111 Matching Annotations
  1. Dec 2025
    1. Nevertheless, as he was in many ways a most valuable person to me, and all the time before twelve o’clock, meridian, was the quickest, steadiest creature too, accomplishing a great deal of work in a style not easy to be matched—for these reasons, I was willing to overlook his eccentricities, though indeed, occasionally, I remonstrated with him.

      [INT] Example of the lawyer only valuing his employees for their work force.

    2. Explore Bartleby

      Referencing code: [INT]: Personal comments, interpretations [STY]: Stylistic comments [SCH]: Scholarly comments

      Scholarly Works Cited - Kuebrich, David. “Melville’s Doctrine of Assumptions: The Hidden Ideology of Capitalist Production in ‘Bartleby.’” The New England Quarterly, vol. 69, no. 3, 1996, pp. 381–405. - Ngai, Sianne. Ugly Feelings. Harvard UP, 2005. - Ngai, Sianne. Theory of the Gimmick. Harvard University Press, 2017 - Tseng, Chia-Chieh Mavis. “The Poetics of Refusal: Bartleby’s Language and the Violence of Signification in ‘Bartleby, the Scrivener.’” Journal of Interdisciplinary Cultural Studies, vol. 2, 2025, pp. 305–313. - Verdicchio, Massimo. “‘Bartleby the Scrivener’: An Allegory of Reading.” Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée, Sept. 2018. - Žižek, Slavoj. The Parallax View. MIT Press, 2006.

    3. Yes, Bartleby, stay there behind your screen, thought i; I shall persecute you no more; you are harmless and noiseless as any of these old chairs; in short, I never feel so private as when I know you are here.

      [INT/SCH] The lawyer encourages the separartion between him and his subordinate. Yet, as Ngai has illustrated exactly Bartleby's nothingness makes him so attainable: "Indeed, the aversion that Bartleby elicits from the Lawyer, which the Lawyer is then compelled to manage with the affects of conviviality and charity, involves a disattendability so exaggerated that the disattendability itself comes to demand attention. We might say that for all his passivity, Bartleby is finding a way to make to make himself intolerable" (Ngai "Ugly Feelings", 337).

    4. His steadiness, his freedom from all dissipation, his incessant industry (except when he chose to throw himself into a standing revery behind his screen), his great, stillness, his unalterableness of demeanor under all circumstances, made him a valuable acquisition.

      [INT] Though his passivity angers the lawyer, Bartleby's behavior still mesmerizes him. This is a prime example of Bartleby as a stuplime figure, who dumbfounds the people around him but leaves them with an "open feeling" (Ngai "Ugly Feelings", 284).

    5. the most trivial errand of any sort

      [INT / SCH] The lawyer acknowledges the triviality of the work he puts upon his clerks, yet he is utterly dumbfounded if one of them does not comply. As Žižek proclaimes, Bartleby's passive refusal showcases how the system is failing with nonparticipation (384).

    6. The ambition was evinced by a certain impatience of the duties of a mere copyist, an unwarrantable usurpation of strictly professional affairs, such as the original drawing up of legal documents.

      [INT / SCH] Nippers could be described in Ngai's terms as "gimmicky": The Gimmick, for Ngai, is an inherently capitalist aesthetic; the gimmick encapsulates tensions in how labor, time and value are perceived under capitalism and its alluring drive for efficiency ("Gimmick", e.g., 468, 505).

    7. But I waive the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener of the strangest I ever saw or heard of.

      [INT] Introduction of Bartleby as an uncommon copyist.

    8. Then sir,” said the stranger, who proved a lawyer, “you are responsible for the man you left there. He refuses to do any copying; he refuses to do any thing; he says he prefers not to; and he refuses to quit the premises.”

      [INT] The new lawyer who is now renting the narrator's old Wall Street offices confirms that Bartleby is still on the premises, refusing any copying.

  2. Nov 2025
    1. In the morning, one might say, his face was of a fine florid hue, but after twelve o’clock, meridian—his dinner hour—it blazed like a grate full of Christmas coals; and continued blazing— but, as it were, with a gradual wane—till 6 o’clock, p.m. or thereabouts, after which I saw no more of the proprietor of the face, which gaining its meridian with the sun, seemed to set with it, to rise, culminate, and decline the following day, with the like regularity and undiminished glory.

      [STY] Long, exhaustive sentences: Bore and confuse the reader -> stuplime (Ngai).

    2. Now, valuing his morning services as I did, and resolved not to lose them; yet, at the same time made uncomfortable by his inflamed ways after twelve o’clock; and being a man of peace, unwilling by my admonitions to call forth unseemly retorts from him; I took upon me, one Saturday noon (he was always worse on Saturdays), to hint to him, very kindly, that perhaps now that he was growing old, it might be well to abridge his labors; in short, he need not come to my chambers after twelve o’clock, but, dinner over, had best go home to his lodgings and rest himself till teatime.

      [STY] Long, exhaustive sentences: Bore and confuse the reader -> stuplime (Ngai).

    3. Whereas with respect to Turkey, I had much ado to keep him from being a reproach to me. His clothes were apt to look oily and smell of eating-houses. He wore his pantaloons very loose and baggy in summer. His coats were execrable; his hat not to be handled. But while the hat was a thing of indifference to me, inasmuch as his natural civility and deference, as a dependent Englishman, always led him to doff it the moment he entered the room, yet his coat was another matter.

      [STY] Minute detail.

    4. Ginger-nuts are so called because they contain ginger as one of their peculiar constituents, and the final flavoring one. Now what was ginger? A hot, spicy thing. Was Bartleby hot and spicy? Not at all. Ginger, then, had no effect upon Bartleby. Probably he preferred it should have none.

      [STY] Comical rambling.

    5. I would prefer not to.” “You will not?” “I prefer not.” I

      [SCH] The linguistic importance of the "would prefer": This response neither demands nor expresses desire. However, his apparent politeness is illusory. Bartleby refuses to provide the kind of submissive, socially expected reply, such as “Could you please excuse me from this task because... (and provide an acceptable reason).” (Kuebrich 309) ; "In his refusal of the Master’s order, Bartleby does not negate the predicate; rather, he affirms a non-predicate: he does not say that he doesn’t want to do it; he says that he prefers (wants) not to do it. This is how we pass from the politics of “resistance” or “protestation,” which parasitizes upon what it negates, to a politics which opens up a new space outside the hegemonic position and its negation (Žižek 381-382).

    6. One prime thing was this,—he was always there;—first in the morning, continually through the day, and the last at night.

      [INT] Bartleby's continuous presence can be interpreted along the lines of the entrenchment of the capitalist work ethic into the everyday. When compared with the aims of this project, Batleby being "always there" can be read analogous to us being "always there" in digital spaces -> Crary's notion of the 24/7.

    7. Now, the utterly unsurmised appearance of Bartleby, tenanting my law-chambers of a Sunday morning, with his cadaverously gentlemanly nonchalance, yet withal firm and self-possessed, had such a strange effect upon me,

      [INT] Bartleby's appearance, his seeming untouchedness of the strangeness of the situation leaves the lawyer perplexed -> Stuplimity.

    8. Somehow, of late I had got into the way of involuntarily using this word “prefer” upon all sorts of not exactly suitable occasions. And I trembled to think that my contact with the scrivener had already and seriously affected me in a mental way.

      [SCH] Bartleby's language has infiltrated the workspace: "With each repetition, “I would prefer not to” gains an inexplicable power, becoming increasingly compelling and irresistible. Bartleby’s persistent, almost incantatory response subtly permeates the daily language of the narrator and his colleagues" (Kuebrich 309).

    9. "Not yet; I am occupied.”

      [INT] Even though the lawyer has paid Bartleby to leave, etsbalished that Bartleby is fired and thus not allowed to work or live on the premises of the office anymore, Bartleby still remains there.

      [SCH] Importance of "I am occupied" for contemporary culture: This negative declaration confronts the narrator of Herman Melville’s 1853 short story “Bartleby, the Scrivener,” when he tries to unlock the door to the Wall Street law firm that he himself owns" (Castronovo 253).

    10. Also, when a Reference was going on, and the room full of lawyers and witnesses and business was driving fast; some deeply occupied legal gentleman present, seeing Bartleby wholly unemployed, would request him to run round to his (the legal gentleman’s) office and fetch some papers for him. Thereupon, Bartleby would tranquilly decline, and yet remain idle as before. Then the lawyer would give a great stare, and turn to me. And what could I say? At last I was made aware that all through the circle of my professional acquaintance, a whisper of wonder was running round, having reference to the strange creature I kept at my office. This worried me very much.

      [INT] The lawyer worries about his social reputation and professional standing of Bartleby were to stay in his office..

    11. There would seem little need for proceeding further in this history. Imagination will readily supply the meager recital of poor Bartleby’s interment.

      [INT] The coda conlcudes with an external report that the narrator was given after Bartleby's death: Apparently, Bartleby had been employed at a Dead Letter Office in Washington before, meaning that he had to talke care of letters addressed at people already deceived. Before applying for a job at the lawyer's office, he was let off surprisingly, presumably leading him to lose his fortune and maybe also his social ties. That would explain his peculiar isolated situation when he came into the story's plot, but the exact circumastances remain for speculation.

    12. “Lives without dining,” said I, and closed his eyes. “Eh!—He’s asleep, aint he?” “With kings and counselors,” murmured I.

      [INT] Contrary to what the other characters assumed, Bartleby is, in fact, already dead. Only the lawyer notices it.

    13. “His dinner is ready. Won’t he dine to-day, either? Or does he live without dining?”

      [INT] Bartleby apparently also refused to eat, to consume anything. He is close to dying.

    14. “I am the grub-man. Such gentlemen as have friends here, hire me to provide them with something good to eat.”

      [INT] A grub-man is a person who provides food of higher quality to prisoners who can afford it. The grub-man is another result of the capitalist circumstances and class differences in New York at the time the story is set.

    15. “It was not I that brought you here, Bartleby,”

      [INT] Active denial of responsibility on the lawyer's side. American virtues like self-reliance and Protestant ethics of hard work and merit guide the lawyer in his assessment.

    16. “I know you,” he said, without looking round,—"and I want nothing to say to you.”

      [INT] This is the first time Bartleby expresses a different emotion other than dispreference or nonchalance - he expresses active dislike or even resentment. Clearly, he understands what the lawyer does not; that the lawyer's obedience to the capitalist system has played a significant role in why and how Bartleby ended up in prison.

    17. And so I found him there, standing all alone in the quietest of the yards, his face towards a high wall, while all around, from the narrow slits of the jail windows, I thought I saw peering out upon him the eyes of murderers and thieves.

      [INT] For the lawyer, Bartleby does not belong in prison - technically, he did not commit any grave crimes but nobody knew what else to do with a person that does not fit into society. As in the office, Bartleby is staring at a brick wall, seemingly disinterested in his surroundings.

    18. I opened it with trembling hands. It informed me that the writer had sent to the police, and had Bartleby removed to the Tombs as a vagrant.

      [INT] As a federal response to Bartleby not leaving the premises of his old work, he was sent to prison. Prison - over 100 years ago until now, present day USA, is the place system crashers like Bartleby are being put if they do not comply with society's (capitalist) demands.

    19. had now done all that I possibly could, both in respect to the demands of the landlord and his tenants, and with regard to my own desire and sense of duty, to benefit Bartleby, and shield him from rude persecution.

      [INT] The lawyer gives up trying to persuade Bartleby, consoling himself with the thought that he had done "everything that he possible could" for everyone involved- the community, Bartleby and, most importantly, his own conscience.

    20. I am not particular

      [SCH] "Bartleby declines all of these offers and so his complaint seems to be more fundamental than mere personal preference. Three times Bartleby simply states: "I am not particular." Melville spins a pun on the adjective. On the one hand, Bartleby is saying that he is not particular, or "choosey," about the work he does; his dissatisfaction is not with the work environment or the nature of the work but with the employer-employee relationship.On the other hand, by stressing that he is not "particular," Bartleby is also asserting that he is not "unique" but a member of a class: dependent, wage-earning employees" (Kuebrich 400).

    21. “What are you doing here, Bartleby?” said I. “Sitting upon the banister,”

      [INT] Bartleby's answer, like always, is blunt and straightforward -> comical element, even though plot turns more and more sour.

    22. “These gentlemen, my tenants, cannot stand it any longer; Mr. B—” pointing to the lawyer, “has turned him out of his room, and he now persists in haunting the building generally, sitting upon the banisters of the stairs by day, and sleeping in the entry by night.

      [INT] Now thrown out of the offices but still living in the building, Bartleby proves to be a "burden" for the community.

    23. Since he will not quit me, I must quit him. I will change my offices; I will move elsewhere; and give him fair notice, that if I find him on my new premises I will then proceed against him as a common trespasser.

      [INT] Lawyer concludes that the only way of getting rid of Bartleby is not by offering him motives to move out, but to move his own offices elsewhere. Since Bartleby is not dependent on his labor for the lawyer anymore, but much more dependent on the office as a place to live, the lawyer thinks by moving offices, Bartleby is simply not a problem for him anymore.

    24. Poor fellow, poor fellow! thought I, he don’t mean any thing; and besides, he has seen hard times, and ought to be indulged.

      [INT] Lawyer's pity still the most obvious motive behind his actions.

    25. Men have committed murder for jealousy’s sake, and anger’s sake, and hatred’s sake, and selfishness’ sake, and spiritual pride’s sake; but no man that ever I heard of, ever committed a diabolical murder for sweet charity’s sake.

      [INT] Lawyer gets so aroused that he considers murder as option for dealing with Bartleby's "inhumane" stubbornness.

    26. I could not but highly plume myself on my masterly management in getting rid of Bartleby. Masterly I call it, and such it must appear to any dispassionate thinker. The beauty of my procedure seemed to consist in its perfect quietness.

      [INT] The lawyer is utterly content with his "kind" handling of the Bartleby-situation.

    27. “Bartleby,” said I, “I owe you twelve dollars on account; here are thirty-two; the odd twenty are yours.—Will you take it?” and I handed the bills towards him.

      [INT] In economic-charitable demeanor, the lawyer offers Bartleby money for leaving him.

    28. Decently as I could, I told Bartleby that in six days’ time he must unconditionally leave the office.

      [INT] Bartleby is thrown out the premises, with him now being no productive part of the enterprise anymore.

    29. At last, in reply to my urgings, he informed me that he had permanently given up copying. “What!” exclaimed I; “suppose your eyes should get entirely well— better than ever before—would you not copy then?”

      [INT] Bartleby refuses work.

    30. The next day I noticed that Bartleby did nothing but stand at his window in his dead-wall revery. Upon asking him why he did not write, he said that he had decided upon doing no more writing.“Why, how now? What next?” exclaimed I, “do no more writing?” “No more.” “And what is the reason?” “Do you not see the reason for yourself,” he indefferently replied. I looked steadfastly at him, and perceived that his eyes looked dull and gazed.

      [INT] Bartleby has gotten sick and now totally refuses to work.

    31. “Bartleby, never mind then about revealing your history; but let me entreat you, as a friend, to comply as far as may be with the usages of this office. Say now you will help to examine papers to-morrow or next day: in short, say now that in a day or two you will begin to be a little reasonable:—say so, Bartleby.”

      [INT] Lawyer aims at forging a more personal relationship to his worker by calling him a "friend", but only in order for him to go after his labor properly again. The forged empathy stems out of a economic desire.

    32. “At present I prefer to give no answer,”

      [SCH] Bartleby modifies his answer. This has been interpreted as a form of empathizing with his boss, or at least seeing his efforts in trying to understand his situation: "These passages are important because they show not only that Bartleby is personally touched by the intimations of a more personal or caring employer but also that he is not, as various critics have proposed, schizophrenic, autistic, or suffering from some other form of personality disorder (Kuebrich 402).

    33. “Will you tell me, Bartleby, where you were born?” “I would prefer not to.” “Will you tell me any thing about yourself?” “I would prefer not to.”

      [INT] The lawyer attempts to find out more about his clerk, in trying to relate to him, he humanizes Bartleby. Bartleby however refuses to let his boss know anything about himself -> [SCH]: Lack of biography of protagonist questions narrative ground stones (Verdicchio 440).

    34. And when at last it is perceived that such pity cannot lead to effectual succor, common sense bids the soul rid of it. What I saw that morning persuaded me that the scrivener was the victim of innate and incurable disorder.

      [INT] Bartleby's behavior does not fit the social norms and thus the lawyer deems him mentally ill.

    35. My first emotions had been those of pure melancholy and sincerest pity; but just in proportion as the forlornness of Bartleby grew and grew to my imagination, did that same melancholy merge into fear, that pity into repulsion

      [INT] Pity transfroms into repulsion. The lawyer's empathy is restricted and Bartleby's perceived irrationality and his physical circumstances make the lawyer uneasy.

    36. yet I had never seen him reading—no, not even a newspaper; that for long periods he would stand looking out, at his pale window behind the screen, upon the dead brick wall; I was quite sure he never visited any refectory or eating house; while his pale face clearly indicated that he never drank beer like Turkey, or tea and coffee even, like other men; that he never went any where in particular that I could learn; never went out for a walk, unless indeed that was the case at present; that he had declined telling who he was, or whence he came, or whether he had any relatives in the world; that though so thin and pale, he never complained of ill health.

      [INT] Description of Bartleby's peculiarities.

    37. remembered that he never spoke but to answer

      [STY / INT] Bartleby's role does not require much language, it is limited to responding. This again highlights his mechanicity.

    38. For the first time in my life a feeling of overpowering stinging melancholy seized me. Before, I had never experienced aught but a not-unpleasing sadness. The bond of a common humanity now drew me irresistibly to gloom. A fraternal melancholy! For both I and Bartleby were sons of Adam

      [INT] First instance of direct comparison between the lawyer and Bartleby on the grounds of their inherent humanity that the lawyer however phrases through Biblical analogy. Despite their difference in class, the lawyer reflects on their humanness, yet because their difference in class, this reflection is limited to pity.

    39. What miserable friendlessness and loneliness are here revealed! His poverty is great; but his solitude, how horrible! Think of it. Of a Sunday, Wall-street is deserted as Petra; and every night of every day it is an emptiness. This building too, which of week-days hums with industry and life, at nightfall echoes with sheer vacancy, and all through Sunday is forlorn. And here Bartleby makes his home; sole spectator of a solitude which he has seen all populous—a sort of innocent and transformed Marius brooding among the ruins of Carthage!

      [INT] Upon discovering that Bartleby indeed lives in the office and must be homeless, the lawyer is again swept by pity and acknowledges Bartleby's alienation and loneliness. Bartleby becomes more and more human in the narrator's eyes.

    40. when to my consternation a key was turned from within; and thrusting his lean visage at me, and holding the door ajar, the apparition of Bartleby appeared, in his shirt sleeves, and otherwise in a strangely tattered dishabille, saying quietly that he was sorry, but he was deeply engaged just then, and—preferred not admitting me at present.

      [INT] To the lawyer's surprise, Bartleby seems to be living in the office spaces, as he unexpectly meets him when just wanting to check on the premises on a Sunday.

    41. “Very good, Bartleby,” said I, in a quiet sort of serenely severe self-possessed tone, intimating the unalterable purpose of some terrible retribution very close at hand.

      [INT] The lawyer's pity has transformed into anger.

    42. He is useful to me. I can get along with him. If I turn him away, the chances are he will fall in with some less indulgent employer, and then he will be rudely treated, and perhaps driven forth miserably to starve. Yes. Here I can cheaply purchase a delicious self-approval. To befriend Bartleby; to humor him in his strange willfulness, will cost me little or nothing, while I lay up in my soul what will eventually prove a sweet morsel for my conscience.

      [INT] The lawyer wants to soothe himself in recognizing Bartleby's workforce. The only way he feels empathy towards Bartleby is still in economic terms, pairing charity with economic worry in proclaiming that without his job, Bartleby would be off worse.

    43. Meanwhile Bartleby sat in his hermitage, oblivious to every thing but his own peculiar business there.

      [INT] Yet another instance of the lawyer seeing Bartleby only as a worker, not as a human being.

    44. And for his (Nippers’) part, this was the first and the last time he would do another man’s business without pay.

      [INT] Bartleby's refusal at the same time means more labor for his colleagues.

    45. I pondered a moment in sore perplexity. But once more business hurried me. I determined again to postpone the consideration of this dilemma to my future

      [INT] The demands of the capitalist everyday are so grand, holding still for reflection is impossible -> Similar to the demands of late-stage capitalism and the digital attention economy.

    46. “what do you think of this? Am I not right?”

      [INT] The lawyer asks his other clerks for their opinion on Bartleby's refusal. The dynamics in the workplace are organized in a way that prohibits solidarity.

    47. You are decided, then, not to comply with my request—a request made according to common usage and common sense?”

      [INT] Capitalist logic and social setting are perceived to be "common sense". In his refusal, Bartleby questions this naturalization.

    48. It is labor saving to you, because one examination will answer for your four papers. It is common usage. Every copyist is bound to help examine his copy. Is it not so?

      [INT] Rational reasons do not suffice to persuade Bartleby.

    49. A few days after this, Bartleby concluded four lengthy documents, being quadruplicates of a week’s testimony taken before me in my High Court of Chancery.

      [INT] Though he refused one task, Bartleby still does what is asked of him, initially.

    50. His face was leanly composed; his gray eye dimly calm. Not a wrinkle of agitation rippled him. Had there been the least uneasiness, anger, impatience or impertinence in his manner; in other words, had there been any thing ordinarily human about him, doubtless I should have violently dismissed him from the premises

      [INT] Bartleby's calmness and firmness is perceived as inhumane.

    51. “Prefer not to,” echoed I, rising in high excitement, and crossing the room with a stride. “What do you mean? Are you moon-struck?

      [INT] The lawyer cannot find any rationale in Bartleby's refusal, he is too stunned.

    52. I sat awhile in perfect silence, rallying my stunned faculties. Immediately it occurred to me that my ears had deceived me, or Bartleby had entirely misunderstood my meaning.

      [INT] The lawyer first believes it to be physically impossible for Bartleby to state refusal as he did.

    53. It was on the third day, I think, of his being with me, and before any necessity had arisen for having his own writing examined, that, being much hurried to complete a small affair I had in hand, I abruptly called to Bartleby. In my haste and natural expectancy of instant compliance, I sat with my head bent over the original on my desk, and my right hand sideways, and somewhat nervously extended with the copy, so that immediately upon emerging from his retreat, Bartleby might snatch it and proceed to business without the least delay.

      [INT] On the third day of Bartleby's employment, the lawyer needs him to revise a document in terms of naturalized, capitalist demands: fast, so he. as the boss, could proceed with other (more meaningful) tasks "without the least delay."

    54. It is, of course, an indispensable part of a scrivener’s business to verify the accuracy of his copy, word by word. Where there are two or more scriveners in an office, they assist each other in this examination, one reading from the copy, the other holding the original. It is a very dull, wearisome, and lethargic affair.

      [INT] Description of the labor of scriveners as "dull, wearisome, and lethargic."

    55. But he wrote on silently, palely, mechanically.

      [INT] Bartleby initially seems to be motivated to work but does so "mechanically" without breaks. A humanization of the worker does not take place.

    56. owing to subsequent erections, commanded at present no view at all, though it gave some light.

      [INT] Bartleby's desk is set facing the window looking out on the brick wall only, while the lawyer installs an artificial screen so that the two cannot see but only hear one another. The lawyer proclaims this separation is done for privacy reasons, but from a critical point of view, this act can be interpreted as one of the manifestations of alienation and class difference.

    57. In answer to my advertisement, a motionless young man one morning, stood upon my office threshold, the door being open, for it was summer. I can see that figure now— pallidly neat, pitiably respectable, incurably forlorn! It was Bartleby.

      [INT] Bartleby is hired in response to an advertisement for another copyist. He is described as a "motionless young man" who presents himself neatly, what pleases the lawyer.

    58. Ginger Nut, the third on my list, was a lad some twelve years old. His father was a carman, ambitious of seeing his son on the bench instead of a cart, before he died.

      [INT] Ginger Nut is a 12-year-old, who is mainly occupied with the tasks of a runner-boy and used to cater the office with sweets.

    59. It was fortunate for me that, owing to its peculiar cause—indigestion— the irritability and consequent nervousness of Nippers, were mainly observable in the morning, while in the afternoon he was comparatively mild. So that Turkey’s paroxysms only coming on about twelve o’clock, I never had to do with their eccentricities at one time.

      [INT] The lawyer understands the (in)ability of his clerks to be productive at the same time with pity but is content that at least, they complement eachother so that there is no huge loss of labor time and revenue. He only sees his clerks in terms of profitmaking, not in terms of their humanity.

    60. The truth was, I suppose, that a man of so small an income, could not afford to sport such a lustrous face and a lustrous coat at one and the same time.

      [INT] The lawyer reflects upon class differences. This is one of the only times he does so, though.

    61. The indigestion seemed betokened in an occasional nervous testiness and grinning irritability, causing the teeth to audibly grind together over mistakes committed in copying; unnecessary maledictions, hissed, rather than spoken, in the heat of business; and especially by a continual discontent with the height of the table where he worked.

      [SCH] The lawyer sees Nipper's habit to grind his teeth as a sign of his nervousity, yet as Kuebrich has elaborated, this habit could rather be interpreted as a repercussion of the capitalist workplace on the individual (392).

    62. Nippers, the second on my list, was a whiskered, sallow, and, upon the whole, rather piratical-looking young man of about five and twenty.

      [INT] Nippers is a 25-year-old copyist who is described as overly nervous but ambitious.

    63. Turkey was a short, pursy Englishman of about my own age, that is, somewhere not far from sixty.

      [INT] Turkey is about 60 year old like the narrator and a rather energetic presumed alcoholic who works dilligigently in the mornings but becomes more and more unuseful and clumsy in the afternoons.

    64. At the period just preceding the advent of Bartleby, I had two persons as copyists in my employment, and a promising lad as an office-boy. First, Turkey; second, Nippers; third, Ginger Nut.

      [INT] Introduction of the other clerks: Turkey, Nippers, and Ginger-Nut.

    65. At one end they looked upon the white wall of the interior of a spacious skylight shaft, penetrating the building from top to bottom. This view might have been considered rather tame than otherwise, deficient in what landscape painters call “life.” But if so, the view from the other end of my chambers offered, at least, a contrast, if nothing more. In that direction my windows commanded an unobstructed view of a lofty brick wall, black by age and everlasting shade;

      [INT] "Life" is excluded from the office premises. Clear physical separation of "life" and labor. The surroundings of the office present a rather dull/depressing environment: One window of his wallstreet office only looks at a brick wall.

    66. lose my temper; much more seldom indulge in dangerous indignation at wrongs and outrages; but I must be permitted to be rash here and declare

      [INT] Self-ascription of the lawyer as someone who is generally peaceful and shys away from overly loud conflict.

    67. I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquility of a snug retreat, do a snug business among rich men’s bonds and mortgages and title-deeds. All who know me, consider me an eminently safe man.

      [INT] Self-ascription of the narrator as a person who values efficiency, tranquility and moderateness.

    68. it is fit I make some mention of myself, my employées, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented.

      [INT] Before the plot starts, the narrator sets the scene of the surroundings. A description of his office and other clerks will follow for the reader to better grasp in what kind of situation Bartleby was put in.

    69. I believe that no materials exist for a full and satisfactory biography of this man. It is an irreparable loss to literature.

      [INT] It is immediately established that Bartelby is a man nobody, not even the narrator knows basically anything about.