4 Matching Annotations
  1. Apr 2026
    1. In my view, emotion in a reader derives from reception of aclear rendering of primal human experiences: fear of death, de-sire, loss of love, celebration of being. To spark emotion, a poetmust strive to attain what Aristotle called simple clarity. The worldthat the reader apprehends through his or her senses must beclearly painted, even if that world is wholly imaginary, as, say, inmuch of the work of Wallace Stevens

      Because emotions are natural to man, every person can relate in some way. Those emotions have to be expressed in a clear, understandable way. This is important so that one can apply their own emotion to the author's versatile way of describing emotion, rather than this complicated, obscure, & niche emotion only a few select feel.

    2. And the poem hints attremendous feeling—the letter so passionately typed that the peri-ods have pounded holes in the paper. But never does the poet fur-nish the information required by the reader to understand and,thereby, feel moved.

      Karr does not say that emotion is just enough. When a poem lacks the indication of who is speaking, the poet has failed their job. The emotion is lost among the reader, because it cannot be applied to any voice or person within the poem.

    3. Ialwaysthoughtthatpoetry’sprimary purposewastostiremotion, andthatone’s delightindense idiomorsyntaxoral-lusion servedasecondaryone.

      I think this point is interesting, because often in writing, & especially poetry, Authors try to incorporate as many decorations as possible. Oftentimes, that can lead to the business of a poem that complicates rather than expresses. I love Karr's point about how the primary purpose is to invoke emotion, rather than these formal elements orchestrated to ornament the poem, yet often leads the poem to be lost among the readers.

  2. osu.instructure.com osu.instructure.com
    1. I think this point is interesting, because often in writing, & especially poetry, authors trie to sew in & incorporate as many figures of speech as they can. Often times, that can lead to the business of a poem that complicates rather than expresses. I love how Karr holds the invoking of emotion as the higher priority, rather than these formal elements that are so intentionally orchestrated to ornate, yet sometimes it is lost among the readers