12 Matching Annotations
  1. Mar 2021
    1. ‘It is impossible, Mr Wrayburn. How can I think of you as being on equal terms with me? If my mind could put you on equal terms with me, you could not be yourself. How could I remember, then, the night when I first saw you, and when I went out of the room because you looked at me so attentively? Or, the night that passed into the morning when you broke to me that my father was dead? Or, the nights when you used to come to see me at my next home? Or, your having known how uninstructed I was, and having caused me to be taught better? Or, my having so looked up to you and wondered at you, and at first thought you so good to be at all mindful of me?’

      I really like the way that Dickens' wrote this paragraph. Even though it is just her dialogue, I can see the emotions in her face. He does a great job of painting the picture of what she is feeling on an emotional level.

    2. holy wedlock

      When I read this, I had to stop for a moment to reread it. At least for myself, the term wedlock has a negative connotation due to the fact that I have only every really heard it within the phrase of "out of wedlock". Because of this, it took me a moment to remember that wedlock was once commonly used to simply say marriage.

    3. Bella put another of those finger-seals upon his lips, and then said, kneeling down by him as he sat at table: ‘Now, look here, sir. If you keep well up to the mark this day, what do you think you deserve?

      The way that she is using her finger seals and taking her time walking him to breakfast reminds me of a daughter buttering up her father for something she wants. A picture of the present day "Daddy, I love you..." way of trying to make sure they are in a good mood before asking for something.

    4. she heard the tender river whispering to many like herself, ‘Come to me, come to me! When the cruel shame and terror you have so long fled from, most beset you, come to me! I am the Relieving Officer appointed by eternal ordinance to do my work; I am not held in estimation according as I shirk it. My breast is softer than the pauper-nurse’s; death in my arms is peacefuller than among the pauper-wards. Come to me!’

      I love the way that Dickens gives life to the river. While we all obviously know that the water doesn't call you, it is not uncommon to feel as though something like the water, be it the forest, a field, or another such inhuman thing calling at your heart or soul. Nature is a common escape for people when things in their life get tough, and that is exactly what is happening here.

    5. As for the children of the union, their experience of these festivals had been sufficiently uncomfortable to lead them annually to wish, when out of their tenderest years, either that Ma had married somebody else instead of much-teased Pa, or that Pa had married somebody else instead of Ma. When there came to be but two sisters left at home, the daring mind of Bella on the next of these occasions scaled the height of wondering with droll vexation ‘what on earth Pa ever could have seen in Ma, to induce him to make such a little fool of himself as to ask her to have him.’

      I find it a bit funny that they wish their parents each married someone else, because if that had happened, they themselves would not exist. I understand not getting along or liking one of your parents, but with the way that it is worded, it comes across in a way that kinda makes me laugh. If their wish was to come true, they would have never been born.

    6. ‘Yes, sir. If I was young, it would all have to be gone through again, and the end would be a weary way off, don’t you see? But never mind me; ‘tis concerning Sloppy.’

      I find this comment interesting mainly because she is saying that she is glad that her younger days are over and she is closer to the end. Most people that I know always say to enjoy your younger days, because when they are gone you will want them back. Along with that, I don't know that I have met very many people who are ready for the end. In fact, many people are scared of the end and want to live as much as possible before then.

    7. To see Hexam’s sister

      It seems that every time he refers to her, he calls her Hexam's sister. While this may be a factual way of identifying her, I am surprised that he uses it. We see him thinking about how much he is in love. He is struggling to have any form of self control when it comes to her, yet he doesn't use her name. Usually when someone is so completely enchanted with or in love with someone they wouldn't use something so unattached as identifying someone as their relation to someone instead of their name.

    8. Fledgeby’s mother offended her family by marrying Fledgeby’s father. It is one of the easiest achievements in life to offend your family when your family want to get rid of you.

      I found this interesting mainly because of how much I think it is true. Whenever there is someone who is looking for a way to get you out of their life, it is so easy to give them reason. When someone loves you or genuinely wants you to be a part of their life, they will look past a lot of your mistakes and shortcomings. Quite the opposite is true when they are looking for an out though. This is very much the case of Fledgeby's mother. Her family was looking for a way to get rid of her, so one misstep on her part was enough to give them reason to push her out the door.

  2. Feb 2021
    1. The school at which young Charley Hexam had first learned from a book—the streets being, for pupils of his degree, the great Preparatory Establishment in which very much that is never unlearned is learned without and before book—was a miserable loft in an unsavoury yard. Its atmosphere was oppressive and disagreeable; it was crowded, noisy, and confusing; half the pupils dropped asleep, or fell into a state of waking stupefaction; the other half kept them in either condition by maintaining a monotonous droning noise, as if they were performing, out of time and tune, on a ruder sort of bagpipe. The teachers, animated solely by good intentions, had no idea of execution, and a lamentable jumble was the upshot of their kind endeavours.

      For a school with a name such as Preparatory Establishment, i expected much more from it that what Dickens describes. Form the name of the name of the school, I expected it to be something closer to a fancy boarding school where the students are well off, well behaved, and get very good grades. Instead, in this school, it seems like not much learning is actually done if the students are always falling asleep and everyone just goes about with a monotonous tone. It is interesting to see how my brain made certain assumptions about a school just from the name.

    2. ‘If he’s gone and made off any how Lawyer Lightwood, it’s enough to make me give way in a different manner. But he always was a cheat, con-found him! He always was a infernal cheat, was Gaffer. Nothing straightfor’ard, nothing on the square. So mean, so underhanded. Never going through with a thing, nor carrying it out like a man!’

      I find it interesting how the majority of the time, when people want to paint a character as someone who is untrustworthy or a cheat, they make it evident through their whole personality. In real life, I feel like the people who have these traits are pretty commonly good at hiding it. It is something you don't tend to discover until it is too late and you have already fallen victim.

    3. ‘Out of the question! We have come into a great fortune, and we must do what’s right by our fortune; we must act up to it.’

      In this statement, we see how appalled she is at the idea of working because they have come into money. This very much so gives the idea the idea that if you have a certain kind of money, work is out of the question. It is treated as if work is beneath her simply because it is no longer a need. She is too good to have a job.

  3. Jan 2021
    1. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror.

      I find it interesting how Dickens actually uses a lack of detail in order to create imagery into what the characters look like. For the most part, I feel that authors use the beginning of the book to give you as many details as possible in order to set the scene and give you a picture of what the characters look like. Dickens does something a little different here. He gives the minimum amount of details possible. This allows him to set parameters for important details, but other wise let the reader use their own imagination.