone refused to aid the wounded Paris during the Trojan War, even though she was the only one who could cure him. She at last relented but arrived at Troy too late to save him. Overcome with grief, she committed suicide (Source)

    5. “Abjure this magic, turn to God again!” Ay, and Faustus will turn to God again. To God? he loves thee not; The god thou serv’st is thine own appetite,

      The whispers from the good angel and evil angel.

    6. Enter GOOD ANGEL and EVIL ANGEL.

      I wonder if this is what began the popular scene of good angel and evil angels taunting a person at crossroads, appearing on their shoulders.

    7. And necromantic books are heavenly;

      Faustus reminds me a bit of Dr. Frankenstein. Although Mary Shelly wrote it in 1818, necromancy was seen as playing with the unnatural side of life and flying too close to the sun as well.

  2. earlybritishlit.pressbooks.com earlybritishlit.pressbooks.com
    1. Strength, and Discretion

      I'm a bit confused why Strength and Discretion aren't included with Knowledge to stay until the last minute? Don't you need them to keep from sinning/temptation?

    2. They promise and nothing will do certain.

      It seems like this alludes to kin and to church as well. Many religious people at that time and now promise to do their best to not sin but when the time comes, nothing is really done.

    3. I see the more that I them forbear The worse they be from year to year;

      Although we would read this as sentences that don't rhyme, we should remember that these sentences used to be read with a different accent, as the video we watched on Shakespeare's use of the iambic pentameter way of writing poems.

      So you would pronounce this like " for-bur .... yur to yur;"

  3. Jun 2020
    1. And with His precious blood salvation bough

      A very interesting irony to bring in that Jesus' blood is suppose to be a symbol of sacrifice but it's also usually mimicked by wine and that's one of the biggest sins, according to the Pardoner.

    2. There is no man who lives beneath the throne Of God that should be then so merry as I.”

      I believe it was a sin at the time to put yourself on the same level as god.

    3. three

      He speaks in threes a lot. This is the second mention and the first was the three would slay Death. I wonder if it has to do with Pagan beliefs and the holy trinity.

    4. his wife also,

      I may be reading too much into this but describing Eve as Adam's wife and not 'our mother' or by her name is a bit sexist? Maybe it foreshadows his attitudes towards women later.

    1. March, April, and May

      I may be reading too much into this but

      3 months = holy trinity = paganism Mention of Lent for Christianity 5 husbands and the 5 virtues of a knight

    2. Things they had never done, save in my ruse.

      I read this as a conversation she had between many husbands that she caught cheating and their replies were always "well look at how many times I didn't cheat, where's my reward for that?"

    3.  Sir

      She uses Sir to reference to people. I believe only knights had the title Sir at this time? Maybe she's poking at the knightly-characteristics of romance and how the chastity of it all relates to the bondage in marriage.

    4. cleave

      This may be a possible ties to Adam and Eve? Since Eve came from Adam's rib, so she's paralleling her relationships to that referencing them as father and mother.

    1. green

      Lots of colorful imagery shown in this whole verse. Maybe it's to emphasize that his world has shown itself color since being release, emphasizing a new sense of freedom and perspective.

    2. God Mercury

      Hermes. God of Speed, messangers, and translators. Often shown with wings and gold. Also with a wand, which can explain 'sleep-bestowing wand'.

    3. snake or a thief

      Possible illusion to the bible? The snake that lured Eve into the garden and made her eat the apple. Connecting that to stealing someone's innocence as stated above for 'tormenting their innocence'.

    4. For since I may not see you, Emily, I am as good as dead; there is no remedy.

      I definitely see a tie between this Tale and Romeo and Juliet where catastrophic ends meet.

    5. God, or Fortune

      You can see here the duality in their beliefs in both Christianity and Paganism because they show both God and the Goddess of Fortune as two separate entities that exist in the same plane.

    6. That they were of the Theban blood royal, And that they had been of two sisters born.

      These lines along with the two before, there is a continuous theme of connection to the point where its even familial. It's interesting to relate two enemies as so.

    7. lamentation

      We see here a connection between the Dark Ages and Medieval Sexuality modules where grieving and warring is a big part of the times, which does lead to matters of love being scattered.

    1. Both the head and the neck they hewed off then

      In the lines where they give imagery of hunting, the diction used may be the element that makes it the first ecosystem/interactive nature poem. The words they use are very violent such as "slit, skewered, bathed in blood." Maybe this is used to convey how savage hunting can be at the magnitude they were doing it at (a crowd of men on horses with hounds and guns)

    2. a little lean of the head

      Interesting that when Arthur had the axe he extended himself to his full height but now that Gawain has the axe, he leans down to show his neck.

    3. When they had washed well they went to be seated

      Wasn't bathing/cleanliness not a common practice during this time? Very interesting addition considering the video said that the tales of Arthur were most likely written before the time it was set in.

    4. first age

      usually different definitions depending on the context (I got a lot of lord of the ring references when I tried to look it up) most likely means the beginning of their land's history

    1. So fearful am I, lest you do aught to your loss, that I may not find any comfort. Very quickly shall I die for reason of my dread. Tell me now, where you go, and on what business!

      There's a big tone switch from worry/hurt to dread and anger. This may be due to the fact that she probably thinks he's cheating but I wonder why the author chose this way of amplifying the scene.

    2. since few words are best—I will set out the adventure as briefly as I may

      The addition of this to a poem that is suppose to be read out loud is very interesting and really sets the scene that the writer wants her audience to feel as if these stories are real.

    3. There was no lord who had need of a lodging in the town, but Launfal brought him to his hall, for refreshment and delight.

      You would expect him to be reckless with his spending but this shows us that he's being quite charitable his endless amount of money. He may be a bit foolish when it comes to strangers in the forest but it seems like he has a good heart, most likely that's what will save him in the end.

    4. you tell not to any man the secret of our love

      This is interesting considering the piece we read where marriage under secrecy was considered a sin. Of course, they could be together without marriage but the imagery and how vexed he is makes me believe that he's either going to commit 'sin of the flesh' or marry her to do so without sin.

    1. The poem was over, The poet had performed, a pleasant murmur

      I wonder what the story within a story was for. Maybe used for future foreshadowing of the next beast to come?

    2. And now the timber trembled and sang

      Personification to show shaking walls that creek, referencing back to the beginning of the piece where it talks about the halls' 'timbered walls'

    3. He knows he can trample down you Danes

      I wonder what the use was of adding this line and belittling the Danes for the prince's words. If they weren't desperate for Beowulf's help, I don't think this would have gone well.

    4. Of your blade making a mizzle of his blood Or of vengeance arriving ever from this quarter—

      He challenges him to say the Grendel knows he's not threatened around him

    5. An assembly of strangers

      The guards often compliment these men while questioning their intentions. I wonder about why they chose to tell the story this way.

    6. Their heathenish hope

      Maybe this means that Grendel is God's way of punishing them for their 'pagan shrines' and the wars/violence they celebrated in the hall of Heorot.

    7. They shouldered him out to the sea’s flood

      Most likely referencing a traditional sea burial. Although the vikings tradition is known to burn a boat before a sea burial, the "sea floor" addition makes me wonder if there was another tradition they were referencing. I'm guessing they wouldn't want to send off their king in a similar fashion as the Vikings due to the historical relationship the English had to Vikings at this time.

    8. why the first audience of Beowulf liked to hear stories about people routinely classified as damned.

      In many creative works, the anti-hero can be just as interesting as the hero. In popular culture, Dexter and Hannibal are killers but we still hold onto our seats when they're threatened of being caught. In literature works like The Stranger by Albert Camus, we strangely still wish the best for our anti-hero even though he lacks emotion and self-awareness. Therefore, if the story is good, the audience will be interested in hearing about the damned.

    1. Wulf is on one island, I am on another.

      At first I thought this was another story about war or the loss of someone because of it but this line and the last 3 made me see that it's a love story. Still a sad one though.

    2. best of eulogies

      This line along with the lines below it is telling every man that living will be your best mark on the world and the best thing someone can say about you is retelling your legends.

    3. swan’s song

      Use of alliteration in this poem is much heavier than the first one. Possibly the heaviest use in the book. Maybe the author wanted us to 'hear' something about this piece.

    4. where I, far or near, could find him who

      The poem talks about his loneliness and even his appreciation for it but this line suggests that he sees the act of finding company as easy. Or maybe this suggests that this is common among people (due to feudalism and such).

    5. dispenser of treasure

      Possible use of kenning? perhaps a path to treasure like a map can be a dispenser of treasure or a lover can be a dispenser of treasure if you value love.

    6. I know as truth that it is a noble custom for a man to enchain his spirit’s close,

      We get a glimpse into the culture of the Dark Ages that still rings true today. The use of toxic masculinity that makes it a 'noble custom' to a man to not voice his feelings or to close himself up (keeping his spirit closed) to the world.