29 Matching Annotations
  1. Apr 2019
    1. many

      Can I actually make a blanket claim about African-Americans?

    2. Like I'm going for my prom or somethin'

      Meek references a loss of childhood.

    3. nigga

      This is a direct quote from the song. For the purposes of capturing Meek's intended message with the song, the original word has been left as it was written and recorded.

    4. new jails got ten yards in 'em and that's your first down

      Meek makes reference to football.

    5. percs

      Meek makes a reference to the drug Percocet, a highly addictive opioid that enjoys numerous references in contemporary Hip-Hop.

    1. AI music “combines stochastic processing, genetic algorithms and planning to compose music that contains both structure and elements of randomness.” (Crawford, 2016)

      OUT OF OUR CONTROL - so much to unpack.

    1. Max/MSP is an object-oriented programming language for audiovisual applications. It's "object-oriented" because each little black box is an object, which performs a certain function or operation. The objects are connected together via "patch-cords".

      This stuff is SO COOL - I want to learn how to use it. I was left wanting an expansion on this idea of each box being an object with its own job - parallels songs in an album, instruments in an orchestra, notes in a key.

    1. but every piece of music to come out for the past 20 years use MIDI protocols in one way or another and a lot of them use virtual instruments as well, just good ones!

      I understand this as, MIDI is a robotizing way of communicating information - but the "good" sounds that MIDI's produce, that we LIKE, are also robotic - There seems to be tons of room for discussing the zoe-politics (maybe not the right word?) of this - who likes what, why, what criteria do we used to decide what is good and what is bad music?

    2. quantized

      awesome word

    3. basically just send information about (1) what note should be played, (2) at what velocity, (3) for how long.

      Check out the "Noise" definition in the posthuman glossary

    4. send each other information about sound

      Through what materiality? (just a question, you can completely ignore)

    5. ollaborations between humans and machines

      Great quote - allowing the machinery to make its own music.

    6. We don’t play music, we play programming

      Does programing play us?

    1. the musical work

      I am thinking about this issue too. How has the sacred "album" been transformed by this auditory distance?

    2. auditory distance

      This feels like a really cool/pertinent concept. The distance between sound in the natural world, the devices that record it, the code that processes it, the platform on which we consume it - this is a HUGE line of translation that must of some complex power dynamics, right?

    3. Kramer

      Who is this?

    4. This is a process that happens any time music information is sent to and processed by a computer.

      Maybe room for antihumanist critiques here? In the form of the vitalist materiality of the wave - it has a natural form that, because we enjoy SOME of them, is simplified and made to sound (for our ears) nice. Just a thought.

    5. necessarily

      necessitated by what? for the computer on one hand to understand it, but also for us so the process is quick and we dont have to wait? i have no idea but those are two things that came to mind

    1. See the example of a voice without autotune and with autotune. Or, Google's "Piano Genie". 

      For an example of what? The idea in the previous quote?

    2. Kevin Lagrandeur

      Who is this?

    3. machines-as-tools

      what has it become if machines are no longer being used as tools?

    4. human exceptionalism in art and in music. 

      what is human exceptionalism in art and music?

    5. future of music?

      this question enabled you to think about the positives and negatives

    6. The human is dragged further and further away from the actual creation through the increasing prevalence of machines in music-making.

      This stands as a cool argumentative lens through which you are going to approach the project. Again, I almost wanted to be able to click on this statement and go to a different slide with some more theory behind it.

    7. contradictory

      Why? How so? What makes them contradictory? I feel like this could be it's own slide all together - WHY IS TECH THREATENING MUSIC, that could be a whole different path

    8. deeply

      wording - "are seen as deeply human process" or "are deeply human in nature" , or whatever you want! just an idea

    9. “the expression or application of human creative skill and imagination […] producing works to be appreciated primarily for their beauty or emotional power.”

      Who is the speaker on this quote? Braidotti? I would tag the source or do what you did above (Author last name, page #)

    10. What does posthuman music look like?

      Jump to music here seems a little quick - what about MUSIC in particular in subject to the vitalist materialist principles rather than other mediums? Can music be understood as an "expensive" or "privileged" form of art due to its high overhead costs on equipment?

    11. "Music history might be understood better as a kind of variation form rather than solely in terms of linear development."

      Strong quote - i think the non-linear aspect is really well expressed in the main idea map above. But, what is the quote designed to do? To set up the rest of the section? I am thinking through the same issues; how does the first set of information you provide set the tone of the whole slide? Is it worth having less slides with more information or more slides with less information? All just food for thought Q's i'm struggling with myself.