"It's pronounced Jif® ." The tweet linked to, what else, a multi-colored GIF flashing the same phrase.
Clever. But still sad. I still like Gif.
"It's pronounced Jif® ." The tweet linked to, what else, a multi-colored GIF flashing the same phrase.
Clever. But still sad. I still like Gif.
"Graphics Interchange Format. Graphics. Not Jraphics. #GIF #hardg," wrote Web designer Dan Cederholm.
YES! Thank you.
Steve Wilhite created the Graphics Interchange Format, or GIF, while working for Compuserve in 1987. On Tuesday, he received a Webby Award for it and delivered his five-word acceptance speech (that's all the Webbys allow) by flashing a GIF on the big screens at the Cipriani Wall Street in New York.
Good history to know.
Those short, animated loops that have captivated the Web for decades? They're pronounced like a brand of peanut butter.
NOOOOOOOOOOOOOOOOOOOOOOOOO. My heart just shattered.
In this tutorial, you’ll learn how to use GIMP’s layers in a different manner. Unlike it’s default composite function, using GIMP as an animation package requires you to think of every layer as of an animation frame. We’ll discuss the two different frame disposal methods later on. For now let us think about every layer as of a separate frame.
I honestly cannot STAND Gimp. It's the cheap, cop-out to Photoshop, and it gave me such a hard time, that I ended up just going to the computers in the convergence center and used the Photoshop software that's available to us as students. I realize that we may not always have that access, but in this case, I'd choose to do that, as opposed to dealing with the weird set-up and constant crashing that Gimp has to offer.
Now it's time for the fun stuff. Photoshop is an extremely powerful tool for editing images, and you can do just about everything to the individual frames of the animation that you can do with regular images. We won't be covering that, but if you're going to this much trouble, it's worth it to explore. However, to make a simple animated GIF:
I find that using photoshop is a lot more successful, and even a little more simple as compared to other ways to craft your GIF. Plus, this was the first way that I was taught how to do it, so it resonates with me.
It’s about taking the elegance of a still photo and telling a deeper story. It’s about freezing time.
It really feels like you're living in that moment, putting it all on slow-mo, and taking it all in. All the elegance, all the story.
We were working on a fashion shoot for a magazine and the word Cinemagraph just came up, and it just worked. It seemed to capture the romance and dramatic element and resonated with everyone in an emotional way.
It really does seem to tap into that emotional side; it just makes sense, especially when I think moving pictures, I think going to the cinema.
a new photographic medium
A whole new world. I love seeing people passionate about new and innovative art forms.
It could be considered a really crude Cinemagraph, but there is a picture of New York City street that I call “Living City.” I shot it with my iPhone out of a high rise. I saw cars going by and I froze different areas and allowed animation in others with the idea that the city is always living. The ability to capture that with both a moving and still image led to what was ahead.
The first cinema graph! This was the first one I saw when doing my research on them, and it's amazing!
Hashtags are not only a means to having discussions but also a useful teaching tool that people organize around to distribute popular education.
Basically the thesis statement of this article: the hashtag has power and organizes knowledge, specifically within the BLM movement.
Making knowledge public through social media is a means through which we can find ways to empower our communities through an informed awareness.
Hence the reason for the hashtag, to constantly bring that awareness to the topic, exporting, "knowledge to the public through social media."
#NotYourAsianSidekick because I’d rather base build with fellow Asian Americans than rely on allies, who have a history of being absent,”
This is sad, but true. And I think being out loud about the fact that people not being discriminated against often hide in the shadows, or retaliate against the bigotry more quietly, is very good. #activism2
But in conversations about #NotYourAsianSidekick, two seemingly conflicting facts stand out. The first is that a global movement around Asian-American feminism has been ignited. The second is that this movement is more than several decades old. Asian-American feminists have been battling these issues for generations, activist scholar Mari Matsuda tweeted yesterday: “We theorized #NotYourAsianSidekick ideas since the 70’s but kids gotta learn it from a damn hashtag. Still no Asian Am Studies at most U’s.” Matsuda, who like Yuri Kochiyama and Grace Lee Boggs, has a strong history of activism — actual picketing and taking to the streets — and her point was a good one. One of the reasons we are marginalized is because battles hard-fought by activists like Matsuda are undernourished.
This is a really telling piece of this article. Many people of say the older generation are saying, "All of this wasn't around when I was your age," which I think is so false. They have fighting racism and toting the "Not Your Asian Sidekick" flag for 40 years and over, and NOW it's finally getting understood through a HASHTAG. This really proves the power of the hashtag, even in just this one instance. #activism2
One of the things I like most about thinking of an enslaved black stormtrooper army alongside the Turner/Denmark Vesey-like rebellion leader Finn is that this encompasses Afrofuturism’s ability simultaneously to imagine the black past, present and future alongside one another.
This blew my mind. The idea of reliving the past, as well as living in the now, and imagining one's self in the future... The notion of walking out what was before, as well as what is happening in the present day, and in a way, predicting what's to come: crazy.
So take heart. If you don’t like the impact that our grading system has on you and your students, you don’t have to tolerate it anymore.
I think it's important to have options within the grand scheme of the grading scale process. I will indeed not "tolerate it anymore."
In the end, I’m happy to trade a slightly higher grade distribution for more work from students.
I believe that's what education in general is about; it's about the student doing their absolute best and actually working towards a goal, and in this case, having the ability to do extra work to improve their score.